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Pouch Cove Residency Update

Day 13: Pouch Cove Foundation Residency

The air is thick with quietude here—profoundly quiet—until I unleash my Mac’s playlist, filling the studio with a symphony of tunes. It’s Friday the 13th, a misty day enveloping the cove. The week has been a tapestry of fog and humidity, woven with strokes of painting and seaside strolls to inhale the invigorating ocean air. The ocean, the pulse of this place, beats and roars, drowning out even the strongest vocal protests from neighbours. A Pouch Cove Residency Update as I write the chapters of my first two weeks here.

A curious encounter with a discontented neighbor unfolds. Her abode, perched atop a cliff called Gruchy’s, is a refuge from St. John’s, chosen for love. Yet, for her, the crashing waves are too much, a relentless auditory assault on her single-pane windows. To her, the coastal serenade is deafening. Contrarily, I find the locale eerily silent, akin to a ghost town, save for sporadic traffic and mail deliveries, especially lively around the post office—a communal nexus.

As I tap away on my laptop, the keys serve as my proclamation to fellow resident artists—I’m alive. My immersion into my creative cocoon and the narratives unfurling on canvas is profound. My mission here: to paint three expansive canvases, a saga to be concluded before my departure. I’ve already decided to transport them rolled up, adding final touches, varnish, stretch, and wire at home—my deliberate and meditative concluding act.

Two weeks have flitted by, weaving a tapestry of exploration. Pouch Cove, St. John’s, Mount Pearl, The Battery, Quidi Vidi, and Petty Harbour—all dot my creative map. Cape Spear and Cape Bonavista’s lighthouses, with their iconic red-white-red stripes, tell tales of maritime resilience and revival. Cupid’s, birthplace of colonialism, and Brigus, a town adorned with vibrant homes, beckon with stories.

Trinity unfolds as a living museum, offering refuge from the hustle of St. John’s. Pizza in Dildo—a fishing hamlet with a Hollywood-style sign—and a drive through towns like Hearts, Content, and Desire add quirky notes to my Newfoundland journey. Old Pelican awaits my exploration, promising more layers of history in Canada’s European mirror.

Newfoundland, in my ‘come from away’ eyes, is more than rocks, pounding waves, and cod. It’s a symphony of homes, often uninspired and cookie-cutter, resonating with an Irish accent. The landscape, with its jellybean colors, harbors a distinctive charm. A place where the proud use of ‘fuck’ is a linguistic tradition. I’ve indulged in comfort meals like fish and Brewis and sampled variations of fish and chips, including the intriguing ‘Newfie poutine.’ Sour beers abound, a testament to local taste.

The landscape is strewn with dories, abandoned fish boats, and roadside oddities, offering a glimpse into the island’s soul. Clotheslines dot the scenery, tempting my curatorial instincts for a touch of the unexpected.

Spring promises puffins, whales, and icebergs—an encore for my next journey. And then, there are the Mummers, a tale for another post.

Cheers from Newfoundland! Week three beckons.

Come From Away,

Brandy Saturley

October 15, 2023

A Ballad for Newfoundland

Artist Process, Artist Residency

A Ballad for Day Nine: Pouch Cove Foundation Artist Residency

As day nine at my Pouch Cove Foundation residency begins in rural Newfoundland, I am reflecting on this first week of exploring far reaches of the island and downtown St. John’s. My goal with any residency is to immerse myself in the culture, the landscapes, icons and people of a place and Newfoundland is rich with all of these things. Surviving here on the easternmost point in North America takes grit, inventiveness, gratitude, and community. I am writing and painting a ballad for Newfoundland.

As I work through all the imagery, moving and still, I have captured on my Nikon and my iPhone my goal is to have three distinctive visual stories sketched out on three large canvasses stapled to my studio wall, by days end. Writing down my ideas in my black composition notebook, then typing them out on this blog, helps to build the framework for what I decide to paint.

This morning I am listening to a playlist I built during my Banff Centre artist residency last winter. The playlist includes Joni, Neil, Billie. The Hip and Debussy. Over the Canadian Thanksgiving weekend I was down in Petty Harbour, where I heard some live jigs and reels in a place called Chafe’s. I heard stories of Alan Doyle as we ate lobster and ‘recovery fries’. The vessel I am as I travel my homeland and I’ve written my own song, to go along with the days ahead.

Beneath the sou’wester sky, where the ocean meets the rocks,
In Newfoundland’s embrace, where the wind talks,
Jelly bean houses, in colors so bold,
Tell tales of a history, weathered and old.

