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Archive for category: Art Business

From Studio to Collector

Art Business, Artist Process

The Journey of a Painting: From Studio to Collector

When people visit my studio or see one of my paintings hanging in a gallery, they are usually looking at either the very beginning or the very end of a painting’s journey. What they don’t see is everything that happens in between, from studio to collector.

An original painting has a life of its own. It begins as an idea, grows through weeks, months and even years of creative work, travels through galleries and exhibitions, and eventually finds its place in someone’s home. Every painting follows a different path, and that journey is one of the things I love most about being an artist.

From Studio to Collector

Brandy Saturley working in the studio at RCA London, UK

Every Painting Begins with an Idea

Long before I pick up a brush, I am collecting ideas.

They come from road trips across Canada, walks along the beaches of Vancouver Island, conversations with people I meet, memories, photographs, and pages of sketchbooks. Sometimes an idea appears unexpectedly. Other times it quietly follows me for years before I finally understand what it wants to become.

Many of my paintings are inspired by places that have left a lasting impression, from the rugged coastlines of Newfoundland to the Rocky Mountains and the familiar landscapes of my home on Vancouver Island. I have always been fascinated by the symbols that tell Canada’s story. Wildlife, iconic landmarks, hockey, the Hudson’s Bay stripes, vintage signs, and everyday objects all become part of a visual language that continues to evolve in my work.

By the time I stretch a canvas, the painting has often been taking shape in my mind for much longer than anyone realizes.

Drawing and laying down the blueprint on canvas – Brandy Saturley

Bringing the Painting to Life

Once the canvas is prepared, the real conversation begins.

Painting is rarely a straight line from idea to finished artwork. Compositions change. Colours shift. Elements are added, removed, or painted over. Sometimes the painting leads me in a completely different direction than I originally intended.

One of the questions I am asked most often is, “How do you know when a painting is finished?”

The answer is difficult to explain. At some point the painting simply stops asking for more. The composition feels balanced, the story feels complete, and I know there is nothing left to add. Learning to recognize that moment has taken years of experience.

Underpainting and colour blocking the canvas – Brandy Saturley

Giving the Painting Its Identity

When the painting is complete, another creative decision remains.

Every painting receives a title.

Sometimes the title identifies a place. Sometimes it hints at a story or emotion. Occasionally it adds another layer of meaning that viewers discover only after spending time with the work. A title becomes part of a painting’s identity and travels with it for the rest of its life.

From Studio to Collector

finishing and photographing a painting – Brandy Saturley

From Studio to Collector: Preparing for the World

Before a painting is ever exhibited or offered for sale, there is a surprising amount of work happening behind the scenes.

The painting is professionally photographed so its colours and details are accurately represented. I record its dimensions, medium, and completion date, update my inventory, prepare a Certificate of Authenticity, and write about the inspiration behind the work. It is then added to my website or delivered to one of the galleries that represents my work.

These details may seem administrative, but they become part of the painting’s provenance and help document its place within my career.

From Studio to Collector

The Chair of Contemplation – finishing a painting – Brandy Saturley

Finding Its Audience

This is where every painting’s journey becomes unique.

Some paintings find a collector almost immediately. Others spend months, or even years, travelling between galleries and exhibitions before meeting the right person.

Over the past twenty years, my paintings have travelled far beyond my Parksville studio. They have been exhibited across Canada, shown in the United Kingdom, included in corporate and public collections, and discovered by collectors from around the world.

I’ve learned that every painting has its own timeline. There is no such thing as a painting that is “waiting too long.” Sometimes it is simply waiting for the person who connects with its story.

From Studio to Collector

Art in exhibition – Brandy Saturley

Finding a Home

One of the greatest rewards of being an artist is hearing why someone chose a particular painting.

Sometimes it reminds them of a place they once lived or a memorable journey they took across Canada. Sometimes it reflects their love of wildlife or their connection to the Canadian landscape. Occasionally the reason is wonderfully simple.

“It just makes me happy.”

Art has a remarkable ability to become personal. Once a painting leaves my studio, it becomes part of another family’s story. It hangs in living rooms where conversations unfold, in offices where ideas are born, and in homes where children grow up seeing the same artwork every day.

That thought never gets old.

From Studio to Collector

Art in homes – Brandy Saturley

The Final Journey

Before a painting begins its next chapter, it makes one final trip from my studio.

It is carefully wrapped, protected in a wooden crate, insured, and shipped, whether it is travelling across British Columbia or crossing an ocean to a collector in another country. Every package carries weeks or months of creative work, but also years of experience, research, and the quiet hope that the painting will arrive safely.

Sending a painting off is always bittersweet. There is excitement knowing it has found its new home, but there is also a small moment of letting go. After spending so much time together, the painting is no longer mine.

Brandy Saturley with her art shipping crate

Where the Story Really Begins

People often think the story of a painting ends when it is sold. I think that’s when the most meaningful chapter begins.

Every original painting continues its life long after it leaves the studio. It becomes part of someone’s everyday world. It witnesses family celebrations, quiet mornings, changing seasons, and countless ordinary moments that slowly become memories.

As artists, we create the work. But collectors give it a life beyond the easel. Every painting begins with an idea. Its true journey begins when it finds its forever home.

July 20, 2026
https://www.brandysaturley.com/wp-content/uploads/2026/03/people-discussing-art.jpg 1000 1500 Brandy Saturley https://www.brandysaturley.com/wp-content/uploads/2020/10/brandysaturley_logo.png Brandy Saturley2026-07-20 14:36:492026-07-20 14:38:27From Studio to Collector

Canada’s Leading Art Auction Houses

Art Business

A Guide to Canada’s Leading Art Auction Houses

Every few weeks I find myself browsing the latest auction catalogues from Canada’s major auction houses. Partly out of curiosity, partly as research, and partly because there is something exciting about seeing Canadian masterpieces come back into the public eye. Auction houses occupy a fascinating place in the art world. They don’t discover artists the way galleries do. Instead, they tell the story of an artist’s legacy, revealing what collectors value years or even decades after a painting first leaves the studio.

