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Painting Canada 500 Paintings

Painting Canada: Brandy Saturley and Nearly 500 Paintings

“We lived in a continuous blaze of enthusiasm…above all we loved this country (Canada) and loved exploring and painting it…” Brandy Saturley is a celebrated contemporary Canadian visual artist renowned for her powerful portrayals of Canadian culture, landscapes, wildlife, and iconic symbols—from hockey and nature to the people and places that define our nation. Often called ‘the Voice of Canadian Pop Art,’ Saturley’s work reflects her unique vision and deep connection to Canada’s spirit. Over the years, she has created nearly 500 paintings, all offering a distinct perspective on Canadian identity.

Canadianisms at Okotoks Art Gallery, 2017 Brandy Saturley

Saturley’s paintings not only embrace a sense of humour but also reference famous works of art, creating layered narratives that explore what it means to be Canadian. The artworks found in Canadianisms: A Half Decade Inspired by Canada open a dialogue informed by our national iconography, passion, humour, tolerance, and kindness. These paintings challenge and celebrate the evolving story of Canada, offering fresh perspectives on familiar symbols and moments in our shared history.

Canadianisms: A Half Decade Inspired by Canada – Strathcona County Gallery @501, January 2017

Saturley is celebrated for her Canadiana-inspired acrylic paintings and is recognized as a leading Canadian visual artist. Her vibrant art collection captures the essence of Canada, featuring iconic landscapes, Tim Hortons cups, and well-known figures like Gord Downie and a hockey stick-wielding Shania Twain. Her work reflects a rich tapestry of Canadian culture: from a Mi’kmaq performer alongside an RCMP officer at the Vimy Ridge 100th anniversary to a veteran standing solemnly above a field of red poppies. In one piece, a couple stands outside the Montreal Forum, posed in homage to Grant Wood’s American Gothic. The term #IconicCanuck, coined for her first public gallery exhibition, has since become synonymous with her work.

#ICONICCANUCK art crate and painting Saint Kanata by Brandy Saturley, 2017

Growing up on Vancouver Island, Saturley developed a deep connection to Canada’s landscapes and cultural diversity. The island, separated from the mainland by ocean and distinct weather patterns, fostered her unique perspective on Canadian identity. Her style—often described as ‘Canadian Pop Art,’ ‘Pop Realism,’ or more recently ‘Pop Modernism’—is unmistakable, characterized by bold colors, crisp lines, and a distinct approach to visual storytelling.

Canadianisms Exhibition at Okotoks Art Gallery, 2017 Brandy Saturley

Confronting the enormity of the landscape has become a crucial aspect of Canadian identity and is another recurring theme in Saturley’s work. Her well-regarded Canadianisms series, while sometimes still grounded in the landscape, also references famous works of art, reinterpreting them to examine the construction of Canadian identity. Many old masters are identifiable in her compositions, including Jacques-Louis David, René Magritte, and Grant Wood. By evoking these famous compositions within her exploration of Canadian cultural symbols, the series reminds us that identity has always been constructed through a symbolic visual language—one that we actively participate in by recognizing and reinterpreting it.

#ICONICCANUCK at CARFAC Alberta, 2013 Brandy Saturley

Saturley’s narratives on canvas oscillate between graphic realism—used for Canada’s famous mountain peaks and forest lakes—and the abstractness of colorful, even psychedelic backgrounds. The sincerity of her celebration keeps her work from veering into kitsch; instead, they are otherworldly and transportive, playful yet deeply reflective. Her paintings capture the collective Canadian consciousness, offering viewers a chance to see themselves within the layers of symbolism, history, and contemporary culture that shape this country.

With Hearts on Our Sleeves, Brandy Saturley, 2017

Painting Canada 500 Paintings: Art Crates & Collaborations

During this time Saturley also became known for her hand-painted art shipping crates which were part of her Canada150 art exhibitions, and also the crates her collectors receive when buying an original painting. You can see these crates in collections across Canada. Her paintings have been licensed for use with brands and on products from chocolates to reading glasses.

CANADA150 Chocolate by Blossom Spice, Vancouver BC

In January 2025, Saturley published her first Art Book featuring paintings spanning 15 years, ‘Painting Canada’ will be launched at her upcoming solo exhibition in Newfoundland with James Baird Gallery.

Brandy Saturley with her Art Book, Painting Canada

With nearly two decades of artistic exploration and an ever-growing body of work, Brandy Saturley continues to paint Canada with an unparalleled passion and vision. Her art invites us all to engage with the symbols, landscapes, and stories that define what it means to be Canadian.

Canadian Artist Brandy Saturley with her Art Shipping Crates, 2017

See More Canadian Art Collections by Brandy Saturley.

Brandy Saturley with her art shipping crates, 2013

February 10, 2025

10 Best Paintings 2024

New Paintings

My Year in Paintings, the 10 Best of 2024

With every year I begin with the goal of creating 25 new paintings, while also working on a myriad of opportunities to show and sell my work. Each year I take time to look back on the year in Canadian Art, and select my 10 best paintings of the year. These are paintings that worked out not only in subject and deliver on an emotional level, but they are also technically great artworks. In 2024, my artist lens was focused on both western Canada and the landscape of the Rocky Mountains, as well as Canada’s east coast and stories of Newfoundland. Here are my 10 best Canadian paintings of 2024.

10.

