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2023 in Art Review

Paradigm Shift – My 2023 in Art Review

Approaching the canvas of 2024, we stand at the threshold of a year brimming with vibrant hues and compelling narratives. It’s a blank canvas of possibilities, a fresh chapter waiting to unfold—a sentiment shared by many as they approach the new year. Personally, I find myself standing in my studio surrounded by endless opportunities to create something new, filled with eagerness to paint it with the kaleidoscope of colors that life has to offer. As I look back at 2023, I see the paradigm shift that has occurred and continues to drive me into this new year. This is my 2023 in Art Review, month by month.

In my perspective, the allure isn’t confined to the strokes of art alone; it extends to the numbers that intricately weave a subtle story of meaning. Consider this beautiful 2024 – when its digits dance together, they harmonize into the number eight, a symbol of auspiciousness and completeness. Isn’t it remarkable? Numerology, with its enchanting twos, fours, and the timeless circle of zero, occupies a special place in my heart. These figures, to me, are not merely mathematical; they are promises of positivity and gateways to the potential that this year may unfold.

Lucky Number 8 in 2024

As I glance into the rear-view mirror, reflecting on the journey through the business of art during 2023, the mirror reveals nearly thirty new paintings. It tells a tale of exploration, as I travelled to Vancouver, Banff, and Newfoundland, not only to showcase and deliver my art but also to immerse myself in the diverse landscapes that inspire my paintings.

Brandy Saturley working on an oil painting in her studio.

Being a professional artist in Canada is a perpetual adventure, marked by new connections forged and opportunities that materialize on the horizon. However, growth also entails leaving some relationships behind, a necessary step as I continue to surge forward in my career. Let me share with you the highlights of this transformative year, one I’ve come to name ‘Paradigm Shift,’ a testament to the profound changes that unfolded in every stroke, connection, exhibition, and journey undertaken. Welcome to the vivid canvas of my 2023 – a year that exceeded expectations and set the stage for the next chapter in my professional art career.

2023 in Art Review – a year of shifting and rolling with the times

January

The first two paintings created in any year (I like to paint two at a time) are celebratory and set the tone for the year ahead. In 2023 I began with paintings of skaters on outdoor ponds.

Canadian Artist Brandy Saturley with her painting, Glide Away. January 2023

February

The month began with a group exhibition in Banff, Canada with my Alberta dealer, Willock & Sax. I rounded out the month with two very large paintings, one portrait depicting our future consciousness in Canada and one depicting a conversation with a polar bear underwater.

The Conversation, 48×48 inches, acrylic, gouache and gold leaf on canvas, 2023 Brandy Saturley

March

On the verge of Spring weather here on the west coast I found support for the work I created during my Banff Centre residency with a featured article in Vancouver Island Arts Magazine. New paintings were flowing with an annual self-portrait about me and Lawren Harris in the works.

Painting self portraits with Lawren Harris in 2023.

April

I launched a revolutionary 3D virtual exhibition of my work celebrating Northern scenes, Aurora Stories launched online, to a worldwide audience. The show was visited by cities in Canada, the USA, UK and art centres such as Basel, Switzerland, Berlin, the silicon valley. Grand Cayman and Dubai also came to see what was hanging in the virtual gallery. Thank you for visiting. There were new paintings honouring my Ukrainian Canadian heritage and a trip to walk the beautiful tulip fields of Chilliwack near Vancouver BC.

Paintings inspired by Ukraine and Ukrainian Canadian roots. Brandy Saturley studio, Victoria BC.

May

In May Britain was crowning a new King Charles, and the world was churning. My trip to the tulip festival and my UK roots were flowing into my work as I created two still life paintings of tulips encircled by a variety of tartans.

Tulips and Tartans paintings by Brandy Saturley, 2023.

Invited by Canadian Art Today, I sat down for an interview by Zoom from my studio here in North Saanich on Vancouver Island. With over an hour of material the interview is available on YouTube as well as an Apple podcast.

Canadian Art Today interview with Brandy Saturley and host Paul Constable for Artists in Canada.

June

I found out through the grapevine that a school in New Brunswick and a very forward thinking art teacher, chose to recreate my paintings live as performance and installation art.

New Brunswick school re-creates paintings by Canadian Artist, Brandy Saturley, 2023

This year I have been approached by arts educators across Canada, and it is wonderful to know that my work is being embraced by the next generation! Sending a big ‘Bravo!’ to these talented young artists. I painted a commissioned work for the Art in Nature Trail in Banff and also created a number of small polar bear paintings for my gallery in Banff.

Arctic Monarch – original acrylic and gouache painting on wood cookie, 2023, Brandy Saturley

July

It was a Canada Day road trip to Banff for the opening of the Art in Nature Trail, produced by Bridget Ryan of Carter-Ryan gallery. I also delivered 9 new small polar bear paintings to Willock & Sax gallery.