Canada has a vibrant secondary art market that quietly shapes the value of Canadian art. While commercial galleries introduce artists to collectors through primary sales, Canada’s leading art auction houses tell a different story. They reveal what collectors are willing to pay years later, which artists continue to appreciate in value, and how tastes evolve over time.

Whether you’re an experienced collector, an artist curious about the secondary market, or someone considering buying your first historical Canadian painting, understanding Canada’s major auction houses is an excellent place to begin.

Canada's Leading Art Auction Houses

Under A Borealis Sky, c. 2011 Acrylic 30 x 40 x 1.5 in – Brandy Saturley

Why Auction Houses Matter

Unlike galleries that represent living artists, auction houses specialize in reselling works that are already in private collections. Every sale contributes to an artist’s market history, creating public records of prices realized and helping collectors understand long-term value.

For many collectors, auction catalogues have become educational resources. They provide provenance, exhibition history, scholarly essays, and detailed condition reports, making them invaluable references for anyone interested in Canadian art.

Canada's Leading Art Auction Houses

Goalie’s Mask: red, white & Dryden (The Goalies Mask Painting), c. 2011 Acrylic 48 x 36 x 1.5 in – Brandy Saturley

Heffel Fine Art Auction House

If there is one name synonymous with Canadian art auctions, it is Heffel.

Founded in Vancouver in 1978, Heffel has grown into Canada’s largest fine art auction house, with offices across the country. The company dominates the market for historical Canadian art, particularly works by the Group of Seven, Emily Carr, Tom Thomson, Jean Paul Riopelle, and other blue-chip Canadian artists. Heffel reports having sold more than half a billion dollars’ worth of Canadian art since its founding and consistently holds the largest share of Canada’s fine art auction market.

One of Heffel’s greatest strengths is its ability to attract museum-quality masterpieces. Their catalogues are beautifully produced, their research is meticulous, and their marketing reaches collectors around the world.

Some remarkable results include:

  • Lawren Harris’ Mountain Forms, which sold for over $11.2 million, setting a Canadian auction record.
  • Lawren Harris’ The Old Stump, Lake Superior, which realized $3.51 million.
  • Numerous record prices for works by Emily Carr, Franklin Carmichael, A.J. Casson, and Jean Paul Riopelle.

Best known for:

  • Group of Seven
  • Emily Carr
  • Tom Thomson
  • Canadian historical masters
  • First Nations and Inuit art
  • High-end contemporary Canadian art
Canada's Leading Art Auction Houses

A Landscape To GO, c. 2017 Acrylic on wood panel 30 x 30 x 1.5 in – Brandy Saturley

Cowley Abbott

Toronto-based Cowley Abbott has quickly established itself as one of Canada’s premier auction houses after being founded by former specialists from Sotheby’s Canada.

Their approach feels slightly different from Heffel’s. While they certainly handle major historical works, Cowley Abbott has built a reputation for presenting thoughtfully curated collections and introducing important private collections to the market.

In 2023, the auction house achieved a landmark moment with the sale of a private Canadian art collection that realized more than $36 million, setting a Canadian record for the sale of a private collection. Nearly thirty artist auction records were broken during the series of sales.

Cowley Abbott also has an excellent reputation for publishing informative catalogues and providing accessible market data for collectors.

Best known for:

  • Important private collections
  • Historical Canadian paintings
  • Canadian and international art
  • Detailed market research
Canada's Leading Art Auction Houses

The Red We Carry, c. 2026 Acrylic On Canvas 30 x 30 x 1.5 in – Brandy Saturley

Waddington’s

Founded in 1850, Waddington’s is Canada’s oldest auction house and has been conducting dedicated Canadian art auctions since the late 1960s.

Unlike some competitors, Waddington’s has an incredibly broad range of departments. In addition to Canadian fine art, they regularly auction:

  • Contemporary art
  • Photography
  • Inuit art
  • Indigenous art
  • Decorative arts
  • Jewelry
  • Rare books
  • Wine
  • Asian art

This diversity attracts a wide collector base.

For collectors beginning their journey, Waddington’s can be an approachable place to discover emerging artists alongside established historical names. Their Canadian Art department regularly offers works by the Group of Seven, David Milne, Marc-Aurèle Fortin, and leading contemporary Canadian artists.

Best known for:

  • Canada’s oldest auction house
  • Diverse collecting categories
  • Canadian historical art
  • Contemporary Canadian art
  • Inuit and Indigenous art

Poppies For Louise (an ode to Lake Louise), c. 2011 Acrylic 36 x 48 x 1.5 in – Brandy Saturley

Hodgins Art Auctions

Based in Calgary, Hodgins Art Auctions has developed a loyal following among Western Canadian collectors.

The company specializes in Canadian historical paintings, Indigenous art, and Western Canadian artists. Because they often focus on regional collections, interesting discoveries regularly emerge that might not appear in larger international sales.

Collectors looking for Alberta artists, prairie painters, and historical Canadian works often watch Hodgins closely.

Best known for:

  • Western Canadian art
  • Historical Canadian paintings
  • Regional private collections

On Guard (hockey Canada flag), c. 2013 Acrylic 24 x 36 x 1.5 in – Brandy Saturley

Levis Fine Art Auctions

Operating from Calgary, Levis Fine Art Auctions has become another respected player in Western Canada.

Levis frequently offers paintings by Canadian historical artists, Inuit sculpture, Indigenous art, and contemporary Canadian painters. Their sales often feature strong selections at accessible price points, making them popular with both seasoned and first-time collectors.

Canadian Landscape Art Reimagined

Gateway to The World, c. 2026 Acrylic On Canvas 18 x 48 x 1.5 in – Brandy Saturley

Canada’s Leading Art Auction Houses: What Makes Each Auction House Different?

Although all of these companies sell Canadian art, each occupies its own niche.

Heffel leads the market for museum-quality masterpieces and record-setting sales.

Cowley Abbott excels at presenting exceptional private collections with scholarly research and strong storytelling.

Waddington’s offers tremendous breadth, making it attractive to collectors interested in everything from historical landscapes to contemporary photography.