High on Canada Drive, 12×36, acrylic and oil on wood, 2024 – Brandy Saturley

Love on The Rock, 18×36, acrylic and oil on wood, 2024 – Brandy Saturley

Downside Up, 18×24, acrylic and oil on wood, 2024 – Brandy Saturley

Quidi on the Vidi, 24×18, acrylic and oil on wood, 2024 – Brandy Saturley

High Tide, 36×48, acrylic and oil on canvas, 2024 – Brandy Saturley

Come On Just Let’s Go, 48×30, acrylic on canvas, 2024 – Brandy Saturley

Say a Little Prayer, 48×30, acrylic on canvas, 2024 – Brandy Saturley

Minnewanka Muse, 12×24, acrylic on canvas, 2024 – Brandy Saturley

Three Sisters, 24×48, acrylic on canvas, 2024 – Brandy Saturley

Little Red Saltbox, 18×24, acrylic on canvas, 2024 – Brandy Saturley

These 10 Best Paintings of 2024 are not just my favorites; they represent milestones in my ongoing journey of capturing the essence of Canada through art. Each piece adds a layer to the evolving narrative I’ve been crafting since 2010, celebrating the landscapes, people, and symbols that define this vast and diverse nation. Through these works, I aim to inspire viewers to see Canada not just as a place, but as a rich tapestry of stories, emotions, and connections that we all share.

Sincerely Yours,

Brandy Saturley

December 30, 2024

2024 In Art Review

The Year in Art, Top Artist

Looking Back on My Year in Art – 2024 in Review

When I think about a word that most accurately defines this year it would be ‘bustling’. With 27 new paintings created this year, shows, travel for art and a new book in the works, the year was filled with achievements both professionally and personally. This is my 2024 in Art review.

January

I was still filled up with the essence of Newfoundland from my residency in late 2023, and I continued to pour it out on the canvasses in my Victoria studio.

Paintings inspired by Canada’s East Coast – Newfoundland – Brandy Saturley

February

My impressions of Newfoundland continue to feed my work. While grey outside, the tone in my studio is filled with vivid colours of Saltbox houses and East Coast dories.

Newfoundland Paintings 2024 – Brandy Saturley

March

A collaboration opportunity with a new shoe company – Grounded People in Vancouver invited me to come on board as one of their Artists and I put paint to sustainable vegan high top boot. With the opportunity for clients to get their own custom ‘Brandy Saturley’ kicks. Pretty cool. In March there was also a show in Toronto with the John B. Aird Gallery – a group show titled ‘Wildlife’, one of my polar bear paintings joined this show.

Custom shoe collaboration with Grounded People – Brandy Saturley

Group show with John B. Aird Gallery Toronto – Brandy Saturley

April

With Spring in the air I sent my Canada150 tulip painting to a group show with Summer & Grace Gallery in Toronto. A beautiful Still Life, celebrated the tradition of still life painting. While their were many traditional takes on the subject I offered and contemporary and modern take on still life with my pop realism tulip.

A Beautiful Still Life exhibition at Summer & Grace Gallery, Oakville – Brandy Saturley

May

This month was all about an art road trip for the ages. With a 25ookm drive one way, we headed out to Santa Fe, New Mexico – driving from my home studio in Victoria, BC. This trip had the ultimate destination of the Santa Fe Art scene on Canyon road, but on the way there and back I added a number of inspiring stops to the itinerary. We covered 6 states on this trip including Washington, Oregon, Idaho, Utah, Colorado and New Mexico. With a major stop in Moab, Utah and arches National Park.

From Victoria BC to Santa Fe, New Mexico – Artist on the road – Brandy Saturley

Our scenery flowed from farmers fields in Washington to the red rock of Utah and the warm pastel landscapes and otherworldly rock formation of Utah and New Mexico. In New Mexico we made the drive to Abiquiu to visit the home and studio of American painter, Georgia O’ Keeffe, perhaps my favourite historical painter of all-time. This trip was all about Art and landscapes, with moon-like terrain on the Salt Flats at Bonneville – we experienced the full spectrum of colours and shapes of landscapes on this tour across the Western USA.

Inside Georgia O’Keeffe studio, Abiquiu, New Mexico

June

June came with news of being elected to the Society of Canadian Artists. Fostering the visibility and stature of the visual arts in Canada, the SCA is a national, non-profit artists’ organization dedicated to expanding the visibility and stature of the visual arts. We are a collection of some of the country’s most committed traditional and new media artists and we welcome the new, the up-and-coming and the established.

Brandy Saturley elected to the Society of Canadian Artists, 2024

July and August

Taking a bit of a break I concentrated on painting and sketching and enjoying my garden as my work for the year continued to develop. With my recent trip to Santa Fe I had landscapes and nature on my mind and focused in on the now and largely shut out communicating online. Time to go deep, experiment and leave the world behind for a bit.

High Tide, 36×48, acrylic and oil on canvas, 2024 – Brandy Saturley

September

With the Art season warming up a group show launched in Newfoundland titled WOMAN. The Woman Art Show, has become an annual exhibition of some of the best figurative painters from around the world. This well known figurative art show is produced annually by the James Baird Gallery in Pouch Cove, Newfoundland. One hundred figurative painters from over twenty countries exploring the theme of woman. As in past years we are spanning the globe with outstanding artists and their practices. I am proud to have one of my paintings included in this important show.

WOMAN Show, James Baird Gallery, Newfoundland, 2024 – Brandy Saturley

October

Full steam ahead! Lots of painting to do and preparations began for my upcoming Art Book and solo show in Newfoundland in 2025. This month I am also celebrating one year on ARTSY with James Baird Gallery. Artsy is a place for the future of art collecting. As the leading marketplace for art by the world’s emerging and established artists, they have made it easy for new and experienced collectors to discover, buy, and sell art—and so much more.