(Chorus)
Oh, Newfoundland, with your dories on the shore,
Codfish dreams, where the lighthouses soar,
In the arms of the cliffs, where the wind does play,
A maritime ballad, echoes every day.

Fishermen cast their hopes, like nets in the sea,
A dance with the waves, as wild as can be,
Siding tales of reships, that sailed long ago,
In the heart of the harbour, where stories still flow.

Oh, Newfoundland, with your dories on the shore,
Codfish dreams, where the lighthouses soar,
In the arms of the cliffs, where the wind does play,
A maritime ballad, echoes every day.

The salty air whispers, as the reships set sail,
Journeying through tales, where the ocean is the trail,
And the beer in the taverns, flows like a stream,
In the warmth of the hearth, where dreams find their theme.

In the echo of the wind, and the seagull’s cry,
Amongst the jelly bean houses, where time passes by,
A symphony of stories, etched in the land,
As Newfoundland’s heart beats, with a weathered hand.

Oh, Newfoundland, with your dories on the shore,
Codfish dreams, where the lighthouses soar,
In the arms of the cliffs, where the wind does play,
A maritime ballad, echoes every day.

So let the winds carry, the tales of the sea,
From the reships to the rocks, where the heart longs to be,
Newfoundland, in your essence so clear,
A timeless ballad, for every seafarer to hear.

October 9, 2023

Sunday Muse

Artist Process, Inspiration

Where My Ideas Come From, the Sunday Muse.

In my work leading up to a residency in Newfoundland, I have been operating from my office instead of my studio this week. While it’s the ‘less fun’ place to work, it is just as integral to my art career. I have invoices to create, inventory to manage, a website to keep current, and, of course, the task of writing this blog and keeping up with my Sunday Muse.

I’ve been putting a bit more effort into it this year than I usually do. It has proven to be a great source for connecting with new collectors and offering a peek behind the curtain. On Sundays this year, I have been sharing my ‘Sunday Muse’ with my Facebook family. It opens a door to my thoughts and where my ideas begin brewing, eventually becoming finished artworks. I like to write in short bouts; it adds another dimension to the work. I’ve never been good at speaking my mind as my thoughts often wander when asked to speak at length. I’ve always communicated better through images while I paint and on the page as I write. I know there is a book in me somewhere, and I am getting much closer to making this happen.

With Newfoundland on my mind, I’ve developed a loose schedule and working structure for my month on the east coast. While I am there to absorb the local culture and natural wonders, and it will be a time led by intuition and creating in the moment, the loose structure of my days helps ease the transition from my home studio to a studio in a new location. I want to get the most out of my time, and a loose structure and plan help me ensure this will happen.

I’ve been listening to a lot of Neil Young this week while I get lost in paperwork and updates around the web. Coldplay was my live playlist last week as we took in the Coldplay Music of the Spheres world tour at BC Place in Vancouver. The concert was not really a concert but an experience. It transcended a mere venue presentation of musical artists; it was an uplifting love fest filled with lighted bracelets and the movement of lighted wrists to music. I wasn’t seeing Chris Martin and his band on stage; I was seeing color and light and movement. It was an experience of the highest power, and as I sit here in my Spinalis chair that moves with my spine, I am swaying to another Brit of great wonder and grandeur, David Bowie. “I will be King,, and you will be Queen, though nothing will drive them away, we can beat them, just for one day. We can be heroes, just for one day.” And we were heroes that day at Coldplay.

In fact, if I reflect on the moment when I began contemplating what to write in this post, the term ‘Generation X’ is on my mind. There’s been a surge of memes circulating on the internet lately. You’ve probably come across them; they often feature a photo of Judd Nelson from the Breakfast Club with captions like ‘Gen X, the only generation that became 30 at age 10, and still is 30 at 50.’ As a proud Gen X’er, I can relate; it never fails to bring a laugh and a smile because it resonates with my truth. I’ve been labeled an old soul. I didn’t enjoy being around screaming children when I was a child, and I still don’t. However, I’ll happily whoop and throw my fist forward at a concert—go figure. With no children of my own, I’m essentially a big child who plays in my studio and communicates with the world through my paintings. Remember that quote by Picasso? “The problem is how to remain an artist once we grow up,” and I still haven’t. I find more joy around children now than I did when I was one.

