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Painting Dory Boats of Newfoundland

To Dory or Not to Dory: Painting the Timeless Charm of Newfoundland Dory Boats

In these two new acrylic paintings on wood panel I set out on a journey through time and tradition, delving into the captivating world of Newfoundland’s iconic dory boats. From their humble origins to their vibrant presence in Petty Harbour, these vessels have etched their place in maritime history and inspired generations of artists, including myself. I have been painting Dory Boats of Newfoundland.

Brandy Saturley in her North Saanich, Canada studio, 2024

Capturing the Essence:
As I explored the picturesque landscapes of Newfoundland, it was the allure of the dory boats that drew my attention. Whether it was their distinct form, adorned with striking hues, or their silent presence amidst bustling waterways and strewn across the land, these boats cast a spell on my soul. In these new paintings, I am telling visual stories of their essence on wood panel, weaving tales of Newfoundland’s maritime heritage.

Petty Harbour, Newfoundland – photo Brandy Saturley

Unraveling History:
While the true origins of the dory may be shrouded in mystery, the meticulous research of scholars like John Gardner has unveiled glimpses of its past. Dating back to 1719, the dory’s journey spans continents, yet its heart remains rooted in the fishing communities of North America. From the shores of Long Island to the rugged coastline of Newfoundland, these boats have been integral to the livelihoods of fishermen for centuries.

Petty Harbour, Newfoundland – photo Brandy Saturley

A Portrait of Petty Harbour:
Nestled along the eastern shores of the Avalon Peninsula lies Petty Harbour-Maddox Cove, a quaint haven steeped in history. With its roots tracing back to the 1600s, this bustling fishing community has witnessed the ebb and flow of generations. Against a backdrop of rolling green hills and the vast expanse of Motion Bay, Petty Harbour stands as a testament to Newfoundland’s enduring spirit.

Motion Bay, Petty Harbour, Newfoundland – photo Brandy Saturley

Romanced by Tradition: Painting Dory Boats of Newfoundland

In my latest works, I pay homage to the timeless pull of Newfoundland’s dory boats, particularly those adorning the vibrant hues of yellow, green, white, and red. With each brushstroke, I aim to evoke the nostalgia and romance synonymous with these beloved vessels. From the glistening waters of Petty Harbour to the bustling towns, my paintings serve as visual love letters to the dories that grace Newfoundland’s shores.

In studio making a painting about two dory boats. – Brandy Saturley

A Dory for You and One for Me

A Dory for You and One for Me, Acrylic on wood panel , 24 x 18 x 1.5 in, (60.96 x 45.72 x 3.81 cm) – Brandy Saturley 2024

Downside Up

Downside Up Acrylic on wood panel 18 x 24 x 1.5 in (45.72 x 60.96 x 3.81 cm), Brandy Saturley 2024

As I reflect on my artistic journey through Newfoundland’s coastal wonders, one thing remains clear: the dory boats of Petty Harbour are more than just vessels; they are guardians of tradition, symbols of resilience, and timeless beacons of maritime charm. Through my art, I hope to preserve their legacy for generations to come, ensuring that their stories continue to inspire and enchant all who encounter them.

You can find more of my Newfoundland Paintings here.

March 8, 2024

Famous Self-Taught Artists

Art Career

Embracing the Journey: Celebrating Famous Self-Taught Artists

In the quiet moments of my childhood, amidst the rustle of leaves and the scent of creativity, I found solace in art alongside my mother. Each day brought forth a new creation, a testament to our shared passion for expression. From pressed maple leaves to wax crayon masterpieces, our bond grew stronger with every stroke. Though my mother wasn’t a renowned artist, her self-taught spirit ignited a flame within me, urging me to pursue the path of creation. Celebrating the path of famous self-taught artists.