Follow Brandy Saturley on ARTSY

November

While my studio is filled with a number of canvasses in various stages, on the business side I found myself collaborating with a Toronto Art Agency on a digital installation in Toronto at 2 Bloor West. My painting, ‘I’ll Carry That Weight’, is presented prominently on digital screen in the lobby at 2 Bloor West, in honour of Remembrance Day. I also began work on an oversized landscape painting commission for a client in Calgary, Alberta measuring 4×10 feet.

Digital Installation in Toronto Highness Global X Brandy Saturley

Brandy Saturley in her Victoria studio with oversized landscape painting

December

Lovely to have some sales complete in December and deliver paintings to new homes in Calgary and Minnesota, via my Banff dealer Willock & Sax. This month I am also celebrating 2 years with Willock & Sax Gallery, my trusted dealer in Banff, Alberta. I was also honoured with a Certificate of Artistic Achievement from the Luxembourg Art Prize.

Brandy Saturley artworks – Willock & Sax Gallery, Banff Alberta

Another year in the books and on the canvas. I think the most important reason to share these year in review updates is to show you that an art career is multi-faceted and the building never stops. Although I am a primarily a painter my job is more than just laying down paint on canvas. It is important for me to get out of the studio and stay connected with the Art world at large, which is why I take these road trips for art, exploring new landscapes and new potential markets for my work. Part of the job is also showing the work and planning shows and planting seeds for future opportunities. On the commerce side of art there are sales, and shipping of Art. There is inventory and bookkeeping and keeping up relationships with representatives of my work. Lastly, there are collaborations which help to push the work to parallel markets like collaborating with clothing brands and art agents and agencies. You never know where you will find my work and I enjoy introducing the work to new audiences.

Brandy Saturley studio, Victoria BC 2024

So, while I am a professional Artist and painter my work relies on the use of other mediums such as photography, video and writing to bring it all together. To be successful in this field, you have to reach out in many directions and also allow the work to pull you where it wants to go, this is the beauty of this profession and there is never one road to take to become successful in this field.

While I set the course ever year, the course sometimes takes me on backroads and off the beaten path to discover new depths. It’s like surfing and riding waves, it’s a beautiful experience that you must give yourself to fully and trust in the course.

Canadian Artist, Brandy Saturley

Thank you for being part of my year and for allowing me the privilege of continuing to pursue my dream through supporting my work, a dream that was born in childhood and I am just a bigger kid now.

Cheers to a bustling 2024!

Sincerely Yours,

Brandy Saturley

December 13, 2024

Best Canadian Art on Artsy

Art Dealers, Artsy

Celebrating One Year on ARTSY – 10 Best in Canadian Art

Artsy is a place for the future of art collecting. As the leading marketplace for art by the world’s emerging and established artists, they have made it easy for new and experienced collectors to discover, buy, and sell art—and so much more. Everything you’ll ever need to collect art, you’ll find on Artsy. I am celebrating my first anniversary on Artsy, with works available through James Baird Gallery, Newfoundland Canada. On Artsy you will find some of my best in the Canadian Art and pop realism genre. Here are my 10 best paintings currently available on Artsy.

A painting of a woman in a red coat flying high above the Rocky Mountains.

Rocky Mountains Higher, 36×48, acrylic on canvas – Brandy Saturley

A painting of lovers kissing in the midst of snowy ski hills.

The Kiss, 36×48, acrylic on canvas – Brandy Saturley

A painting of a young blonde woman looking up at the sky as the magic of the Northern Lights dances above

Dreaming Under Northern Lights, 36×36, acrylic on canvas – Brandy Saturley

A painting of a person looking through binoculars with icebergs behind them, pop art hues.

Looking for the icebergs, 30×48, acrylic on canvas – Brandy Saturley

A painting of a yellow sou’wester hat on a rocky cove in Newfoundland

I Lost My Sou’Wester in Pouch Cove, 28×64, acrylic on canvas – Brandy Saturley

A painting of a woman in a red toque and yellow rain coat in between a trio of brightly painted saltbox houses

Trinity, 20×20, acrylic on canvas – Brandy Saturley

A painting of two yellow dory boats on Canada’s East Coast

A Dory for you an One For Me, 24×18, acrylic on canvas – Brandy Saturley

A painting of a red saltbox house in Newfoundland

Little Red Saltbox, 18×24, acrylic on canvas – Brandy Saturley

A painting of a red blanket twisting in the wind while the ocean roars in the background

High Tide, 36×48, acrylic on canvas – Brandy Saturley

A painting a a woman looking into the sunlight, shadows of blinds cast across her face, honouring Ukrainian heritage

Dochka Rising, 36×30, acrylic on canvas – Brandy Saturley

These are 10 of my best contemporary Canadian painting currently available through James Baird Gallery on Artsy. The collection includes paintings made while in residence in Newfoundland on the East Coast of Canada.

Art Collector? Click here to follow me on Artsy

Click here to see more of my Newfoundland paintings.

December 12, 2024

Political Climate and Art Sales

Advice for Art Collectors

How Does Political Climate Affect Art Sales in Canada?