Returning to ‘Gen X’—many of us are likely unaware of the origin of this term in contemporary usage. ‘Generation X’ has been employed at various times to describe alienated youth, dating as far back as the 1950s post-WWII era. It firmly embedded itself in contemporary culture after Vancouver artist—and one of my favorites—Douglas Coupland, published the novel ‘Generation X: Tales for an Accelerated Culture’ back in 1991.

The trajectory of my thoughts leads me to the significance of music in my work. As I contemplate where the music of Newfoundland will take me while I paint in my studio at the Pouch Cove Foundation, only time will tell. I am ready to soar. Come, float along with me on this journey as I create paintings, prose, videos, and capture images on my Nikon D810. The muse is in motion, and so am I.

September 28, 2023

Peace Love Canada

Canadian Pop Art, New Paintings

Painting Peace, Love, and Canada

The inspiration for this painting, Peace, Love, Canada, was sparked by the rise of #ICONICCANUCK on social media. Back in 2013, I launched my Instagram page just before embarking on my inaugural solo exhibition at Edmonton’s Gallery A, which was then part of Visual Arts Alberta. The hashtag #ICONICCANUCK ignited a frenzy of engagement with my Canadian-themed artworks. Amid the whirlwind of activity, I found little time to engage in lengthy written responses to comments. Instead, I opted to communicate through imagery, a mode of expression that resonates deeply with my artistic sensibilities.

Chair of Contemplation, September 2023, Brandy Saturley

“Take everything as it comes; the wave passes, deal with the next one. ~ Tom Thomson

In response, I would respond using three distinct emojis: the iconic peace symbol fingers, a vibrant red heart, and the unmistakable Canadian flag. These visual responses allowed me to convey my sentiments succinctly and artistically. The idea of transforming these emojis into a tangible painting had been brewing in my mind for quite some time. Now, as I prepare to embark on a journey to a painting residency in Newfoundland, I find myself reflecting on the extensive travels I’ve undertaken across this magnificent country over the past decade, as well as drawing inspiration from the legendary landscape painter Tom Thomson.

Painted in acrylics and gouache on canvas, this distinctively ‘Canadian pop art style’ painting was created using hard edged strokes, layering of cobalt, ultramarine and Payne’s grey with hints of cobalt violet, blue-green and hints of a peach toned linen. The piece was painted to appear as if the linen canvas below is showing through and the edges unfinished, when in fact it is just the way the paint has been applied.

Drawing upon the essence of Tom Thomson’s masterpiece, ‘Summer Day,’ I present to you ‘Peace, Love, Canada.’

Peace, Love, Canada – original acrylic painting on canvas, 2023, Brandy Saturley

September 26, 2023

Canadian Artists at Pouch Cove

Artist Residency

Exploring Artistic Inspiration: 15 Canadian Artists at Pouch Cove

As I prepare to embark on a journey to Newfoundland, Canada, a place known for welcoming the first rays of sunlight in the country, I find myself reflecting on the archives of Canadian artists who have been fortunate to experience the creative haven provided by the Pouch Cove Foundation in Newfoundland.

Founded in 1990 by James Baird and officially incorporated in 1997, the Pouch Cove Foundation has served as a retreat for over a thousand visiting artists from all corners of the globe. Nestled on the Northern Avalon Peninsula in the picturesque province of Newfoundland and Labrador, Canada, this residency has played host to not only renowned Canadian visual artists but also writers and musicians. As I meticulously plan, prepare, and pack for this upcoming adventure, I eagerly anticipate the artistic exploration that awaits me on the east coast of Canada, which will be a world apart from my usual surroundings on Vancouver Island.

Aerial View Pouch Cove, Newfoundland

In addition to the residency, the Pouch Cove Foundation is also home to a unique contemporary art gallery. The James Baird Gallery is an art gallery located in Pouch Cove, Newfoundland and Labrador, Canada. It was founded in 1989 as a regional gallery on the East Coast of Canada. The gallery has developed a solid base of national and international artists through its intimate connection to an artist residency program. The gallery is housed in the totally renovated Pouch Cove Elementary School. The gallery has curated hundreds of exhibitions over almost thirty years at its facilities in Newfoundland and also at public, commercial, and pop-up spaces as well as art fairs across America and Europe. The gallery is focused on contemporary painting in its many forms and lives by the golden rule – That You Should Only Buy What You Love.

This unique opportunity allows me to bring my artistic journey full circle, spanning two decades and taking me from Vancouver Island to the Northern Territories and now to the extreme east coast of Canada. It’s a coast-to-coast-to-coast perspective that I’ve been striving for throughout my career as an artist.