Hodgins and Levis provide strong representation of Western Canadian art and often uncover regional treasures.

What Artists Should Know About Auctions

Many emerging artists assume that appearing at auction is always positive. The reality is more nuanced.

Auction prices establish a public record. Strong demand can reinforce an artist’s market, but inconsistent results may also affect perceptions of value. For this reason, many commercial galleries carefully manage when and how their artists’ works enter the secondary market.

For established artists, however, auction sales become an important chapter in their legacy. They provide transparency, historical documentation, and a fascinating record of how collectors value an artist’s work over decades.

Final Thoughts

Canada’s auction houses preserve far more than paintings. They preserve stories.

Every catalogue documents collectors, exhibitions, estates, and the changing tastes of Canadians. Together they form a living archive of our artistic heritage.

Whether you’re searching for a masterpiece by Emily Carr, watching the market for contemporary Canadian painters, or simply learning how art values evolve over time, following Canada’s major auction houses offers a fascinating window into the country’s cultural history.

The next record-breaking Canadian masterpiece may already be hanging quietly in someone’s living room, waiting for its moment beneath the auctioneer’s hammer.

July 8, 2026
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April Issue Oceanside Arts

Art Business, Art Magazines

The Oceanside Arts Magazine – April 2026 Issue

Over the past several months, I’ve been contributing a series of articles exploring the rise of regional artists across Canada – shifting the spotlight beyond the familiar centres of Toronto, Montreal, and Vancouver, and into the rich creative ecosystems found in smaller communities.

This latest issue of Oceanside Arts Magazine brings together a compelling range of voices and perspectives, each shaped by place, lived experience, and the act of making. We open with a featured conversation with Octavio Ribeiro, whose work – spanning figure, interior, and cityscape – reflects a lifetime of observation, technical exploration, and an intuitive response to his subjects.

April Issue Oceanside Arts

January Issue Oceanside Arts

Throughout the issue, readers are invited into the personal journeys of artists working across diverse mediums. Zana Ancerl Jefferies offers insight into a multidisciplinary practice rooted in design, intention, and meaning, while profiles of artists such as Emma Paveley and Elissa Anthony reveal how creative paths evolve over time through experience, place, and persistence.

A strong sense of place runs like a current through these pages. Features such as Looking at Nova Scotia and Travelling for Art’s Sake: Egypt explore how landscape, history, and culture shape artistic expression. Meanwhile, A Vibrant Collective of More Than 20 Artists reflects on the energy and connection found within shared creative environments.

April Issue Oceanside Arts

February Issue Oceanside Arts

Other pieces turn inward, exploring creativity as a form of reflection and storytelling. Cantaloupe and Other Local Legends highlights the role of narrative in artistic practice, while Art Therapy examines the powerful link between creativity, healing, and emotional expression.

The issue also celebrates the broader arts landscape. Echoes of Salt and Story weaves together music and storytelling in an immersive performance grounded in coastal traditions. Closer to home, At the MAC shines a light on the McMillan Arts Centre as a dynamic hub for exhibitions, learning, and creative engagement in the Oceanside region. Together, these stories form a layered portrait of contemporary creative life in Canada and beyond.

April Issue Oceanside Arts

March Issue Oceanside Arts

April Issue Oceanside Arts

In this issue, I’m pleased to share my interview with Nova Scotia-based artist Dave Barrer. Known for his bold, stylized interpretations of iconic Canadian landscapes, Barrer’s work blends realism with graphic design sensibilities – resulting in large-scale, dramatic compositions of mountains, sky, and coastline. His early experiences guiding canoe trips along the Mattawa and Ottawa River systems continue to inform his deep connection to the Canadian wilderness.

In our conversation, we explore his distinctive outlining technique, which lends his landscapes a striking, pop-infused edge.

Please enjoy this month’s issue.

April Issue Oceanside Arts

Read more of my writing about the Arts in Canada on my top Canadian Art Blog, Iconography.

April 1, 2026
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West Coast Art Magazine

Art Business, Art Magazines

Oceanside Arts Issue 3 – A West Coast Art Magazine Rooted in Place

On the eastern shores of Vancouver Island lies Oceanside, a coastal region shaped by salt air, long horizons, and a pace of life that invites reflection. Encompassing the City of Parksville and the Town of Qualicum Beach, along with Nanoose Bay, Coombs, Errington, French Creek, Bowser, Deep Bay and Qualicum Bay, the region forms a vibrant cultural corridor within the Regional District of Nanaimo.

Oceanside has long attracted collectors, artists, and cultural patrons drawn to its luminous coastline and contemplative atmosphere. A remarkable concentration of creative talent has taken root here, supported by the dedicated advocacy of the Oceanside Arts Council. At its heart stands the McMillan Arts Centre, a historic schoolhouse transformed into a dynamic arts hub housing three galleries and educational space that fosters both emerging and established voices.

Now in its third issue, Oceanside Arts magazine reflects this thriving ecosystem. While grounded in regional programming and artists, its scope extends outward, connecting readers to art travel and cultural initiatives across Canada and beyond.

West Coast Art Magazine – Oceanside Arts

This issue highlights the practices of Elfrida Schragen, Kyle J. Bennett, Elspeth Pratt, and Sarah Beck, alongside thoughtful features on community engagement. Nazanin Shoja reflects on her 15-year involvement with BC Culture Days, and Diane Moran shares insights into Mindfulness in May, a youth exhibition in Qualicum Beach. Readers are also transported to Petra, Jordan, and invited into the Harvard Art Museums to explore the Forbes Pigment Collection, 2,500 historic pigments examined through an audio tour led by conservation experts.

For collectors, publications like Oceanside Arts offer more than coverage. They provide context. They trace the threads between artist, place, and patron, illuminating the cultural fabric that gives artwork lasting resonance.

On the West Coast, the tide carries more than water. It carries stories.