The political climate can have a significant impact on art sales in Canada, as it does in many countries. Several factors related to the political environment can shape both the art market and the demand for different types of art. Here are some key ways the political climate may influence art sales:

1. Government Support for the Arts

Cultural Policy and Funding: Changes in government policy around the arts can directly affect sales. In Canada, the government has traditionally provided funding through organizations like the Canada Council for the Arts. When governments increase funding and support, it creates opportunities for artists to create and showcase work, boosting visibility and sales. Conversely, cuts in funding can limit opportunities, making it harder for artists to sell.
Public Art Programs: Policies that promote public art commissions (e.g., murals, sculptures) can lead to more opportunities for sales, especially for contemporary and local artists.
Brandy Saturley working on mural sized painting at Banff Centre for Arts and Creativity, 2022

2. Tax Policies

Tax Incentives for Art Buyers: Canadian tax policy can have a direct influence on art sales. For example, when tax incentives favor the purchase of art (e.g., allowing deductions for art acquisitions by corporations), there may be an increase in demand, particularly in the high-end market. Changes in capital gains tax, estate tax, or deductions can encourage or discourage investment in art as an asset.
Tax Breaks for Donations: Policies that encourage donating art to public institutions (such as the ability to claim charitable donations for valuable works) can influence the secondary art market and the behavior of wealthy collectors.
The Art of Brandy Saturley and Ferrari at Victoria Premium Automobiles, Victoria BC 2013

3. National and Global Political Stability

Economic Confidence and Art as Investment: Political instability often affects the economy, and economic downturns tend to reduce discretionary spending. In times of political uncertainty (such as during elections or global trade tensions), buyers may hesitate to make significant purchases, including art. However, in some cases, art is seen as a safe-haven investment, particularly in volatile times, which could increase sales in specific sectors of the art market (especially for blue-chip art).
Trade and International Relations: Canada’s trade agreements and international relations can impact the import and export of art. If international relations are tense or there are restrictive trade policies, this could affect the flow of art between countries and the ability of galleries to showcase international artists, thus influencing sales.

4. Political and Social Movements

Demand for Politically Relevant Art: Political movements, such as environmental activism, Indigenous rights, or social justice movements, can create demand for art that addresses these themes. In Canada, for example, there has been growing interest in Indigenous art, driven in part by movements for reconciliation and decolonization. Art that resonates with current social and political issues often experiences increased visibility and sales.
Censorship and Artistic Freedom: The political environment may affect what types of art are supported or censored. Political climates that favor freedom of expression often foster vibrant art markets, while those that limit expression may constrain the kinds of art that are produced and sold.
On Guard, acrylic on canvas, 2013, Brandy Saturley – Colart Collection Quebec, Canada

5. Global Art Trends

Impact of International Politics: Global political changes, such as shifts in U.S. or European politics, can indirectly influence Canadian art sales. Art collectors are often influenced by global trends, and political upheaval abroad can shift the focus toward Canadian artists, particularly if international markets become less accessible or desirable due to political instability.
End of An Era, 2022 Acrylic On Canvas 60 x 36 x 1.5 in (152.4 x 91.44 x 3.81 cm) Brandy Saturley

6. Public Sentiment and National Identity

Cultural Nationalism: In times of political change, there may be a surge in demand for art that reflects national identity or political values. For instance, during periods of national pride or political shifts, there may be increased interest in art that portrays Canadian landscapes, history, or cultural symbols.
Political Patronage: Political leaders and institutions may become patrons of the arts, either to reflect political messaging or to promote certain cultural values. This can create a market for works that align with specific ideologies or values of the ruling party.

Goalie’s Mask: red, white & Dryden (The Goalies Mask Painting) 2011 Acrylic 48 x 36 x 1.5 in (121.92 x 91.44 x 3.81 cm) Brandy Saturley

In conclusion, the political climate in Canada affects art sales through a combination of cultural policies, economic stability, social movements, and the international art market’s influence. Whether it’s through government support or the evolving tastes of buyers influenced by political trends, the intersection of politics and art remains a dynamic and influential factor in the Canadian art market.

Political Climate and Art Sales – Art That Focuses on National Identity

“I am telling visual stories of my travels in Canada, from Coast to Coast to Coast.” Brandy Saturley is an acclaimed contemporary Canadian Visual Artist widely recognized for her evocative portrayals of Canadian culture, landscapes, people, wildlife, hockey and icons. See more paintings by Brandy Saturley here.

Canadian Visual Artist and Pop Art style painter, Brandy Saturley.

October 16, 2024

Weird Art in Canada

Canadian Art, Canadian Paintings

What Makes Art Unique – Weird Art in Canada

Having recently returned from an art trip to Santa Fe, New Mexico I came home with a new appreciation for the quirky and even absurdities in Art. Weird art captivates our imagination by pushing boundaries and challenging norms. It reveals aspects of life and human creativity that we rarely encounter. From George Condo’s portraits to modern works like Damien Hirst’s pickled shark, these pieces provoke curiosity, intrigue, and sometimes even discomfort. So, in its eccentricity, weird art invites us to explore the unexpected and embrace the unconventional. Making weird art in Canada.

Sometimes referred to as ‘quirk’, ‘lowbrow’ or ‘funny’ – their have been many weird artworks that have captured our attention, for generations, and we are still talking about these works in the contemporary world. Whether it be ‘American Gothic’, The Scream or the melting clocks of Dali, weird art transcends genres and movements and can be found worldwide. Surreal, whimsical, or absurd art provides an escape from mundane reality. It invites us into fantastical worlds, sparking imagination.