The Polar Bear King in Banff, Canada. – Brandy Saturley

August

Two Toronto Magazines, the Toronto University produced Hart House Review and the visual and performing arts publication, smART Magazine published many of my works, painting and self-photography.

Brandy Saturley featured in smART Magazine – Banff Centre for Arts & Creativity

With the rising gas prices and an aging JEEP we traded in our rugged ride for a quiet Tesla, complete with new decals! Now you may see me coming, but you certainly will not hear my approach.

The Art of Brandy Saturley Tesla Y in front of mural by Jeff King, Victoria BC Canada

I also supported my original hometown of Sooke BC with a painting for their annual Sooke Fine Arts show, now celebrating 38 years.

Swinging into the Weekend at the Sooke Fine Arts show 2023. – Brandy Saturley

September

Heading into the glorious season of Autumn and all those beautiful colors, we were contending with a year of wildfires and hot temperatures and I couldn’t help but want to send good vibes to the people of Lahaina, Hawaii and Yellowknife, NWT. I sent the Polar Bear King to visit these communities and heal them, through two new paintings.

Guardian of the Arctic Realm, 2023, Brandy Saturley

I was also in preparations for my month long residency with the Pouch Cove Foundation in Newfoundland. I made the decision to pull my work from my dealer in Whistler, Adele Campbell Fine Art, after 2.5 years with this dealer it was time for me to move on and continue to push my market across Canada and into the US and European markets. I painted a little ‘Peace, Love, Canada’ before packing and hopping on the plane. Looking forward to a month creating on the easternmost coast of North America.

Peace, Love, Canada – 2023, Brandy Saturley

October

This month was all about an invitational artist residency in Pouch Cove, Newfoundland. One month to inhale all Newfoundland has to offer and spill it out onto three large canvasses, and capture it through my artist lens. A remarkable experience offering this west coast artist the opportunity to dip her toes in the Atlantic and Pacific. I produced new original paintings, writing, poetry, photographs and digital videos, which continue to come together in films posted to YouTube. A deeply holistic approach and record of my art making process from inception to presentation.

November

Returning home after a month away at year end means hitting the home-ground running! Production and printing of my annual art magazine, holiday mail out to clients and end of year shipments. I joined Mastrius as a Master Artist mentor and began promoting and preparing for a mentorship group I would be leading.

I stretched and finished my rolled paintings from Newfoundland and I shipped a painting back to James Baird Gallery. As a result of the residency you can now find my work available on ARTSY through James Baird Gallery.

Follow Brandy Saturley on ARTSY

December

I was invited to join the jury panel for the Canada International Art Competition in Toronto, and as I worked to wrap up my year I finished my final two paintings for 2023.

Brandy Saturley studio, North Saanich, BC CANADA – December 2023

Thank you for being part of my year! It’s 2024, let’s go!

Sincerely Yours,

Brandy

January 11, 2024

Engaging Canada Portrait Project

Art Career

Engaging Faces: Celebrating 10 Years with The People of Canada Portrait Project

In 2014, I began a new body of work (series of paintings) The People of Canada Portrait Project, and fast-forward to 2020, we marked the culmination with a groundbreaking 3D virtual exhibition that made waves during the pandemic. As we hit the remarkable 10-year milestone in 2024, I can’t help but extend a heartfelt ‘Thank You’ to the bold souls across Canada, engaging with me in this artistic journey.

The People of Canada Portrait Project. 2014-2020

Out of a myriad of submitted photos, I handpicked twenty, transforming them into figurative landscape paintings that encapsulate the essence of being Canadian. The subjects, captured in selfies with someone significant in their lives, underwent a brief interview process. Twenty questions unearthed the unique nuances of their relationships, thoughts on Canadian identity, and cultural traditions, which I then wove into the iconic Canadian landscapes that became the backdrop for their portraits.

Vimy Jam – painting by Brandy Saturley, 2018

Over six years, amidst the whirlwind of developing my career as a full-time visual artist, this became a passion project – fully funded by yours truly. While online support through blogs, notably from CBC, was abundant, I never sought or received a grant. Unexpectedly, the portraits began to find homes with the very people who inspired them. Some even received prints as a token of gratitude for promoting the project.

Canadien’s Gothic – This painting was exhibited in Sherwood Park Alberta at Gallery @501 and won a People’s Choice award, Summer 2014.

Reflecting on this journey, I invite you to explore the intimate interviews and portraits on our project website, peopleofcanada.ca. Throughout this period, I navigated a personal battle with cervical cancer, undergoing surgery and recovery. Although it posed a detour, it never derailed my commitment to both my career and this project.

Futurebrights – by Brandy Saturley, 2014

In 2016, I embarked on a self-funded journey, crisscrossing the country from Yellowknife to Ottawa, with stops in Toronto and Montreal in between, leaving pieces of my story in every city. Some knew of my health challenges, while others didn’t, yet I pressed on, fueled by passion and determination. In 2017, I was contracted to exhibit my work in retrospective art exhibitions, and I took my art on the road, showcasing in solo gallery shows across Alberta. Most notably a 30 painting show in Sherwood Park, Alberta at Strathcona County Gallery @501 and a smaller 20 painting show with Okotoks Art Gallery, just outside Calgary.