A year ago, I was preparing for a residency at the Banff Centre for Arts & Creativity, a vastly different experience from what the east coast promises. Banff greeted me with its snowy mountains and forested landscapes, offering a picture-perfect winter wonderland. I have no doubt that Newfoundland will present a stark contrast, and I am thrilled at the prospect of exploring its rugged coastlines, unique geography, and the captivating textures of its rocky terrain. I’ll be on the lookout for those quintessential hints of Canadiana: brightly painted buildings set against moody skies. Immersing myself in Newfoundland’s rich culture and warm hospitality is another exciting prospect, as is embracing the wildness and distinctiveness of the region.

As I delve into the Pouch Cove Foundation’s residency archives, I’m delighted to showcase 15 remarkable Canadian artists in residence from 1990-2023, whose work I deeply admire, and who have drawn inspiration from this exceptional opportunity.

Pouch Cove Nights, Ray Mackey Photography

15 notable Canadian artists who have been invited to create art in Pouch Cove, Newfoundland by the Pouch Cove Foundation:

1. Harold Klunder – Flesherton, Ontario
2. Wanda Koop – Winnipeg, Manitoba
3. David T Alexander – Saskatoon, Saskatchewan
4. Jordan Broadworth – Toronto, Ontario
5. Scott MacLeod – Montreal, Quebec
6. Marlena Wyman – Edmonton, Alberta
7. Beverley Hawksley – Toronto, Ontario
8. Sarah Slean – Toronto, Ontario
9. Jim Park – Vancouver, Canada
10. Tim Okamura – New York, USA (originally from Edmonton)
11. Robert LeMay – Edmonton, Canada
12. Nicole Sleeth – Victoria, Canada
13. Andrew Morrow – Ottawa, Ontario
14. Jeremy Herndl – Victoria, British Columbia

Brandy Saturley at Banff Centre for Arts & Creativity, 2022

I can’t wait to join the ranks of these esteemed artists and immerse myself in the beauty and uniqueness of Pouch Cove, Newfoundland. See you soon, Pouch Cove!

Sincerely Yours,

Brandy Saturley (#15)

September 19, 2023

Taking Care of Business

Art Career

Canada’s Hardest Working Visual Artist? Taking Care of Business

Taking care of business or TCB was coined by The King himself in 1969, Elvis Presley, who most certainly was the hardest working rock star of his generation. “Taking Care of Business” was a mantra and a point of pride for Presley and his entourage, known as the Memphis Mafia. In 1973, Canadian rock group Bachman–Turner Overdrive, made it a hit song, ‘Taking Care of Business‘, coming out just a year after I appeared on Vancouver Island, Canada.

For me, my life as an artist began when I was very young, as I feel that true artists are born, they feel the pull to make Art from a very young age, to the point where there is nothing else that matters. I became a professional at it when I began exhibiting my work and selling it which was over twenty years ago now. I made it my full-time career about 18 years ago now. I am at that point in my career where personal life and art life are now one, there used to be a separation, like I was two people, but I am now one, The Artist. If you asked me what my priorities are in life they go as follows; Art(work), Spouse, Family and friends that are family. There is no ‘work/life balance for an Artist’ at least no one who is successful at it. I LOVE my work, so much so I would rather be working than doing anything else, and when I am not working, all I am thinking about is the next artwork or blog post or person I need to reach out to, or email I have to answer. I wish it was only email, I get requests and inquiries all over the place these days. Whether it be through Instagram , Facebook messenger, Twitter , What’s App (still not sure) or LinkedIn, by text or phone, I wish everyone communicated in the same way these days. It just used to be telephone, and now its everything, everywhere, all the time.

Recently, I was listening to a podcast called Fly on the Wall with Dana Carvey and David Spade, they were talking to ‘The Great One’ – Wayne Gretzky for the non-hockey fans reading this diatribe. Nicknamed “the Great One“, he has been called the greatest ice hockey player ever by many sportswriters, players, The Hockey News, and by the NHL itself. It was so interesting to hear him talk about wanting to do nothing but skate as much as he could every day on the outdoor lakes and ponds in his hometown of Brantford, Ontario. He was obsessed and dedicated from an early age, it was his number one priority and life to him was on that ice. This type of obsession and focus is something I have spoken of many times, including in the documentary, ‘The Iconic Canuck’.