In Canada, we are known as having our own quirky brand of humour, that is distinctly our own. Having travelled across the country over the past two decades soaking up the uniqueness that is Canada, I can attest to the weird wonderfulness that is Canada, but this is not reflected in most of our art galleries, which strikes me as odd. As the ‘Iconic Canuck’ I took my weird and quirky Canadianisms on the road and found an audience amongst those who appreciate laughing at themselves and their country. Underlying these quirky visual tales painted on canvas, a serious undertone about our place in the world and thoughts about the future of our country.

The “Canadianisms” series has toured in both Edmonton and Calgary, and has garnered the artist notoriety as the voice of Canadian Pop Art. In her most recent work, Saturley has turned once again to the landscape, never really having left. Her new, visionary paintings collage different, unexpected elements of Canadiana rendered in her characteristic pop aesthetic. They oscillate between a graphic realism used for Canada’s famous mountain peaks or views of forest lakes, and the abstractness of the colorful, even psychedelic backgrounds. The sincerity of their celebration keeps them from tripping over into kitsch. Instead they are otherworldly and transportive, playful and humorous. ~ Andrea Bell, for Whitehot Magazine

For me it is fun to look back at these weird and wonderful ideas that launched me into the Canadian Art Market and with galleries across the country. Some of my weird art serves as a critique of culture, politics, or consumerism. It highlights absurdities and prompts reflection on societal issues. In 2025, I will celebrate 15 years of painting stories of Canada on canvas, and I have a few things up my sleeve. For now, a trip back through these tongue in cheek narratives about a country known for it’s red maple leaf, Mountie’s, syrup of gold, hockey culture, Nanaimo bars and landscapes.

12 Paintings – Making Weird Art in Canada

From stories of the Oilers defeat and trade of Wayne Gretzky to the Stanley Cup. From tales of the Ukrainian experience to the people of the prairies, Canadian celebrities and the fans. These paintings tell quirky Canadian narratives of yesterday and today.

Death of a Rookie – 32×32, acrylic on canvas, 2012 An ode to the Oilers Steve Smith, in the style of Jacques Louis David, referencing The Death of Marat painting created in 1793. “Saturley’s Death of a Rookie, Rise of a Hero is a take on the political painting The Death of Marat by French painter Jacques-Louis David, 1793.

The Story of the Wayne Gretzky Trade – 48×36, acrylic on canvas, 2012 Brandy Saturley – Painting of The Oilers on the ice and Janet Jones in goal, with Gretzky transfixed by her gaze. A tale of the Wayne Gretzky trade to the LA Kings.

A Cup for Louise, 22.5×19, acrylic on canvas, 2013 – Brandy Saturley Imagine an afternoon sipping tea in the tearoom of the Fairmont Chateau Lake Louise, out of Canada’s most coveted cup? Having tea with Stanley at Lake Louise.

The Climb, 48×36, acrylic on canvas, 2015 – Brandy Saturley This piece speaks to the climb we face in all areas of life through referencing the long climb to achieving the Stanley Cup. The piece carries heavy symbolism with Lawren Harris-esque rocky mountains in the background.

The Eh Team, 36×36, acrylic on canvas, 2013 – Brandy Saturley Painting of a mountie with thumb up in a Fonzie-esque ‘eh’

Perogies in the Wind, 30×24, acrylic on canvas, 2012 – Brandy Saturley Painting of perogies hanging from a clothesline on the Canadian Prairie

Bieberscape 24×30, acrylic on canvas, 2011, Brandy Saturley Painting of Justin Beiber hairstyles that he became famous for early in his career. The hair acts and landscapes on the road through the Nevada desert.

Canada is Sweet & Salty, 24×30, acrylic on canvas, 2011 – Brandy Saturley Painting of a naked Pamela Anderson laying on top of a Mackintosh toffee bar at Peggy’s Cove with puffins.

A song for an Alter Ego, acrylic on canvas, 2011, Brandy Saturley Painting of Burton Cummings and his alter ego, on a trip across his catalogue. A Beatles’esque take on Burton’s inner thoughts.

A Punch Line and an Unknown, 36×48, acrylic on canvas, 2013 – Brandy Saturley A painting on an outdoor hockey rink of a group of hockey buddies wearing the ‘Habs’ famous line jersey numbers, along with a goal tender with a paper bag over his head.

Canadiens Gothic, 48×36, acrylic on canvas, 2014 – Brandy Saturley

The original painting the started the People of Canada Portrait Project in 2014, inspired by ‘American Gothic’. “American Gothic (1930) is a painting by American (Iowa) artist Grant Wood. The painting depicts a farmer and someone you may assume to be his wife standing in front of their house. The farmer is dressed simply and holding a pitch fork, the wife is dressed simply as well, adorned by an apron.

In reality, the people in this painting are not as they seem, they are models (artist’s sister and town dentist) that Wood selected to replicate what a typical person living in Iowa would look like. In American Gothic, Wood uses the house and its perspective owners as a satirical outlook on American culture at the time. Saturley’s Canadiens Gothic (from the People of Canada Portrait Project) has a similar setting to Wood’s American Gothic. Shown is a hockey player (Reg) in a Canadiens hockey jersey, holding a hockey stick. Beside him is, we assume, his wife (Penny) wearing a “Hoodie” or a “Bunny Hug” if you are from Saskatchewan. The figures are standing not in front of their home, but in front of a building titled FORUM, “the most storied building in hockey history” and home of the Montreal Canadiens hockey club. Unlike Wood’s American Gothic, the figures in Saturley’s Canadiens Gothic did pose together (selfie taken by Penny) and are a couple living in Manitoba. Replacing the pitch fork with a hockey stick, and replacing the simple but staunch black jacket with a hockey jersey, evokes a level of relaxation on one’s day off.This contrasts the work element (farming) with play (hockey); or, comparatively speaking, a way of life (farming) juxtaposed with the Canadian way of life (hockey). Penny’s attire also gives to the notion of comfort and does not attest to any domestic fortitude