Canadianisms: A Half Decade Painting Canada, 2017 solo exhibition Gallery @501 Sherwood Park, Alberta

Last year brought a transformative residency with the Pouch Cove Foundation in Newfoundland, unveiling the mysteries of the easternmost coast of North America. As 2024 unfolds, I’m eager to commemorate this journey and discover the untold stories it holds. As we step into the New Year, I’m optimistic that choosing to focus on the positives and finding that silver lining will make this year truly great. Here’s to more art, more connections, and the boundless possibilities that lie ahead. Happy New Year, everyone!

Brandy Saturley, Canadian Artist and People of Canada Portrait Project Creator

January 5, 2024

Significance of Art

New Paintings

Capturing the Zeitgeist: The Significance of Art in Today’s World

In a world pulsating with the rhythms of life, artists emerge as living diving rods—super-sensitive beings attuned to the currents of nature and the symphony of their surroundings. Like sponges, we absorb the essence of our existence, wringing it out through our chosen mediums. For me, creating art is a reflection of my daily journey as a human on this vast canvas we call Earth. It’s a testament to the times we live in—a visual dialogue with the world. Art holds profound significance in today’s world.

Last year, my creative journey manifested in over twenty new original paintings, predominantly sprawling canvases that bore witness to my travels across Canada and reflections on the global landscape. Amidst the chaos, I felt an overwhelming need to embrace the world with a metaphorical hug, and so my art became the conduit for that embrace. I don’t dictate what I paint; I let the creative currents guide me. While I don’t create studies, I delve into my digital catalogue, a treasure trove of captured imagery from my experiences, reworking them into blueprints for future visual stories on canvas.

My artistic journey encompasses a spectrum of mediums—painting, drawing, photography, digital video, and performance. While the paintings stand as the final products, every facet of my creative process becomes art in itself. It’s a holistic approach, where the act of creation becomes as significant as the creation itself.

In 2023, my focus centered on my home studio in Vancouver Island, where I continued my exploration of the polar bear king’s journey. However, the world beckoned my attention to the unfolding events in Ukraine and the devastating fires in Yellowknife, NWT, and Lahaina, Hawaii. From Banff, Alberta, where I delivered my polar bear king paintings to Willock & Sax, to an artist residency in Pouch Cove, Newfoundland, my year unfolded as a canvas of diverse experiences.

The culmination of 2023 saw me crafting paintings inspired by Newfoundland, celebrating the indomitable spirit of its people and echoing the resilience of individuals worldwide fighting noble battles. Experimenting with the juxtaposition of oil paint and acrylics, a departure from my usual acrylics and gouache, these two final paintings of the year became vivid pop art expressions of determination.

As we step into 2024, these paintings stand as a sign of the times, capturing the zeitgeist and heralding a new chapter in my artistic journey. Each stroke, each color, is a brushstroke in the grand blueprint of our shared human experience—a visual testimony to the spirit that defines us in this ever-evolving world.

IDOM – 24×18 inches, oil and acrylic on wood panel, 2023 – Brandy Saturley

Portrait of the indomitable Canadian spirit. A woman wrapped in a scarlet red point blanket against a backdrop of Rocky Mountains. Pop art influences and Canadian symbolism throughout.

Rage On – 24×18 inches, oil and acrylic on wood panel, 2023 – Brandy Saturley

Rage on and rage against the dying of the light. A symbolic painting of a fist rising from a mountainous landscape. Wrist wrapped in a multicolor fabric scarf, the sun and starry blue sky behind. Oil and acrylic on wood panel.

Discover more original paintings by contemporary Canadian Artist Brandy Saturley.

January 3, 2024

Newfoundland Paintings

Artist Residency, New Paintings

Adventures in Newfoundland: A Journey through Three Paintings

Embarking on an art residency in Newfoundland, I found myself immersed in a landscape and culture vastly different from my westernmost home on Vancouver Island. In the heart of Pouch Cove, Newfoundland, invited by the Pouch Cove Foundation and James Baird Gallery, I embraced the rugged beauty of this remote hamlet on the East Coast Trail. Culminating in three paintings about Newfoundland.

Pouch Cove, Newfoundland panorama by Brandy Saturley

Exploring Newfoundland’s Unique Landscape: Three Paintings

Throughout October 2023, my days were filled with hikes, encounters with cod, and the creation of art inspired by the unique character of ‘The Rock.’ The resulting paintings, born from acrylic paint and gouache, reflect the island’s towering geography, the iconic Sou’Wester hats of cod fishermen, the Cape Bonavista lighthouse, vibrantly colored fishermen sheds, the dynamic ocean, seagulls, and the ever-changing light of the expansive skies.