West Coast Art Magazine

Oceanside Arts Magazine Issue 3

March 2, 2026
https://www.brandysaturley.com/wp-content/uploads/2026/03/Kyle-J-Bennett.jpg 915 710 Brandy Saturley https://www.brandysaturley.com/wp-content/uploads/2020/10/brandysaturley_logo.png Brandy Saturley2026-03-02 14:18:172026-03-02 14:18:17West Coast Art Magazine

Oceanside Arts Magazine

Art Business, Art Magazines

A Publication of the Oceanside Community Arts Council – Oceanside Arts Magazine

The Oceanside Community Arts Council (OCAC) is a collective of arts professionals serving the Oceanside region of Vancouver Island, including Qualicum Beach, Parksville, Nanoose Bay, and Nanaimo. The council plays a vital role in supporting and promoting art, music, and culture across the region, while also providing essential funding and programming support for The MAC (MacMillan Arts Centre), the area’s public art gallery.

Parksville, located within the community of Oceanside on Vancouver Island.

Through exhibitions, performances, classes, workshops, and community initiatives, OCAC fosters meaningful connections between artists and the public, helping to sustain a vibrant and accessible arts ecosystem in the Oceanside region.

Oceanside Arts Magazine

Oceanside Arts Magazine

Recently, OCAC launched Oceanside Arts Magazine, a monthly publication dedicated to celebrating the creativity, culture, and artistic life of the region and beyond. With this second issue, the magazine continues to take shape as a dynamic platform for artists, writers, and arts organizations to share work, ideas, and perspectives that reflect the richness of contemporary creative life on Vancouver Island and across Canada. Rooted in the belief that the arts are essential to a healthy, connected community, each issue features artist profiles, exhibition highlights, interviews, critical perspectives, and opportunities for engagement through galleries, performances, studio tours, and workshops.

I am pleased to be a regular contributor to Oceanside Arts Magazine, writing a series focused on regional arts and artists across Canada. Drawing on my extensive national arts network, I will be sharing stories from local arts communities and exploring how creative practices and markets are evolving beyond major urban centres.

Oceanside Arts Magazine

In this second issue, I begin with Beyond the Big Three: Why Regional Voices Are Reshaping Canadian Art Collecting, an exploration of art markets and artistic activity outside the familiar metropolitan hubs of Toronto, Montreal, and Vancouver.

You can read the current edition here. You can read more articles by Brandy Saturley here.

February 3, 2026
https://www.brandysaturley.com/wp-content/uploads/2026/02/oceanside-arts-magazine.jpg 534 710 Brandy Saturley https://www.brandysaturley.com/wp-content/uploads/2020/10/brandysaturley_logo.png Brandy Saturley2026-02-03 15:24:012026-02-03 15:30:03Oceanside Arts Magazine

Artist On The Road

Art Business, Artist Residency, Georgia O'Keeffe

In The Steps of O’Keeffe – Artist on The Road to Santa Fe

If you have been reading this blog and following my work you know my obsession with Georgia O’Keeffe. It began in youth, intensified when I saw a retrospective of her works at the Vancouver Art Gallery. It then deepened with seeing her work at the Metropolitan Museum of Art in New York City. Now, after many years and more paintings, I am on my way to Santa Fe, do you know the way? Beginning in Victoria, Canada and ending in Santa Fe, New Mexico, we are headed out on the next journey. This trip will take us to the heart of the southwest art world, and one of the largest art markets in the USA, after New York City and Los Angeles. I’m an artist on the road, once again.

Artist On The Road

Cow’s Skull: Red, White & Blue – Georgia O’Keeffe, 1931

Over the years I have painted homage works to many of the greats, beginning with Goalie’s Mask; red, white and Dryden. Known as the ‘Goalie’s Mask Painting’, it is a composition and comment inspired by a famous work by O’Keeffe. When I first saw, Cow’s Skull: Red, White and Blue at the Metropolitan Museum of Art in NYC, I was surprised at how small it is, as with many famous works, grand in their infamy yet not in their size. Painted in 1931, this beautiful oil painting is visceral and moving, especially when you are close enough to see the scratches of the artists’ brush.

Artist On The Road

Goalie’s Mask: Red, White & Dryden, Brandy Saturley, 2011

Tired of the hustle and bustle of city life, O’Keeffe sought solace in the tranquil landscapes of Lake George, New York, and later, New Mexico. It was during her initial visit to the Southwest in 1929 that her artistic focus shifted from urban architecture to the natural wonders of New Mexico. In this particular piece, O’Keeffe captures the essence of a single skull, accentuating its rugged contours, weathered textures, and pale hue. To her, these bones symbolized the enduring allure of the desert and the resilience of the American ethos, hinted at by the striped backdrop. In 1949, O’Keeffe made New Mexico her permanent home, where she resided until her passing in 1986.

Artist on the Road

Georgia O’Keeffe, Ghost Ranch, New Mexico, 1968 – Arnold Newman

Georgia O’Keeffe in Maui – Artist on The Road

While Santa Fe is the homeland and final resting place, Maui was another favourite place the artist painted. I discovered a book written by Maria Ausherman from interviews with Patricia Jennings, about world famous painter, and one of my favorites, Georgia O’Keeffe. The book,  Georgia O’Keeffe’s Hawaii  , focuses on three month’s in 1939 when O’Keeffe visited Hawaii including Maui, as guest of the Dole Pineapple company as they had commissioned her to paint an image for their advertising campaign. I retraced the steps of O’Keeffe and also came home with sketches and photos that would become a painting, a visual story, of my time soaking up Maui.

Artist on the Road

IAO, acrylic on canvas painting, 2018, Brandy Saturley

Connections with Lawren Harris

After this trip I began to dream about and see connections between the work of O’Keeffe and Canada’s luminary of the landscapes, Lawren Harris. While I have yet to find evidence of their world’s connecting, they certainly knew of one another. I found a paper online by Sara Angel, that explored the possibility of a connection between the two modernist painters. In the spring of 1938 Harris drove more than 3000km to relocate to Santa Fe, which is not surprising as the area is celebrated for it’s stunning landscapes.