Dreaming in the Colours of Eh, 36×48, acrylic on canvas, 2014 Asleep on an HBC point blanket, the green blanket like a field of emerald grass with red poppies falling from the sky. The poppies made from sheet music of ‘O Canada’. The woman sleeps peacefully with Canada Goose winter hat and ruby red boots, holding a green monopoly house in her right hand. The woman wearing a Vancouver Canucks jersey, but no pants. This piece was created as part of a series referencing the ‘Wizard of Oz’ and my journey home after exhibitions of work in Alberta. Somewhat surrealism, definitely symbolic, this piece tells many stories depending on the viewer. Acrylic painting on canvas with collage.

Remember, art’s impact is subjective, and what’s “weird” varies from person to person. Ultimately, weird art enriches our cultural landscape and invites us to explore the extraordinary.

June 6, 2024

A Trinity in Newfoundland

Artist Process, New Paintings

Painting 15 in A Series about Newfoundland

We were up exploring around Cape Bonavista lighthouse, and by up I mean, above the Avalon Peninsula, where I was based out of during my month in Newfoundland. A three hour and forty minute drive each way, from Pouch Cove Foundation. On our way to the iconic lighthouse and town, I received a text from a friend. Make sure on your return trip you have lunch in Trinity, it’s a quaint little town that really has an old colonial Newfoundland feel. And this is where painting 15, in this series about Newfoundland began, on a lunch stop in a town called Trinity.

Looking down on Trinity, Newfoundland – October 2023, Brandy Saturley

Trinity, nestled along the picturesque Trinity Bay in Newfoundland and Labrador, boasts a rich historical background. Its quaint streets are adorned with a collection of architectural gems, each designated as a Registered Heritage Structure by the esteemed Heritage Foundation of Newfoundland and Labrador. The town’s harbor, a hub of maritime activity since the 16th century, witnessed the arrival of Portuguese explorer Gaspar Corte-Real on Trinity Sunday of 1501, bestowing upon the site its enduring name. By the 1570s, Trinity had already established itself as a vital summer outpost for fishermen from England’s West Country, drawn by the abundant riches of the migratory fishery. Beyond its maritime legacy, Trinity holds a place in medical history, serving as the pioneering ground for the introduction of the smallpox vaccine to the New World by John Clinch in 1798.

Unique architecture in Trinity, Newfoundland – October 2023, Brandy Saturley

When we arrived at Trinity it was a ghost town, being Autumn in Newfoundland many places are closing up for the Winter. The restaurant situation is hit and miss this time of year, with no regular hours really being kept in any place we have explored. Immediately I was drawn to the multitude of colourful buildings all situated on a quiet cove. A sparse landscape dotted with colour, the idyllic Newfoundland setting.

A ‘trinity’ of colourful homes in Newfoundland – October 2023, Brandy Saturley

As I was clicking through photos from my trip, I kept returning to the photo above of a ‘trifecta’ of buildings adorned in Easter hues. If I was only going to paint one visual story about this place, this grouping expresses the town in one photo. From the trio of buildings, a ‘trinity’ of it’s own to the unique heritage structures, to the English influence. It is all felt and said in this photo, with the rock and the grass, all I felt that was needed to complete this story was a woman searching for meaning in this historic little town.

Sketching out the underpainting on black gesso ground – Brandy Saturley 2024

For this painting I began with a black gesso ground, something I haven’t done before, and I NEVER use black. Black is something you must be careful with as it can become too graphic and too comic book, I have always veered away from it. I found that with this piece it offered a different way to tackle the plank siding. Rather than being heavy outlines it offers ‘peeks’ into darkness and ultimately was successful in this painting. It gives the painting a sketchbook feel, and I like this for telling the story of this piece. It felt like I was painting on a chalkboard!

Working the angles, a painting in progress. – Brandy Saturley 2024

A poem for the finished painting about Trinity, Newfoundland

Let her wander, fearless, beneath Newfoundland’s vast sky,
In her red toque and yellow slicker, love’s quest does not belie.
For amidst Trinity’s hues, where tales of old abide,
Her love may yet be waiting, in the ebb and flow of tides.

Trinity, 20×20 inches, acrylic and gouache on wood panel, 2024 Brandy Saturley

Learn more about this painting and see additional photo’s here. See all the Newfoundland Paintings here.

April 24, 2024

The Multiverse of Art

Art History, Opinion

Talking Historical Canadian Art – The Multiverse of Art

I had a conversation with an art dealer the other day, it was about contemporary Canadian Art versus Historical Canadian Art. Myself being a Canadian artist, and a contemporary Canadian Artist at that, I have a unique perspective, particularly in today’s world, about the importance and significance of contemporary Canadian Art. I also believe we are in a period of revolution in The Arts, perhaps we are entering the Multiverse of Art period?

Let Your Backbone Rise, 2016, Brandy Saturley – Private Collection Quebec

Can contemporary art also be considered historical?