Pouch Cove Foundation, studio G, Brandy Saturley

Contrasts with Vancouver Island:

As a West Coast Canadian Artist staying on the Easternmost edge of Canada, I couldn’t help but draw comparisons with my home on Vancouver Island. While both islands exist as distinct biospheres, Newfoundland’s wild, wind-swept expanses contrast sharply with the mild, beach-strewn beauty of Vancouver Island. The differences in size, climate, and flora contribute to their individual charms, each offering a unique experience.

Tinkers Point Path, East Coast Trail, Newfoundland – Brandy Saturley

Natural Wonders of Newfoundland:

The windiest points in North America reside in Newfoundland, contributing to a fierce winter. The landscape, reminiscent of Canada’s prairies, reveals vast flat expanses with stubby trees and thick forests. The rugged cliffsides, golden junipers, and vibrant hues of the ocean near the shoreline create a visual feast. The beaches, adorned with rocks in every conceivable color and texture, provide a unique canvas for exploration.

Rocks in Newfoundland – Brandy Saturley

Cultural Identities:

Despite their shared insularity, Newfoundland and Vancouver Island fiercely guard their distinct identities. While Newfoundland is deeply Irish, Vancouver Island leans towards its British roots. Indigenous culture thrives on Vancouver Island, whereas Newfoundland, tragically, saw its Indigenous heritage wiped out.

Culinary Contrasts:

From the culinary perspective, Newfoundland’s traditional fare revolves around cod and potatoes, with dressing, gravy, and chips forming their unique take on poutine. Vancouver Island, on the other hand, boasts Fanny Bay oysters, locally grown greens, and a rich variety of vegetarian and vegan options, reflecting a diverse and health-conscious culinary scene.

Architectural Character:

Homes in Newfoundland, square or rectangular with vivid colors, reflect a sense of time standing still. In contrast, Vancouver Island’s residences showcase diverse styles, influenced by natural elements such as cedar, moss, rock, and beach aesthetics.

The Battery, St. John’s Newfoundland – Brandy Saturley

A Love Letter to Newfoundland through three paintings

In the paintings born of my Newfoundland adventures, I aimed to capture the vivid palettes and dreamlike ambiance of this timeless place. The rhythms of traditional Newfoundland music, from jigs and reels to artists like Alan Doyle and Great Big Sea, infused my studio, creating what I affectionately call my ‘love letter to Newfoundland.

The ROCK and ROLL

The Rock and Roll, 56×36, acrylic and gouache on canvas, 2023 – Brandy Saturley

Of Whiskey Jigs and Floating Floors

Of Whiskey Jigs and Floating Floors, 48×36, acrylic on canvas, 2023 – Brandy Saturley

I Lost my Sou’Wester in Pouch Cove

I Lost my Sou’Wester in Pouch Cove, 64×28, acrylic on canvas, 2023 – Brandy Saturley

As my residency in Newfoundland concludes, I carry with me not only three new paintings but a deep appreciation for the distinct beauty, culture, and identity that define ‘The Rock.’ It’s an experience that has enriched my artistic perspective and left an indelible mark on my creative journey.

Brandy Saturley Studio – Victoria BC Canada

December 13, 2023

Annual Art Magazine Release

Art For Sale, Canadian Art

Announcing the Release of Our Annual Art Magazine: A Celebration of Canadian Creativity.

Every year, we take great joy in producing an exclusive art magazine for collectors and supporters of the Art of Brandy Saturley. This annual art magazine release is our heartfelt gift of gratitude to those who have been a driving force in sustaining the career of this exceptional Canadian artist, supporting her through investments in her paintings and enabling her to continue doing what she does best—creating art. Brandy Saturley’s contemporary interpretations of the collective Canadian consciousness, as seen through her eyes, are visual narratives that resonate not only with Canadians but also with those who have a deep love for Canada.

Some of the many Art Magazines published over the past decade.

NEW THIS YEAR! – Annual Art Magazine Release

The Art of Brandy Saturley is thrilled to offer this year’s annual art magazine to art enthusiasts worldwide through our online shop. This magazine, usually reserved as a private token of appreciation, is now available for purchase. The 2023 edition takes viewers on a captivating visual journey, providing a curated selection of 64 paintings spanning the years 2010-2023, personally chosen by the artist herself.

Immerse yourself in a visual retrospective that reveals the evolution of Brandy Saturley’s unique artistic voice, showcasing her profound connection with the Canadian landscape. Within the pages of this visual magazine, discover vivid compositions that bring the iconic landscapes of Canada to life. These symbolic, dynamic, and colorful paintings narrate the artist’s odyssey across the vast canvas of Canada, with each stroke serving as a testament to her love of painting and the stories she weaves.

Step into the world of Brandy Saturley, where each painting is a chapter, and every page turns into a visual tale. More than just a magazine, this publication is an exploration of contemporary Canadian art, offering an intimate encounter with the artist’s journey and celebrating the boundless creativity that defines Saturley’s work. Don’t miss this opportunity to own a stunning compilation—a must-have for any art lover seeking to embrace the spirit of a true Canadian artist.