This kind of focus does not come without challenging times, as you are absolutely going it alone and while friends are kicking back and partying on the weekend to escape their 9-5, you just want to work, you don’t need a break from doing something you love so much it commands your attention day and night. It becomes your life and there is no separation between work/life. Where art differs is, it is not something your retire from, it just keeps on going as long as you are able to make it, the making does not stop, like the Rolling Stones who just released a new album, Hackney Diamonds, in their 8th decade of life.

‘Saturley is an artist who is committed to her practice in a most impressive way.’

This brings me back to, Canada’s Hardest Working Artist, which is something that has been said to me on numerous occasions by peers, collectors and friends. I know there are a few of us out there and we are the ones who you likely hear of the most. You don’t build a lifelong career without discipline and hard work, but it is something that many young artists never ‘get’ or ‘get’ far too late in life. That discipline that takes you places in the work itself, is also important outside of the creating, and the wonder and the dreaming of it all. The pop culture persona of the artist is oftentimes a high-maintenance, always shows up late, never answers emails or the phone, alcoholic mess that makes brilliant things when pushed. I myself will agree that we have a distinctive view of life and perhaps are at times a bit narcissistic (a little is good ask your shrink) But at the core of this creative persona known as ‘The Iconic Canuck’, I am fiercely dedicated to my work, on all sides and I have a hard time understanding why others aren’t as fiercely dedicated to this privileged career of Artist.

I am about to take off on a new trip for Art, a residency in Pouch Cove, Newfoundland, where I will be painting in a place dedicated to artists along with 8 other artists from around the globe. For outsiders looking in this life looks very exciting and filled with amazing opportunities around every corner, and it is, but a vacation it is not. I am not going to the other side of Canada to meet-up with friends, take tours 12 hours out of my location, or drop in on family in another province. I am going to have an experience, make work, and make connections with other artists and art lovers, based on the experience, and it’s the most fantastic thing in life. Then I will fly home, having worked without interruption, for a month, and through all hours of the day and night. I will return to my home studio on Vancouver Island filled with ideas for new work from the work I did while away. I will be fueled by memory, experience, and have a new collection of drawings, writings, photographs and video. I will return home wanting to immediately get to work, but I will have things to do on the business side before I can get back into the studio. There will be bills to pay and people to see, and it is a challenging thing to do when your head is so full.

So, while I will never call myself the hardest working artist in Canada, I do know that I work harder at it than most I meet, and it all comes from an inner drive and pull and need to make the work and move to the next level, within, that will exist on the outside.

Now, as Jerry Saltz would say, get to work you big babies (artists)

Sincerely Yours,

Iconic Canuck (a.k.a Brandy Saturley)

September 15, 2023

Pop Art is Canada

Canadian Pop Art

10 important Canadian Artists – Pop Art is Canada

Pop art is a visual art movement that emerged in the 1950s and 1960s, characterized by its use of popular culture imagery and a focus on everyday objects and consumerism. While pop art was most closely associated with artists from the United States and the United Kingdom, there are Canadian artists who have embraced the pop art style and incorporated it into their work. Nestled within the vibrant mosaic of global pop culture, one might wonder: Why is Pop Art, Canada?

The answer lies in the rich, idiosyncratic tapestry of culture that unfurls across this vast nation, a culture that proudly stands apart from the ubiquitous influences of the United States and the United Kingdom. In Canada, Pop Art takes on a unique and captivating form, one that embraces the diversity of our landscapes, people, and traditions. It is a celebration of the extraordinary within the ordinary, a reflection of the bold and boundless spirit that defines our great nation. So, why is Pop Art, Canada? Because here, amidst the mountains and moose, the maple leaf and the mountie, our culture resonates with a charm all its own, inviting the world to explore and appreciate the distinctiveness that is Canada.

10 Canadian visual artists known for their contributions to pop art, including artists creating in the 1960’s and contemporary Canadian artists of today.

1. Michael Snow is a multidisciplinary artist known for his work in painting, sculpture, film, and music. His art often incorporates elements of pop culture and consumer imagery, exploring the intersection of art and everyday life.

2. David Craven is a Canadian artist known for his pop art-inspired paintings and mixed-media works. He often uses bright colors and iconic pop culture symbols in his art.

3. Claude Tousignant is a Quebecois artist associated with the Automatistes and Les Plasticiens art movements. While not strictly a pop artist, his work has sometimes incorporated pop art elements, including bold geometric shapes and color.