Artist on The Road

Natural Affinities – O’Keeffe and Ansel Adams

This exhibition and the companion text, examine the connections and friendship between the iconic painter and landscape photographer Ansel Adams. Produced by The Smithsonian, Natural Affinities examines the friendship of two artists who were attracted to the distinct landscape of the American southwest and were committed to depicting its essence with modernist sensibilities.

San Francisco de Assisi , Santa Fe, Ghost Ranch New Mexico, Georgia O’Keeffe – Ansel Adams

It’s Good to Have Goals

Places I would like to live other than Vancouver Island – Maui, Santa Fe, Maui. I saw this pop up in my memories the other day, thank you Facebook, a reminder that I am on the path that I speak out loud, or at least to Facebook. While I have made my life and career as an artist on Vancouver Island as my home base, it has never stopped me from travelling for my art career. Now nearly twenty years in, I am looking at mid-career and where I would most like to see myself living and painting for the next twenty. Ideally the goal has always been  split between Maui and Vancouver Island, but I have longed to spend time in the high desert of Santa Fe and on some level deep down, I know I will feel at home in this Southwestern landscape filled with vivid Indigenous cultures and colours.

Black Mesa Landscape, New Mexico / Out Back of Marie’s II, 1930 – Georgia O’Keeffe

The Time Has Come – Artist on The Road

After years of absorbing the wonderous world of O’Keeffe. Her passionate relationship with Alfred Stieglitz and her vibrating artworks, I am now only a week away from hitting the road to Santa Fe. Beginning in Victoria, BC with stops in Oregon and Moab Utah (serious photography and hiking time) I will arrive in Santa Fe in time for a few margaritas and a whole lot of art to see and create. There will definitely be some museums and a few other surprises.

Canadian Artist Brandy Saturley

On a side road somewhere in the Canadian prairies of Manitoba. Summer 2020 – self-photography Brandy Saturley

The next journey begins in May. Follow along with me on Facebook and Instagram.

Sincerely Yours,

Brandy Saturley

April 25, 2024
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My Essential Studio Tools

Art Business, Artist Studio Tools

Items For Painters – My Essential Studio Tools

For many years I have shared my artist process and inside my studio on Instagram. While it has been a great tool for connecting with collectors, it has also been an opportunity to connect with fellow Artists of all stages. I get asked all the time about my custom made easels and my lighting equipment. Oftentimes there are questions about the brushes I use, the paints I prefer and even the cameras I utilize to capture my process. Instagram is a tough place to offer an in depth account of my studio tools, particularly when I am good at writing and love to share with people outside the Instaverse. So, after nearly two decades making art daily, here are the keys to my studio and a list of my essential tools and where you can pick them up online.

My Essential Studio Tools

Brandy Saturley Studio, Vancouver Island, Canada, 2024

Wall Easels: these were custom built by my partner and me after we began looking online for options. At the time my studio was in the living room of our condo, and while I have great easel, the wall easels offered the opportunity to work on more than one painting at a time, while not taking up space. I found Paper Bird Studios online, they make handcrafted wall mounted easels, but they are pricey and shipping to Canada from Virginia. So we took Jason Tueller’s design and used it to make our own right here in Victoria, Canada. We used walnut and ended up making three wall easels. Since moving to my new home, and setting up a dedicated studio space, I dropped it down to two walls easels and kept my free standing crank easel.

My Essential Studio Tools

Brandy Saturley Studio – Victoria BC Canada, 2024

Free-Standing Easel: I bought the BEST Classic Santa Fe II crank studio easel when I was in my condo, it’s a great sturdy studio easel and will easily take up to a 72″ canvas and still offer stability.

Studio Lighting: I like to control my lighting in the studio, I largely close up my windows to the outside and use four adjustable freestanding LED photography lights from GODOX. These lights offer the ability to control colour temperature, lumens power and angle of lighting. I can also control them by remote, but don’t often use the remotes as I find it just as easy to manually change the settings. The GODOX LED’s are meant for a photography studio, which is perfect for studio photography and video outside the ability to light for painting. I use the Godox LEDP260C Ultra-Thin 30W Dimmable LED Video Light Panel Lamp 3200K-5600K. I added the universal tripod stands by Amazon basics.

Paintings Gallery Canadian Artist

Brandy Saturley Studio – North Saanich, Canada, 2023

Ring Light: for video where I am speaking to the camera, recording painting process videos, and for Zoom, I use the 18 inch LED Neewer ring light with changeable filters from cool to warm light. It’s dimmable and comes with a tripod mount for iPhone. It makes everyone look great and comes with a useful camera remote.

Studio Supplies Cart: I love my cart, I keep some paints and mediums, as well as my brushes in this handy cart that I can move freely in the studio. It’s also a great place to put tapes, scissors, rulers and whatever else I might need to grab at a moments notice. I bought my sturdy steel 3 shelf cart through ULINE.

Go to Local Art Supplier: I have been loyal to my local supplier for years, Opus Art Supplies, they offer pro-discounts if you are buying over $1000 of supplies per year. I buy Golden Fluid acrylics, Golden OPEN, Liquitex acrylic gouache, Golden mediums and varnishes, Holbein Duo Aqua Water Mixable Oils, my canvas and panels through this awesome local business.

Brandy Saturley art supplies

Golden Fluid Acrylic Paints and Mediums

Go to Local Acrylic Paint Supplier: there is a well known paint maker on Granville Island in Vancouver called KROMA, they offer top notch acrylic paints at reasonable prices and even supply paint to the Vancouver Film industry. Launched in 1970, KROMA has now been a part of the Vancouver art community, providing paint to painters for 50 years. Their success is based on the word of mouth recommendations of regular customers. While their business has slowly grown they still make each colour with considerable care, by hand, in small batches.

Kroma acrylic paints

Brandy Saturley in studio with Kroma paints, Banff Centre for Arts & Creativity.

Paintbrushes: after my time in London, England at the Royal College of Art I came to discover Rosemary’s Brushes – from the Rosemary & Co. brush company. The finest handmade brushes on the planet and quite affordable as well. Shipping directly to my front door via Royal Mail service. I have come to develop a bit of an addiction to these great brushes. I am particularly in love with their SMOOSHING brushes, great for feathering and blending hard edges. If you purchase brushes please enter my affiliate coupon code BRANDYSATURLEY24 at checkout. Referral email for setting up a new account art@brandysaturley.com .