November 24, 2023

Navigating Art Commission Etiquette

Commissioned Art

Navigating Art Commission Etiquette: A Guide for Clients and Artists

Embarking on an art commission journey can be an exciting and fulfilling experience, both for clients seeking unique pieces and for artists eager to bring visions to life. However, like any collaboration, it requires a delicate dance of communication and respect. Here’s a guide to navigating art commission etiquette that ensures a smooth and enjoyable process for both parties involved.

Firstly, when reaching out to an artist, it’s crucial to be clear and concise in your initial contact. Provide a brief introduction, express your interest in their work, and outline the basic details of your project. Artists appreciate specific inquiries, so include information about the size, medium, and any particular elements you have in mind. Respect their time by being upfront about your budget, allowing them to determine if the project aligns with their pricing structure.

When describing your project, strike a balance between conveying your vision and giving the artist creative freedom. Share your ideas, inspirations, and any specific elements you’d like to see incorporated, but also encourage the artist to bring their unique perspective to the table. This collaboration often yields the most captivating and personal pieces of art.

On the flip side, there are certain pitfalls to avoid when approaching an artist. One common mistake is expressing interest in purchasing a specific existing piece and then changing gears to request a custom project. This can be frustrating for artists who may have invested time and energy into creating unique and distinctive works of art true to their vision, which is what makes you interested in their work in the first place. To prevent misunderstandings, be clear from the beginning about your intentions and the type of artwork you are seeking.

In essence, successful art commission etiquette revolves around clear communication, mutual respect, and a willingness to collaborate. By fostering an open dialogue and appreciating the artist’s creative process, clients and artists can ensure a positive and rewarding experience that results in a one-of-a-kind masterpiece.

Some painters thrive and survive through a robust commission business. These artists are more commercially oriented, often creating work to meet the needs of interior designers or to adorn empty walls with aesthetically pleasing pieces. Frequently, these artists offer affordable and easily produced works to satisfy a specific market.

Artists like myself, however, produce bodies of work that stay true to our distinctive vision. These meticulously developed artworks require time and dedication to fulfill the artist’s unique perspective. Commissioning this type of artist may come at a higher price, as they invest time away from their usual creations to craft something custom to meet a client’s specifications. Due to their commitment to their vision, some artists may insist that clients first purchase from their existing body of work, demonstrating a vested interest in the artist’s established style. Consequently, this type of artist typically takes on very few commission projects in a year.

As requests for commissions are rapidly increasing, I find myself navigating numerous inquiries for custom pieces. My personal rule is to prioritize requests from existing collectors. This decision is rooted in the understanding that these collectors are already invested in my work and appreciate my painting style and message. By painting something custom for them, I am confident they comprehend my artistic identity and what to expect. It’s almost as if I prefer to engage in ‘reverse commissions.’ For instance, a collector occasionally shares photos with me, and if I find myself enamored with the image or the story behind it, I feel inspired to create. This resonates with the quote, ‘If an artist falls in love with you, you can never die,’ emphasizing the importance of painting what one genuinely loves.

Navigating Art Commission Etiquette: several factors can deter a serious artist from accepting a commission

1. Asking the artist to replicate the style of another artist you admire.
2. Expressing interest in purchasing a specific painting but then changing direction to request something tailored to fit a specific space.
3. Indicating that while you love the artist’s work, your interior designer requires something to match furniture.
4. Revealing that you recently spent a substantial amount on another artist and now have a budget significantly less than the artist’s usual pricing.
5. Suggesting that granting your commission request could boost the artist’s career because of your influence in the art world.

Understanding and respecting the artist’s process and vision is key to fostering a positive collaboration. Building an art collection you will enjoy for many years to come, takes time, just like making the art takes time. Invest in art you absolutely love, and express your love of things with the Artist.

Browse and buy paintings by Brandy Saturley.

November 23, 2023

Painting of the Year

Art Career

Top 5 Paintings for 2023 – Selecting Painting of the Year

Each year in November, we take a look back at the paintings I have made over the course of the year. This year 28 new paintings found their way from my hand, to canvas, which makes choosing a painting of the year challenging. It was a year where my Ukrainian roots, the changing and warming climate with our long hot summer (wildfire season) and the continuing journey of the Polar Bear King, were on my mind. My year began with a group exhibition in Banff at Willock & Sax Gallery, as my paintings and writing from my residency at the Banff Centre were still commanding my attention.

Brandy Saturley in Thom Studio at Banff Centre, November 2022.

The year began with paintings of people enjoying skating on outdoor ponds. The Polar Bear King on his continuing journey across Canada, came floating in and out of my view as I created a series of small and large paintings expressing what has now become a series, and a few stories for this blog about my adventures in the Canadian landscape. I came to find my way back to figurative paintings inspired by my deep connection to the Ukraine and family roots. A portrait of young Ukrainian Shumka dancers and a self-portrait to add to my growing series of annual examinations of self.