4. Greg Curnoe was a Canadian artist associated with the London Regionalism movement. While his work is often more associated with regionalism, his use of everyday objects and themes from popular culture aligns with pop art sensibilities.

5. Joyce Wieland was a Canadian artist known for her pop art-influenced works, including textile art and mixed-media pieces. She often explored themes related to Canadian identity and culture.

6. General Idea (Felix Partz, Jorge Zontal, and AA Bronson): General Idea was a Canadian artist collective known for their work in pop art and conceptual art. They often used mass media imagery and appropriated popular culture symbols in their art.

Contemporary Canadian Artists:

It’s worth noting that while the artists listed above may have incorporated elements of pop art into their work, they have unique styles and themes that set them apart. Pop art in Canada, during the original movement, was not as dominant or widespread as it was in the United States and the United Kingdom, but these artists contributed to the broader pop art movement in their own distinct ways.

7. Charles Pachter is a Canadian artist known for his vibrant and iconic paintings, often featuring Canadian symbols and cultural references. His colourful work merging playful even irreverent elements with deeply iconic imagery. He incorporates elements of pop art by using bold colors and reimagining familiar Canadian imagery, such as the moose and the Queen of England, in a pop art style.

8. Chris Cran is a contemporary Canadian artist recognized for his playful and subversive take on traditional and pop art. His work often blurs the lines between realism and abstraction, and he has created pieces that appropriate pop culture imagery and challenge viewers’ perceptions of art.

9. Gary Taxali is a Canadian artist and illustrator celebrated for his distinctive retro-influenced pop art style. His work often features vintage-inspired characters and advertisements, evoking a sense of nostalgia while commenting on contemporary issues.

10. Brandy Saturley is a contemporary Canadian painter known for her “Canadian Pop Art” style, which combines elements of pop art with a focus on Canadian culture and landscapes. Her paintings often feature iconic Canadian symbols like hockey players, the maple leaf, the Rocky Mountains and wildlife in a vibrant and contemporary manner. Her signature pop-art outlines and underlying contexts elevate everyday objects, symbols, landscapes and wildlife to icon status.

These contemporary Canadian artists, along with the previously mentioned ones, demonstrate the continued influence and evolution of pop art in Canada. They infuse the movement with their unique perspectives, addressing both Canadian identity and broader cultural themes in a contemporary context. While each artist brings their individual style to their work, they all contribute to the rich tapestry of Canadian pop art.

September 15, 2023

10 Canadian Female Painters

Canadian Art, Investing In Canadian Art

10 Canadian Female Painters To Love Right Now

Canada’s rich artistic heritage continues to flourish in the contemporary art scene, with many talented female painters making their mark today. In the following post, we’ll introduce you to 10 female Canadian painters, including the likes of Prudence Heward, Maud Lewis, Gathie Falk, Emily Carr, and Lilias Torrance Newton. A remarkable collection of important Canadian Art from some of Canada’s most celebrated female painters.

1. Prudence Heward: An influential figure in the Montreal art scene, Prudence Heward’s work often focuses on the female form, portraying strength and vulnerability with a keen eye for detail.

2. Maud Lewis: While Maud Lewis gained recognition in the mid-20th century, her folk art continues to resonate with contemporary audiences. Her whimsical, charming style captures the essence of rural Nova Scotia.

3. Gathie Falk: A prolific contemporary artist, Gathie Falk’s multidisciplinary approach encompasses sculpture, painting, and installation art. Her work explores everyday objects and the beauty within the mundane.

4. Emily Carr: Although she lived in the early 20th century, Emily Carr’s influence persists in contemporary Canadian art. Her stunning landscapes and First Nations art remain deeply inspiring.

5. Lilias Torrance Newton: Known for her portraiture, Lilias Torrance Newton’s exquisite paintings often featured prominent Canadians, contributing to the cultural narrative of the nation.

6. Dana Claxton: An interdisciplinary artist, Dana Claxton’s contemporary work explores Indigenous identity, culture, and history through photography, film, and painting.

7. Shuvinai Ashoona: A contemporary Inuk artist, Shuvinai Ashoona’s imaginative drawings and paintings offer a unique perspective on Inuit culture and the modern world.

8. Angela Grossmann: Angela Grossmann’s mixed-media works and collage paintings delve into themes of femininity, memory, and identity, showcasing her versatility as an artist.

9. Luanne Martineau: Luanne Martineau’s textile-based artworks challenge traditional notions of femininity and domesticity, exploring themes of feminism and social commentary.