My Essential Painting Tools

Using a Rosemary & Co. mini smooshing brush for tiny details.

Don’t forget the good old dollar store (Poundland in the UK) and building supply stores, they offer many great tools for artists at reasonable rates. I also love walking the back aisles at our local Princess Auto, it’s amazing what you can find that can help you in the studio. From paintbrushes to foam brushes, rollers for finishing and painters tape.

My Essential Art Supplies – studio table at Pouch Cove Foundation, Newfoundland, 2023

Remember, I have been building my studio for nearly twenty years and three moves, so as your art career grows, your studio will grow with you and these pieces are things you invest in both daily and over time. There is no sense going out and buying the best of everything right from the start, what you need grows out of where you are heading with your art career. Next post I will cover camera supplies, printers and archiving software.

Happy art making everyone!

Sincerely Yours,

Brandy Saturley

April 18, 2024
https://www.brandysaturley.com/wp-content/uploads/2024/04/goldenpaints.jpg 1125 1500 Brandy Saturley https://www.brandysaturley.com/wp-content/uploads/2020/10/brandysaturley_logo.png Brandy Saturley2024-04-18 11:24:392024-04-18 11:36:42My Essential Studio Tools

2023 in Art Review

Art Business, Art Career

Paradigm Shift – My 2023 in Art Review

Approaching the canvas of 2024, we stand at the threshold of a year brimming with vibrant hues and compelling narratives. It’s a blank canvas of possibilities, a fresh chapter waiting to unfold—a sentiment shared by many as they approach the new year. Personally, I find myself standing in my studio surrounded by endless opportunities to create something new, filled with eagerness to paint it with the kaleidoscope of colors that life has to offer. As I look back at 2023, I see the paradigm shift that has occurred and continues to drive me into this new year. This is my 2023 in Art Review, month by month.

2023 in Art Review

In my perspective, the allure isn’t confined to the strokes of art alone; it extends to the numbers that intricately weave a subtle story of meaning. Consider this beautiful 2024 – when its digits dance together, they harmonize into the number eight, a symbol of auspiciousness and completeness. Isn’t it remarkable? Numerology, with its enchanting twos, fours, and the timeless circle of zero, occupies a special place in my heart. These figures, to me, are not merely mathematical; they are promises of positivity and gateways to the potential that this year may unfold.

Lucky Number 8 in 2024

As I glance into the rear-view mirror, reflecting on the journey through the business of art during 2023, the mirror reveals nearly thirty new paintings. It tells a tale of exploration, as I travelled to Vancouver, Banff, and Newfoundland, not only to showcase and deliver my art but also to immerse myself in the diverse landscapes that inspire my paintings.

2023 in Art Review

Brandy Saturley working on an oil painting in her studio.

Being a professional artist in Canada is a perpetual adventure, marked by new connections forged and opportunities that materialize on the horizon. However, growth also entails leaving some relationships behind, a necessary step as I continue to surge forward in my career. Let me share with you the highlights of this transformative year, one I’ve come to name ‘Paradigm Shift,’ a testament to the profound changes that unfolded in every stroke, connection, exhibition, and journey undertaken. Welcome to the vivid canvas of my 2023 – a year that exceeded expectations and set the stage for the next chapter in my professional art career.

2023 in Art Review – a year of shifting and rolling with the times

January

The first two paintings created in any year (I like to paint two at a time) are celebratory and set the tone for the year ahead. In 2023 I began with paintings of skaters on outdoor ponds.

2023 in Review

Canadian Artist Brandy Saturley with her painting, Glide Away. January 2023

 

February

The month began with a group exhibition in Banff, Canada with my Alberta dealer, Willock & Sax. I rounded out the month with two very large paintings, one portrait depicting our future consciousness in Canada and one depicting a conversation with a polar bear underwater.

2023 in Review

The Conversation, 48×48 inches, acrylic, gouache and gold leaf on canvas, 2023 Brandy Saturley

March

On the verge of Spring weather here on the west coast I found support for the work I created during my Banff Centre residency with a featured article in Vancouver Island Arts Magazine. New paintings were flowing with an annual self-portrait about me and Lawren Harris in the works.

2023 in Review

Painting self portraits with Lawren Harris in 2023.

April

I launched a revolutionary 3D virtual exhibition of my work celebrating Northern scenes, Aurora Stories launched online, to a worldwide audience. The show was visited by cities in Canada, the USA, UK and art centres such as Basel, Switzerland, Berlin, the silicon valley. Grand Cayman and Dubai also came to see what was hanging in the virtual gallery. Thank you for visiting. There were new paintings honouring my Ukrainian Canadian heritage and a trip to walk the beautiful tulip fields of Chilliwack near Vancouver BC.

2023 in Art Review

Paintings inspired by Ukraine and Ukrainian Canadian roots. Brandy Saturley studio, Victoria BC.

May

In May Britain was crowning a new King Charles, and the world was churning. My trip to the tulip festival and my UK roots were flowing into my work as I created two still life paintings of tulips encircled by a variety of tartans.

Tulips and Tartans paintings by Brandy Saturley, 2023.

Invited by Canadian Art Today, I sat down for an interview by Zoom from my studio here in North Saanich on Vancouver Island. With over an hour of material the interview is available on YouTube as well as an Apple podcast.

Interview Canadian Art Today

Canadian Art Today interview with Brandy Saturley and host Paul Constable for Artists in Canada.

June

I found out through the grapevine that a school in New Brunswick and a very forward thinking art teacher, chose to recreate my paintings live as performance and installation art.

School Celebrates The Arts

New Brunswick school re-creates paintings by Canadian Artist, Brandy Saturley, 2023

This year I have been approached by arts educators across Canada, and it is wonderful to know that my work is being embraced by the next generation! Sending a big ‘Bravo!’ to these talented young artists. I painted a commissioned work for the Art in Nature Trail in Banff and also created a number of small polar bear paintings for my gallery in Banff.