I found myself blogging about top Canadian painters, Ukrainian Artists, and art school teachers who have reached out to me this year. It has been wonderful to connect with the next generation, hear and see what they are inspired to make in their art classes. I delved into the Lawren Harris and Rockwell Kent connection and how both painters have captured my attention over the years. In Banff, I had the pleasure of making work for an art gallery outdoors on the Bow River path in the centre of town, the Art in Nature Trail.

Brandy Saturley – Art in Nature Trail, summer 2023

You could find my paintings in print this year in two Toronto publications; the Hart House Review published by the University of Toronto and smART Magazine – both equally wonderful Arts publications made in Toronto, Canada. In August I finished my 21st Polar Bear King painting, in as series which continues to grow and evolve. Heading back to my writing room, I leaned into blogging about the importance of music in my art making and the healing power of Art.

There was also some talking this year, live on camera, something I don’t do very often. I spoke with Artists in Canada about my art practice, my goals, why a five year goal is a fluid thing as a professional artist and why I paint self-portraits. We touched on the privilege of not only living in Canada, but of being able to pursue a career you absolutely love. I also signed on with Mastrius as a Master Mentor and hope to assist emerging artists in their journeys. I delved into why Pop Art is Canada and how I am taking care of business as I work towards new opportunities for my Art.

Brandy Saturley talking with Artists in Canada YouTube channel.

In late 2023 I packed up my studio and took it with me to an artist residency in Newfoundland. The Pouch Cove Foundation, now 30 years in the residency business, invited me to join their group in October. For a month I had the opportunity to paint, photograph, and film many areas of Newfoundland, from a private studio with a loft attached to a building housing the remarkable James Baird Gallery. With my time in Newfoundland I created three new paintings, which then came home with me to Vancouver Island, dipping my feet in both the Atlantic and Pacific oceans, I am now a coast to coast to coast, Canadian artist. This opened a door to ARTSY and you will now find some of my paintings available through James Baird Gallery on this top website for art collectors and galleries worldwide.

As the Polar Bear King continues to roam, so do I. Out of 28, here are what I consider to be my five best paintings of 2023.

5. Peaking at Peyto

The Polar Bear King at Willock & Sax Gallery, Banff CANADA

4. Glide Away

Skaters on frozen ponds.

3. Spirit of Ukraine

A group of young Ukrainian Shumka dancers.

2. I Lost my Sou’Wester in Pouch Cove

A yellow Sou’Wester hat on the rocky beach in Newfoundland.

1. Monarch of the Artic Realms

The Polar Bear King in Nunavut.

November 22, 2023

Artist Residency in Pouch Cove

Art Career, Artist Residency

Painting in Rural Newfoundland – Artist in Residence at the Pouch Cove Foundation

If you follow me on Instagram, you’ll know that I spent the month of October in Pouch Cove Newfoundland, as one of the artists in residence at this unique invitation only residency. I spent my month in the stellar company of Leah Frances, Iia Madsen, Yvonne DuBourdieu, Robyn Asquini, Julio Alan Lepez, Marianne Barcellona, Katie Morley & Steve York (Grey Swans). Hailing from Easton PA, Skogan Denmark, Edmonton, AB, Toronto ON, Buenos Aires Argentina, New York City and Victoria BC. All of this is made possible by the generosity of James Baird of the James Baird Gallery – An October Artist Residency in Pouch (POOCH) Cove.

Pouch Cove Foundation Residence and James Baird Art Gallery, in Newfoundland, Canada.

Having spent November 2022 as an artist in residence at the Banff Centre for Arts & Creativity, this opportunity had me trading snowy Rocky Mountains for sharp cliffs, a vigorous Atlantic Ocean, sea salt laced air and some of the windiest hiking in North America. In my practice I find that it is important to leave your usual routine and studio behind and seek out new locations to create work in new environments and in new ways. Coming to Pouch Cove, it was my first time on the Atlantic coast of Canada, offering experiences that would fill gaps in my artworks about Canada, now a decade in the making.

Pouch Cove Newfoundland, Canada

My goal for this residency was to paint three large pieces and make full use of the ceiling height, light and expanse of the wall in my studio. My way of making art begins with capturing the experience of a place through the mediums of photography, video, and writing. I then take all these things and lay out the blueprint for the paintings I will create while in residence. Aided by music, I find the mood of the piece and begin laying down paint on the canvas. All influenced by my time in a place and my journey of getting to the place. My paintings are about the journey and the things I see, hear, feel, taste and touch along the way and in the place where I am making the art. In this case I arrived on a beautiful sunny Autumn day, walking through a grassy field of gold, the sky cobalt and the wind swiftly lifting my strands of auburn hair. I could hear ocean waves crashing against cliffsides. Crow, Starling and Blue Jays outside the tall sliding glass doors of my loft studio. On the second day of my residency the light broke through and the skylights began to beam golden streams onto my studio walls.