10. Brandy Saturley: Brandy Saturley, often dubbed “The Canadian Pop Artist,” is known for her bold, colorful portraits that celebrate Canadian culture and identity. Her distinctive style blends pop and realism, making her a standout in contemporary Canadian art.

Investing in the works of these talented female Canadian painters not only enriches your art collection but also supports and promotes gender diversity in the art world. Historically, female artists have often been underrepresented and undervalued, making their art a hidden treasure for collectors. As the art market evolves and seeks greater inclusivity, the value of works by these artists is on the rise. Their unique perspectives, stories, and artistic innovations add depth and variety to any collection, making them a wise investment choice. Additionally, as these artists continue to gain recognition and influence in the contemporary art scene, owning their pieces can potentially yield strong financial returns in the long run. Beyond financial considerations, investing in these artists contributes to the celebration and preservation of Canada’s cultural heritage and artistic innovation, making it a rewarding endeavor on multiple fronts.

These contemporary Canadian female painters bring diversity, innovation, and depth to the art world. Whether you’re a seasoned art collector or just starting, exploring their works can provide a captivating journey through the vibrant landscape of Canadian contemporary art. Each artist offers a unique perspective on Canada’s cultural tapestry, making their creations valuable additions to any art collection. So, dive into the world of contemporary Canadian art and discover these remarkable talents that continue to shape the nation’s artistic identity.

September 7, 2023

Healing Power of Art

Artist Process, New Paintings

The Power of Sentiment – The Healing Power of Art

Recently, the heartbreaking news of devastating summer fires in two places I hold dear, Lahaina, Maui, and Yellowknife, NT, has profoundly affected me, influencing my current body of work centered around the journey of a Polar Bear King. The undeniable healing power of art has been extensively documented and discussed. Art has the remarkable ability to tap into the inherent healing potential within each of us, fostering a sense of communal connection.

When we stand before a work of art, we become linked not only to the artist but also to others who have shared in this experience. This connection, whether to ourselves or to fellow art enthusiasts, lies at the heart of the art-and-healing nexus. Healing, much like art, is not a static destination with a prescribed timetable or endpoint; rather, it’s a meandering path with numerous potential avenues. ‘Art can harness the healing power within each of us and help bring us into community with one another.’ MoMA

Just as every encounter with a cherished piece of art offers fresh insights and emotions, the healing process is a dynamic journey, with opportunities branching out in myriad directions.

A short story and two new Polar Bear King paintings.

The Chair of Contemplation – painting, installation and photography by Brandy Saturley

A Tale of the Polar Bear King in Lahaina and Yellowknife

In the lands of Lahaina and Yellowknife so grand,
Where summer wildfires scorched both sea and land,
A tale unfolds of two paintings so rare,
Of a Polar Bear King, on an expedition, solitaire.

They hung in a gallery, dusty and old,
Their frames chipped and tarnished, or so I’ve been told.
One showed the bear, resting under a great Banyan, with a crown of Lei on his head,
The other, in the town of Yellowknife, where around the town, wildfires had spread.

Under the Banyan Tree, 24×36 inches, acrylic and gouache on canvas, 2023

One sunny day, as the sun took its rest,
The paintings came to life, yes, you read that jest!
With a shimmer and a shake, they broke from their frames,
The Polar Bear King leading their colorful games.

Through swirling vortex, they journeyed so bright,
From Lahaina to Yellowknife, day and night.
They soared through the skies, o’er mountains and plains,
Healing the wounds of the fire’s fiery reigns.

In Lahaina, the first, where the palm trees did sway,
They brought rain and cool breezes to chase heat away.
The people rejoiced, their spirits set free,
As the paintings worked magic, for all eyes to see.

Then on to Yellowknife, where winter was near,
The Polar Bear King brought the Northern Lights clear.
They danced in the sky, a colorful delight,
Chasing away darkness and the cold of the night.

Defender of The North, 24×36, acrylic and gouache on canvas, 2023

The paintings, they whispered tales of hope and of grace,
Of a world that’s in need of a loving embrace.
With a twinkle and gleam, they returned to their place,
In the gallery, dusty, with a smile on their face.

The Polar Bear King and the healing they’d brought,
In Lahaina and Yellowknife, their wonders were sought.
Now their story is told, a tale to inspire,
Of two paintings’ journey, set the world to inquire.

Healing Power of Art – sending love to the world.