Art in Nature Trail

Arctic Monarch – original acrylic and gouache painting on wood cookie, 2023, Brandy Saturley

July

It was a Canada Day road trip to Banff for the opening of the Art in Nature Trail, produced by Bridget Ryan of Carter-Ryan gallery. I also delivered 9 new small polar bear paintings to Willock & Sax gallery.

2023 in Review

The Polar Bear King in Banff, Canada. – Brandy Saturley

August

Two Toronto Magazines, the Toronto University produced Hart House Review and the visual and performing arts publication, smART Magazine published many of my works, painting and self-photography.

2023 in Art Review

Brandy Saturley featured in smART Magazine – Banff Centre for Arts & Creativity

With the rising gas prices and an aging JEEP we traded in our rugged ride for a quiet Tesla, complete with new decals! Now you may see me coming, but you certainly will not hear my approach.

2023 in review

The Art of Brandy Saturley Tesla Y in front of mural by Jeff King, Victoria BC Canada

I also supported my original hometown of Sooke BC with a painting for their annual Sooke Fine Arts show, now celebrating 38 years.

2023 in Review

Swinging into the Weekend at the Sooke Fine Arts show 2023. – Brandy Saturley

September

Heading into the glorious season of Autumn and all those beautiful colors, we were contending with a year of wildfires and hot temperatures and I couldn’t help but want to send good vibes to the people of Lahaina, Hawaii and Yellowknife, NWT. I sent the Polar Bear King to visit these communities and heal them, through two new paintings.

Healing Power of Art

Guardian of the Arctic Realm, 2023, Brandy Saturley

I was also in preparations for my month long residency with the Pouch Cove Foundation in Newfoundland. I made the decision to pull my work from my dealer in Whistler, Adele Campbell Fine Art, after 2.5 years with this dealer it was time for me to move on and continue to push my market across Canada and into the US and European markets. I painted a little ‘Peace, Love, Canada’ before packing and hopping on the plane. Looking forward to a month creating on the easternmost coast of North America.

Peace Love Canada

Peace, Love, Canada – 2023, Brandy Saturley

October

This month was all about an invitational artist residency in Pouch Cove, Newfoundland. One month to inhale all Newfoundland has to offer and spill it out onto three large canvasses, and capture it through my artist lens. A remarkable experience offering this west coast artist the opportunity to dip her toes in the Atlantic and Pacific. I produced new original paintings, writing, poetry, photographs and digital videos, which continue to come together in films posted to YouTube. A deeply holistic approach and record of my art making process from inception to presentation.

November

Returning home after a month away at year end means hitting the home-ground running! Production and printing of my annual art magazine, holiday mail out to clients and end of year shipments. I joined Mastrius as a Master Artist mentor and began promoting and preparing for a mentorship group I would be leading.

I stretched and finished my rolled paintings from Newfoundland and I shipped a painting back to James Baird Gallery. As a result of the residency you can now find my work available on ARTSY through James Baird Gallery.

Canadian Visual Artist Brandy Saturley

Follow Brandy Saturley on ARTSY

December

I was invited to join the jury panel for the Canada International Art Competition in Toronto, and as I worked to wrap up my year I finished my final two paintings for 2023.

2023 in review

Brandy Saturley studio, North Saanich, BC CANADA – December 2023

Thank you for being part of my year! It’s 2024, let’s go!

Sincerely Yours,

Brandy 

January 11, 2024
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Professional Artist

Art Business

What is a Professional Artist?

In Canada, according to the Canada Council for The Arts, professional artist is defined as an artist who has specialized training in their artistic field (not necessarily in academic institutions), is recognized as a professional by his or her peers, is committed to devoting more time to artistic activity, if possible financially, and has a history of public presentation or publication. In legal terms a professional Artist is defined as an individual who has a history of paid work as an Artist. Being a professional artist also means you have the character traits and habits to persist in your aim, even in the face of challenge and lack of earnings.

Professional Artist

Anyone can consider themselves a professional artist, but that doesn’t make it so.

I watched a child trip on a curb and skin her knee. Her mother stopped to put a bandaid on the wound. Does this make her a doctor? or a nurse? My aunt takes painting classes and paints for enjoyment now and then, does that make her an Artist? There are many hobbyists and amateurs in the world of Art. What sets the professionals apart is every detail from our dedicated process for developing new artworks, through to finishing, presentation and delivery of the work. When I was in London at the Royal College of Art painting and expanding my mind and abilities as a contemporary painter, I came to see that in Europe, I did not have to explain why my profession of Artist, is a legitimate profession. When I was in New York City exploring the galleries in Chelsea, I did not have to explain that Artist is a legitimate profession. I also didn’t have to preface it with, “I’m a full-time professional Artist”. It is not the same in Canada, except for perhaps in Montreal and Toronto. Even though I have been making Art since birth, have training, public and commercial gallery shows and representation, and have been earning a full-time living from making Art for over 17 years. I know that I still have to educate people I meet, about what the profession of Artist really means.

Professional Artist

While there is no universally agreed-upon definition, several key elements characterize a professional artist. Firstly, they possess a high degree of technical skill and expertise in their chosen medium or discipline. They have typically undergone extensive training, education, or self-directed learning to develop their artistic abilities to a professional level.

Secondly, professional artists demonstrate a consistent and focused commitment to their artistic practice. They invest significant time and effort in creating artwork, often adhering to a disciplined work routine and meeting deadlines. They recognize the importance of continuous growth and improvement, and they actively seek opportunities to develop their skills and expand their artistic horizons.

Financial sustainability is another hallmark of a professional artist. They derive a significant portion, if not all, of their income from the sale of their artwork, commissions, grants, or other artistic endeavors. They approach their art as a business, managing contracts, negotiations, pricing, marketing, and financial aspects associated with their profession.

Professional artists also exhibit a level of professionalism in their interactions and collaborations. They maintain ethical standards, meet their obligations, communicate effectively, and conduct themselves with integrity when dealing with clients, galleries, curators, and other stakeholders in the art world.