While my first week was spent exploring the massive island and some key locations, including Cape Spear and Cape Bonavista lighthouses, the second week began swiftly with loose and un-primed raw duck canvas being stapled to my studio walls. My medium of paint and specifically acrylic paint (fluid, heavy body and gouache), is the most versatile painting medium on the planet. Acrylic paint of today can be applied and reapplied, it can be layered and blended like oils and can be fluid, feathered and stain the canvas like watercolours. It can be laid out to dry on my glass palette and left to dry, and then peeled off like plastic wrap and then adhered to the canvas. I mix my acrylics with retarder if I am looking for it to dry more slowly like an oil, but I like that the medium dries more quickly than oil which allows me to move on at a pace that suits my personality. On this trip I planned to experiment with painting directly on the raw canvas and allowing the fluid acrylics to ‘stain’ the canvas, producing a very soft and feathered effect much like watercolour, with the durability and workability of acrylic.

My time in Pouch Cove and Newfoundland at large was, invigorating, challenging, isolating, uplifting and prolific. It was a regenerative experience that was welcomed after a vigorous year in and outside of the studio. I focused on creating in place, letting the experience direct the work. I like to challenge myself with every new painting, sometimes that means going in without a concrete plan, which is what I did in this case. It can be daunting to arrive in a new place, and create purely on site, but thankfully I am experienced and prepared and brought everything I would need to rely on my daily schedule and practice, so that I could put all my faith in the experience of the place. I focused on creating three large paintings on canvas. I also focused on gathering imagery and information to fuel an entire series of paintings based on my time in Newfoundland. I will also produce a timelapse video of the creation of the painting, as well as a video of the entire experience of my journey. Another goal of my time in Newfoundland was to access local art community and have work now presented by James Baird Gallery on ARTSY, because of my time at the Pouch Cove residency. Perhaps a future showing of the entire body of work and films with James Baird Gallery and The Rooms.

What’s next for you on your artistic journey after this program? Continued development of a painting series informed by my time in Newfoundland, I am teaching an emerging artist mentorship group with Mastrius in November 2023, and I will be performing my duties as juror of the 2023 Canada International Art Competition. My work is now available through James Baird Gallery on ARTSY, as a result of this residency in Pouch Cove. My work continues to be available through my website as well as my dealer in Banff, Canada – Willock & Sax. I have my eye on a residency at Landfall Trust (where Rockwell Kent lived and painted his famous landscapes and met Lawren Harris) in Brigus, Newfoundland and hope to be back in Newfoundland in Summer 2024. These are all opportunities on my mind right now.

There will also be a continuation of my Polar Bear King paintings as the polar bear icon continues to permeate my visual stories of my travels in Canada. There may even be a collaboration with a revolutionary new clothing brand based in Vancouver, but that’s all I can tell you right now.

Right this very moment, my paintings made in Newfoundland are being stretched and I will be putting the finishing touches on them soon. Always more to come!

Brandy Saturley studio – North Saanich, BC Canada

Update: April 26, 2024

There are now 15 paintings in the Newfoundland Impressions series, have a look at see what my time in Newfoundland inspired!

Brandy Saturley in her studio on Vancouver Island, April 2024

Sincerely Yours,

Brandy

November 7, 2023

Mentorship for Emerging Artists

Advice for Artists

What is mentorship? How adding a ‘guru’ can help emerging artists.

When I began looking at taking my art career to the next level, and making it my full-time career, I sought out the advice of a ‘gurus’ in my field and parallel businesses that support the art business. Mentorship for emerging artists is key to helping you move, with purpose, towards a fulfilling full-time career as a professional artist. I connected with painters, photographers, writers, gallery directors, bloggers and many more using nothing but my email account and some well written emails. Fast-forward two decades later and I am now being asked for my advice as an Artist mentor.

Brandy Saturley in her Victoria BC, Canada studio.

As my art practice and catalogue of work has grown, so have I, as a painter and as an Arts business professional. When I came up more of us grew our careers through reaching out to those who came before, our learning was organic and through guru’s. For some reaching out to another Artist you admire can be daunting, but more often than not I find it to be an incredibly rewarding experience. In today’s world with Zoom, Facetime and even WhatsApp, reaching out to others in your field is much easier and can be even more personal than standing next to them in their studio. It takes away that nervousness that comes with being in someone’s space and offers me as a mentor the opportunity to schedule visits during times that suit my practice. Learning in your own space is more casual and allows you to relax into the session, and really focus on the content being provided.

Come join me at Mastrius.

When Mastrius approached me about coming on board as a mentor, I responded with open arms and an open mind, with endless opportunities to share, learn and give back to a community bonded by Art. I like the ‘group’ approach where you can join in with fellow Artists at your level, offering support and opportunities for future collaborations. As a Master Mentor I am looking forward to talking with emerging artists at the beginning of their careers, and of all ages. Emerging and aspiring artists does not necessarily mean young, you can be emerging at any age, all you need is the time and drive to make and pursue your Art, a good place to start.

Join me in ART MENTORSHIP!