Yes, contemporary art can indeed be considered historical. While contemporary art refers to art created in the present time or within recent decades, it eventually becomes a part of history as time passes. Art reflects the social, cultural, and political contexts in which it was created, and as such, it serves as a historical record of the era in which it was produced. Furthermore, contemporary art often responds to and engages with historical events, ideologies, and artistic movements. Artists may draw inspiration from past historical periods, reinterpret them in contemporary contexts, or directly address historical narratives and themes in their work. As contemporary art ages, it becomes increasingly significant as a reflection of the time in which it was made, offering insights into the concerns, values, and perspectives of that period. Therefore, contemporary art not only contributes to our understanding of the present but also becomes an essential part of the historical record for future generations.

Sold Out, 2023, Brandy Saturley – Private Collection Alberta

Could this be considered the multiverse of art?

The idea of contemporary art as a “multiverse” is an interesting metaphorical concept. In a way, the term “multiverse” suggests the coexistence of multiple parallel universes or realities. Similarly, in the realm of art, contemporary art encompasses a diverse range of styles, movements, and perspectives, all existing simultaneously.

Just as in a multiverse, where each universe may have its own set of rules and characteristics, contemporary art reflects a multitude of artistic expressions, influenced by various cultural, social, and individual factors. These diverse artistic realities intersect and interact, creating a complex and dynamic landscape of creative exploration. Like the concept of branching timelines in a multiverse, contemporary art often diverges from traditional norms and conventions, offering alternative narratives, perspectives, and approaches to artistic expression. This multiplicity allows for the exploration of different ideas, identities, and experiences within the artistic realm.

So, while contemporary art may not adhere to a singular, unified narrative or style, its richness and diversity can indeed be likened to a multiverse, where myriad artistic possibilities coexist and intersect, shaping the ever-evolving landscape of art history.

With Hearts on Our Sleeves, 2017, Brandy Saturley – Private Collection Ontario

What can contemporary artists bring to your exhibit or gallery?

Contemporary artists can bring a fresh perspective, innovative interpretations, and provocative dialogues to a historical exhibit. Here are some ways in which they can enrich such an exhibition:

Reinterpretation of History: Contemporary artists can reinterpret historical events, figures, and narratives through their unique lens. Their perspectives may challenge conventional interpretations and offer new insights into familiar historical themes.

Engagement with Current Issues: Many contemporary artists engage with pressing social, political, and cultural issues. By addressing these concerns within a historical context, they can highlight the relevance and continuity of certain themes throughout history.

Dialogue with Tradition: Contemporary artists often engage in dialogues with art history and tradition. They may reference, critique, or reinterpret works from the past, creating a dynamic interplay between historical and contemporary artistic practices.

Exploration of Identity and Memory: Contemporary artists frequently explore themes of identity, memory, and heritage. Their works can shed light on marginalized histories, amplify diverse voices, and challenge dominant narratives within historical exhibitions.

On Guard, 2013, Brandy Saturley – Colart Collection Quebec

Experimentation with Mediums and Technologies: Contemporary art embraces a wide range of mediums and technologies, from traditional painting and sculpture to digital art and multimedia installations. Integrating these innovative approaches into historical exhibits can enhance audience engagement and offer new ways of experiencing history.

Reflection on Time and Continuity: Through their artwork, contemporary artists often reflect on the passage of time and the continuity of human experiences across different historical periods. Their contributions can add layers of complexity and nuance to our understanding of history as a living, evolving narrative.

To The See, 2017, Brandy Saturley – Collection of The Artist

By inviting contemporary artists to participate in historical exhibits, curators can create dynamic and multifaceted experiences that bridge the past and present, encouraging viewers to reconsider familiar narratives and explore new perspectives on history.

So, Can contemporary art also be considered historical? the short answer is YES.

April 9, 2024

Welcome Home to Victoria

Artist Process, Artist Residency

West to East and East to West – Welcome Home

So let’s go to the East Coast I said, and we did. I was there to make Art at the Pouch Cove Foundation residency, and he came along to see a bit of my home for a month, tour around the Avalon peninsula, enjoy time with friends and eat fish & chips next to ships made for stormy seas and hard working fisher people! One town that captured our hearts and our bellies was Petty Harbour.

Petty Harbour reflections – photo Brandy Saturley

We went with friends and celebrated the end of the first week with a lobster roll and recovery fries, yes you read that right. At Chafe’s near the harbour we ate an East Coast poutine of fries smothered with gravy, cheese curds, dressing, mushrooms, onions, peas and ground beef, filling an entire plate. After a month on the rock, there was a grand welcome home to Victoria, dipping my toes back in the Pacific Ocean of the West Coast of this beautiful and massive country we call home.

Chafes Landing in Petty Harbour, Newfoundland – photo Brandy Saturley

For an artist, Petty Harbour is a living art installation of the most fascinating kind. Dotted along the shores of the harbour sits brightly painted structures in no particular layout or order, the style is more scattered, as if no one was too concerned with developing a town one could navigate. It’s almost like no one expected to stay here for very long, in many ways it feels like a living outdoor museum of the history of the area. There are brightly painted dories, tee-pee like structures, lobster fishing traps, piles of colourful ropes and fish boats of all kinds.

Old Lobster traps in Petty Harbour, Newfoundland – photo Brandy Saturley

The first day we visited the harbour it was a proper fall day in Newfoundland. Fog was rolling and waves at the mouth of the harbour were thunderous and deafening, it was incendiary! Like a cauldron of the ocean gods, I was trying to imagine these little boats crossing through that treacherous mouth protecting the harbour from shear insanity of the seas. This place represents all the best of true Newfoundlandness, at least from this West coaster’s perspective. Upstairs at Chafe’s the music is loud and the thumping of humans feet provides a beat to eat to below. The heartbeat of this place is thunderous and unabashed.