Art Studio Brandy Saturley

Ultimately, the definition of a professional artist encompasses a combination of technical skill, dedication, financial sustainability, and professionalism. It is a term that denotes not only artistic talent but also the commitment to pursue art as a serious and viable career path.

Being a Successful Artist in Today’s Age Means Embracing Technology

Professional Artist

It was 20 years ago I taught myself to write HTML in order to create my first website for my Art. Thank goodness it is a lot easier these days to create and maintain a website and my inventory, thanks to technology.

In today’s age, the role of an Artist has evolved beyond being a talented creator. While artistic talent remains a crucial aspect, the importance of being a skilled marketer cannot be overstated. To achieve success and widespread recognition, Artists must possess the ability to effectively promote themselves through various means, particularly the Internet and social media. The Internet and social media have revolutionized the way we consume and discover art. They provide Artists with unprecedented opportunities to reach a global audience, connect with fans and collectors, and build their personal brand. By leveraging these platforms, Artists can showcase their work, share their creative process, and engage directly with their audience.

Being an effective marketer allows Artists to create their own narrative, shape their image, and control how they are perceived by the public. They can strategically curate their online presence to align with their artistic vision and values. Through engaging storytelling and compelling visuals, Artists can captivate and connect with their audience on a deeper level, fostering a sense of loyalty and emotional connection.

Moreover, Artists who possess marketing skills can tap into various revenue streams beyond traditional art sales. They can explore collaborations, licensing opportunities, merchandise sales, and crowdfunding platforms to support their creative endeavors. By diversifying their income streams, Artists can maintain financial stability while continuing to pursue their artistic passions.

Furthermore, Artists who are adept at marketing can navigate the competitive art world more effectively. They can identify and target specific niches, build relationships with galleries, art dealers, and influencers, and seize opportunities for exhibitions, commissions, and partnerships.

The ability to market oneself has become an essential component of an Artist’s success in today’s digital era. By mastering the art of self-promotion, Artists can expand their reach, connect with their audience, and achieve recognition and financial sustainability. Embracing the role of an Artist as a marketer allows for greater creative autonomy and the opportunity to thrive in the dynamic and ever-evolving art landscape.

Professional Artist

May 10, 2023
https://www.brandysaturley.com/wp-content/uploads/2023/03/IMG_2485.jpeg 1125 1500 Brandy Saturley https://www.brandysaturley.com/wp-content/uploads/2020/10/brandysaturley_logo.png Brandy Saturley2023-05-10 15:24:542023-05-10 15:24:54Professional Artist

Buy My Art Collection

Art Business, Buy Original Art

Offering 400 Paintings – Buy My Art Collection

Imagine this, you develop a relationship with Van Gogh, and he says to you, ‘buy my art collection’. What if Picasso sold you 300 works, in one fell swoop, in his productive mid-career time of life.  Can you imagine being one person with ownership of an entire collection of works by one artist? There have been a few times I know of where an art collector has come forward to invest in the works of one artist, setting that artist up for a lifetime of painting and allowing for the artist to move on to ‘bigger things’ than what they are currently capable of financing.

Buy My Art Collection

Over the past two decades I have been busy building a significant career and a substantial collection of original fine artworks. The work features in prominent and important collections both public and private. I have gained notoriety as the ‘voice of Canadian Pop Art’ and the ‘Iconic Canuck’. My work is equal parts sincere and quirky, and tells stories deeper than are seen. I am known for my bold and vivid palettes, my paintings are not shy and nor am I when it comes to my Art and where I see myself and my work twenty years from now. Between here and there the goal is always to push the boundaries of the year previous. You may have heard of me or seen my work, and you may not of, but if you are reading this, I am now on your radar.

Buy My Art Collection

As I plan for years ahead I realize that I will not be alive forever, and I will need to begin planning stages for what happens to the collection when I am no longer around. At this point my interest is in selling the current entire originals collection (minus the Goalie’s Mask Painting, currently listed at $91,000.00 CAD).

Buy My Art Collection

Maybe you have billions, you own a beautiful home on Maui, or a brand new Rivian. Perhaps you are building rocket ships or electric cars, or a society altering clothing brand. Perhaps you are an entrepreneur who finds talent and things to invest in, at the most unexpected places (like this blog). Rather than the rush of the auction at Sotheby’s, you find excitement in the direct approach, scooping up the entirety of something just before it peaks (or continues peaking).

Buy My Art Collection

Based on current Canadian art market value, 400 paintings from me, Brandy Saturley, would come to the sum of about  $2.8 million dollars (minus the Goalie’s Mask painting) You bring the cash and I will deliver the paintings to your secure art storage facility, home, or business. You have a home worth $2.8 million just sitting in your portfolio? I could be persuaded on a trade. Just like real estate this art collection will continue to accrue in value in a less volatile marketplace.

Buy My Art Collection

Maybe you read the Financial Time’s, Globe and Mail, Robb Report, or the New York Times. Perhaps you spend your time perusing Larry’s List or Artsy. Have a new Tesla X Plaid? I would consider a trade for 30 paintings from the Iconic series of original artworks. The works in this collection are uniquely Canadian and would love to collaborate with all of the following brands; Lululemon, Canada Goose, Arcteryx, Hudson’s Bay Company, Fairmont Hotels, to name a few.

Buy My Art Collection

All I am interested in is continuing to make Art, continuing to push the boundaries of my work and continue this life as a contemporary fine artist. Continuing to travel to those places that feed the work, such as Churchill to record the polar bears or Fogo Island to capture the east coast of Canada. Have a vacation home on Maui? This is where I would love to spend six months of my year painting.

This collection spans two decades and not only includes the Iconic Canadian paintings I have become known for, it includes early work from travels across North America including; Las Vegas paintings, landscape paintings, wildlife paintings and pour paintings.

art collection for sale

There are some spectacular and unexpected finds, deep in the collection. Make me an offer,  Browse some of the recent work here.

Sincerely Yours,

Brandy Saturley (a.k.a The Iconic Canuck)

September 29, 2022
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