I’m hosting a small group (no more than 8 artists) with Mastrius, where I’ll be supporting you on your art journey. Mastrius is an online platform that connects Master & Professional Artists with those who want to learn from them.

ARTISTS, this is an opportunity to BOOST YOUR SKILLS & CONFIDENCE in a trusted group designed to share ideas, practical information, and receive feedback about your work.

The group meets ONLINE monthly to help you achieve your specific goals! You’ll also get access to our online community to connect with others on a similar journey.

I’ll Help You:
🔥 Find your signature style
🔥 Explore technique, color and composition
🔥 Design + achieve goals for your creative practice

You’ll Also Get:
💥 Critiques on your work
💥 Learn how to self-critique
💥 Demos of my process + expertise
💥 Guidance to avoid mistakes I’ve made

This Group is for You if:
✅ You feel you haven’t found your style
✅ You’re painting for friends and family
✅ You want to learn better technique
✅ You want to improve skills + quality of your art
✅ You need some ENCOURAGEMENT

Over the years, I’ve learned a lot as a Master Artist. It’s my honour to have this opportunity to walk alongside you on the next stage of your creative journey!
ONLY 8 SPOTS & Groups Fill Fast!

Don’t worry, you’re not locked in & you can cancel at any time… but we’re sure you’ll want to stick around and reap the rewards of mentorship!

JOIN ME & REGISTER TODAY!
Registration Link: https://www.mastrius.com/brandy-saturley-mentorship/

📅 Starting Wednesday, January 17th at 5 PM MST (7 PM EST) Or..Thursday, January 18th at 11 AM AEDT (1 PM NZDT).

November 6, 2023

What is an Artist Residency?

Artist Residency

Making Art in a Different Place; What is an Artist Residency?

An artist residency is a unique program or opportunity that grants artists dedicated time and space to immerse themselves in their creative work. Often set in an environment distinct from their usual surroundings, these programs come in various shapes and sizes, differing in terms of duration, location, and the level of support provided. However, they all share a common objective: to foster artistic growth, stimulate experimentation, and offer artists a supportive community of kindred spirits.

Pouch Cove Foundation, Newfoundland, Canada

Artist residencies prove to be invaluable experiences for artists at different stages of their careers, affording them the time and resources essential for exploring their creativity, embarking on new projects, and connecting with like-minded individuals within the art world. The specific benefits and experiences encountered during an artist residency can vary considerably, contingent on the program’s structure and the artist’s individual goals.

Royal College of Art, London UK

For me, an artist residency is an invitation to engage in experimentation, exploration, and a deeper dive into my creative realm. The ideal residency provides me with a space where my art is my constant companion, 24/7, making it impossible to escape its allure except by venturing out to explore. Regardless of the residency’s level of structure, I arrive with ambitious objectives, intensifying my focus. I don’t predetermine what I’ll create upon my arrival, but I do set goals, which include acquainting myself with the city and the local community, grasping the culture, customs, and history of my temporary home for a month. I make it a point to visit all the galleries and museums in the area and endeavor to establish connections with art collectors. Having nurtured a pan-Canadian identity through collaborations with the people, brands, and artists I’ve encountered in my Canadian travels, I’m always accompanied by invitations to connect, and it feels crucial to honor these relationships.

The Stacks at Pouch Cove Foundation

I also come well-prepared. There’s a saying that luck favors the prepared, and I adhere to it. I ensure I have all the necessary supplies, book transportation in advance, and stock up on healthy food to sustain me throughout my residency. Over nearly two decades in the art world, I’ve learned the value of preparedness. I relish the process of making my own discoveries, forging my own connections, and expanding my network organically. Moreover, I revel in the challenge of troubleshooting on my own when faced with issues or the need for specific equipment or supplies. I thrive on solving problems independently.

When it comes to collaborations, I prefer for them to arise organically. My work, patrons, fans, and collectors demand a significant portion of my attention and energy, so a residency is a time dedicated to me and my art. It’s an opportunity for tranquil reflection, writing, exploration, hiking, and simply breathing. I delight in leaving my formal wear behind and embracing a month of living in my jeans, hiking gear, and painting shoes.

Banff Centre of Arts and Creativity – Banff, Alberta

Interestingly, every time I leave my hometown, art sales seem to flourish. While the reasons remain somewhat mysterious to me, it’s undoubtedly a boost to the interest in my work, and my creations tend to fly off the shelves more swiftly when I’m on the road. Although the structure and requirements of residencies may differ, each one is a chance to rejuvenate the artist’s perspective, heart, and soul.

Artist residencies offer a unique and transformative experience for artists like me, fostering growth and pushing creative boundaries. They provide a haven where artists can delve into their work, discover new horizons, and forge connections that enrich their artistic journey. Whether it’s the serene solitude or the organic collaborations that thrive in these settings, residencies breathe new life into our creative spirits. So, every time I embark on one of these journeys, I come back to my hometown with not just art but a reinvigorated passion for the art of creation.

October 25, 2023