With these paintings I am sending a beautiful bubble of protection, healing and love to the peoples of Lahaina and Yellowknife. See all the Polar Bear King Paintings here.

Chair of Contemplation August 2023, Brandy Saturley studio, Vancouver Island, BC

September 1, 2023

Music’s Role In Art

Artist Process, Music for Art Making

The Artist’s Process: Music’s Role in my Art Making

For over two decades now, music has been my constant companion in both painting and writing. As an artist, music has been the unswerving force that propels me through the creative process. Music’s Role in my Art is significant and without it, the work would evolve in a much different way.

Chair of Contemplation, Brandy Saturley, 2023

Soundtrack for Painting

Even at this very moment, as I delve deep into the recesses of my psyche to put words on paper, I’ve chosen to accompany my thoughts with the mesmerizing sounds of Radiohead’s album, “King of Limbs.” The music opens my mind…

I can’t remember ever talking about what music means to my work in the studio, and I have been listening to a fresh podcast hosted by Rick Rubin called Tetragrammaton. Actually I had been scrolling Instagram one day and Quest Love shared a clip of Rick Rubin talking about being an artist, which I am sure was shared thousands of times. In it he talks about being an Artist, and as an iconic music producer, he has spent enough time with Artists to know how we think. He reminds the listeners, “The goal of art is not perfection, but rather to share who we are and how we see the world. Artists allow us to see what we are unable to see, but somehow already know. The artists perception reminds us of who we are and who we can be.”

I am a narrative painter, I make paintings like a filmmaker makes films, I rarely make stand-alone paintings, which is likely why I choose to make very few commissioned works. I prefer to create bodies of work, like an album or a feature length film. Maybe it has something to do with the fact that I grew up addicted to films. My best Friday nights were spent watching movies on the tv downstairs in the basement, where the floor was concrete and the room was dark. My best Saturdays were spent locked in my room with big bright picture windows and walls covered in magazine clippings. I would listen to music and draw and think and absorb ideas, which fed my work. My best Sundays were hiking in the hills and old growth forests of Vancouver Island next to rivers, lakes and beaches. Even out in nature there was a soundtrack to set the mood.

Chair of Contemplation, summer 2023, Brandy Saturley

Over the years the music of The Beatles has been a constant, and something I can always count on, like a mother, the music of The Beatles means wonderous comfort and journeys without leaving the studio. My tastes are vast and eclectic, and what I listen to all depends on the idea of the painting I am constructing in my head. Music allows me to move from my head to paper, to computer, to printer to sketching out on the canvas. The music I choose to paint with all depends on the mood and tone of the journey I wish to take, and then convey on canvas.

The Current Playlist – Music’s Role in Art

Lately, as I paint these stories of the Polar Bear King looking for a new home and exploring Canada, I have found myself listening to a dynamic playlist from folk, to rock to rap. From Radiohead to Billie Eilish and Jay-Z to the Tragically Hip, it is a wild escape down in my studio. Most of the summer I delved deep into the library of Joni Mitchel and found my way to N.E.R.D, which also keeps me moving when I take my daily break on the treadmill, which only brings more ideas. I have also been diving deep on Moby and Beck and a little Black Keys for good measure. And then there is the jazzy lo-fi Indie Rock of Mac DeMarco, from Edmonton, Alberta and always Neil Young. So much creative depth filing the air around me and my canvas.

Working late night in the studio, Brandy Saturley, 2023

I once pitched a gallery in Palm Springs on showing my work while running my playlist in the gallery, of course they couldn’t do this, as we would have to buy the rights to the music to play alongside the work in the exhibition. A bit beyond my means at that time.

I wouldn’t characterize myself as a procrastinator, nor have I encountered what some call artist’s block. However, I have grappled with imposter syndrome at a profound level, a story that might find its place in a memoir someday. If I suffer from anything, it’s an insatiable joy in creating and the way I procrastinate about taking time away from my art is by working on more art. It’s an obsession of the most gratifying kind. I find it hard to fathom how people navigate life without these creative outlets. At times, I struggle to comprehend why some prioritize other pursuits over what truly ignites their souls, and I am forever intrigued by the intricate web of human thought.

Looking at paintings by Brandy Saturley, Dyson Gallery, Battersea, UK

Music is my constant companion on this artistic journey, an ever-evolving symphony that guides my brush and pen, giving voice to my inner world and allowing it to unfurl on canvas and paper. It’s more than just background noise; it’s the heartbeat of my creative process, the melody of my soul.

August 22, 2023