The mouth of Petty Harbour – photo Brandy Saturley

It’s 2024 now, and we are back on the West Coast, in Victoria. We walked ourselves down from the Bard & Banker pub, to a place we call The Mac (The McPherson Playhouse). Two Paloma margaritas and a lobster roll down, we walked up the red carpeted stairs of this beautiful old playhouse to the balcony seats made for tinier ancient times. On stage amongst the guitars, piano and drum kit, there sat a Newfoundland flag, draped over a musicians travelling case. There was also what looked like an antique radio speaker of some sort, it made for some good reverberations during Adam Baldwin’s set, a musician from Nova Scotia, the quintessential maritime character. With bleached blonde hair, and black beard wearing red plaid shirt with arms torn off, and blue collar worker neon yellow t-shirt underneath, his humorous stories of everyday growing up, were painting stories in my mind.

Alan Doyle Welcome Home Tour @ McPherson Playhouse – Victoria BC 2024

Then the Petty Harbour native himself made his fiery entrance, a proper Newfoundlander. Having just been in Petty Harbour we found ourselves getting every little thing Doyle was laying out in his stories. When he leaned into his stories of his perceptions with the East Coast, we laughed LOUD. “I was on Granville Island and someone paddled by the dock in a kayak, just for recreation!”.

Serendipity – Welcome Home to Victoria

I guess the point of me writing this blog post is my eternal belief in universal forces at work, well and how my brain works. How this journey of painting visual stories of Canada began over a decade ago during the Vancouver Olympic games and became what it is today.

Scenes of Newfoundland – painting by Brandy Saturley 2024

From The Goalie’s Mask painting, to #ICONICCANUCK and then onto painting my ‘Pop Canadianisms’ and taking myself and my art on the road across the country, from coast to coast to coast. I have eight paintings now influenced by my experiences in Newfoundland, and I plan to take the next two months to focus on painting as many more as I can, before I head out on the road once again.

Fiery sunset in Petty Harbour – photo Brandy Saturley

Thank you Alan Doyle and your wonderfully talented group of musicians, poets, singers and storytellers. This night helped to cap my journey from west to east and back again, through this wonderful evening of song, stomping and clapping until our arms hurt.

Gloves on a clothesline in Petty Harbour – photo Brandy Saturley

February 23, 2024

Tax Benefits Canadian Art

Advice for Art Collectors, Buying Art

Maximize Your Tax Benefits: Invest in Original Canadian Art for Your Business

Have you ever considered leveraging your tax refund to enrich your corporate environment? Instead of opting for conventional investments, why not explore the lasting benefits of acquiring original Canadian art from independent living artists? Original art not only fosters discussion and entertainment but also enhances the aesthetic appeal of your corporate spaces, ultimately adding value to your business premises. Following are some Tax Benefits of purchasing original Canadian Art.

Golden Hour in The Heart of Canoeland, Acrylic 36 x 60 x 1.5 in (91.44 x 152.4 x 3.81 cm) Brandy Saturley

Embrace the Opportunity to Define Your Brand:
Decorating your corporate offices with original Canadian paintings serves as more than mere decoration. It’s an opportunity to convey your brand’s ethos and warmth to clients and employees alike. Each piece of art injects a sense of taste, class, and sophistication, elevating your corporation’s image and fostering a sense of community within your workspace.

Tax Deductions Make Art Acquisition a Smart Investment:
Did you know that purchasing original Canadian art offers substantial tax benefits for your business? The Canadian government actively supports investments in Canadian artwork by offering tax incentives to businesses of all sizes. By investing in the Canadian art market, not only do you enrich your corporate environment, but you also enjoy tax deductions under the Capital Cost Allowance scheme. Consult your accountant for personalized advice on maximizing these benefits.

Saint Kanata – Acrylic 48 x 36 x 1.5 in (121.92 x 91.44 x 3.81 cm) Brandy Saturley

Make Art Acquisition Affordable with Fine Art Financing:
Art Lease Canada provides an attractive solution for businesses looking to invest in fine art without significant upfront costs. With low-interest financing and flexible payment terms, building an impressive art collection becomes accessible to businesses of all sizes. Plus, by financing your Canadian art purchases, you can claim these expenses as tax-deductible business expenses, further enhancing your financial benefits.

Tax Benefits – Buy Original Canadian Art Because You Love It:
Beyond financial considerations, the primary motivation for investing in original Canadian art should always be personal connection and appreciation. Each artwork is a testament to the artist’s creativity and vision, resonating with your own sensibilities. By nurturing a direct relationship with the artist, you not only acquire a unique piece of art but also contribute to preserving Canada’s artistic heritage for future generations.

Monarch of The Arctic Realms – Acrylic – 48 x 48 x 1.5 in (121.92 x 121.92 x 3.81 cm) Brandy Saturley

Unlock the Benefits of Investing in Original Canadian Art:
Whether it’s paintings, sculptures, or photographs, investing in original Canadian art offers both aesthetic and financial rewards. Take advantage of the tax deductions available for business art purchases and explore financing options to make art acquisition more accessible. By infusing your corporate spaces with original Canadian art, you not only enhance your brand’s image but also contribute to the vibrant cultural landscape of Canada.

Discover a beautiful painting for your lobby or office, now.

Commission a custom painting for your business with Brandy Saturley

February 16, 2024