Pencil Portrait on paper, 1992, Brandy Saturley

My journey as an artist took an unconventional route, guided by intuition and fueled by exploration. While I dabbled in formal art education, it was the lessons learned outside the classroom that truly shaped my artistic identity. Through travels and encounters with seasoned painters, I gleaned insights that transcended traditional teachings. Two such mentors, a self-taught luminary from Winnipeg, and one in Toronto, imparted wisdom that resonated deeply, emphasizing the irreplaceable value of self-discovery in art.

Brandy Saturley and Charles Pachter, 2016, MOFO Moose Factory Toronto

As a Canadian Artist who thrives on experimentation, I’ve come to cherish the freedom that self-teaching affords. While technique and history certainly hold their place, there’s a raw authenticity to self-taught art that speaks volumes. It’s a realm where emotion reigns supreme, untouched by the constraints of formal instruction. And while some may seek to replicate my style, my greatest desire is to inspire others to tread their own path, fearlessly embracing the unknown.

Andrew Valko, Brandy Saturley and Jennifer Luckay at Art Toronto, 2016

The history of self-taught artists is as rich and diverse as the art they create. From iconic figures like Frida Kahlo, The Beatles, and Vincent Van Gogh to modern-day trailblazers like Jack White, David Bowie and Kurt Cobain, their stories inspire us to defy convention and forge our own destiny. In a world where artistic prowess is often equated with formal training, they stand as living testaments to the boundless power of self-expression.

Gordon Milne and Brandy Saturley, 2017 Okotoks Art Gallery, photo courtesy Penny Rogers

A Modern Autodidact I AM – Famous Self-Taught Artists

Today, being self-taught is not merely a label, but a badge of honor worn proudly by those who dare to challenge the status quo. It’s a declaration of independence, a refusal to conform to the rigid confines of the art establishment. And as we celebrate the mavericks and innovators who have carved their own paths, let us raise a toast to the enduring spirit of self-discovery in art.

In the history of creativity, each thread tells a story of resilience, passion, and unwavering determination. So here’s to the self-taught artists who dare to dream, who dare to defy, and who dare to create against all odds. May their legacy inspire generations to come, reminding us that true art knows no boundaries, no limitations, only the boundless expanse of the human spirit.

Brandy Saturley in studio with Winnipeg Filmmaker Randy Frykas, 2019

February 29, 2024

Canada’s Outdoor Hockey Club

Canadian Art, Outdoor Hockey Rink

We Are All Members of Canada’s Outdoor Hockey Club

If you grew up in a cold place where the ponds, lakes and rivers froze over in winter, you are likely part of the outdoor hockey club. Even if you didn’t love hockey, but liked to skate or even just observe from the edges, filling you full of sights, sounds and smells of the ODR, you are an outdoor hockey club member. Building rinks on farm fields of the prairies or in Northern locations on the lakes, cheering on the players and helping them create a safe place to get out and get active, having fun with friends and breathing in the air of the crisp outdoors. You are part of this club if you don’t let cold winter days take hold, but instead create a place that you can escape to and forget the everyday and immerse yourself in the joy and passion, the energy of the great outdoors. I for one never experienced the ODR in winter, as it so rarely gets cold enough in my hometown in the winter. But that doesn’t stop us from enjoying ball hockey in the cul-de-sac and dead end streets of Victoria. In Canada, and beyond, we are all members of Canada’s Outdoor Hockey Club.

Game On! – Pouch Cove, Newfoundland – courtesy Brandy Saturley

Personally, I am a HUGE fan of a particular Outdoor Hockey Club born in Winnipeg during the pandemic. When so many kids lost the connection with friends through sporting activities, Winnipeg filmmaker Randy Frykas took note and his lifelong passion for hockey and documentary filmmaking came together in the most beautiful and authentic way. From Moosomin, Saskatchewan to Whitehorse Yukon, Ontario and back to Winnipeg, Manitoba and with six episodes in the can, the word is spreading quickly and now across the border.

Canadian documentary filmmaker, Randy Frykas.

After winning the ‘Purpose’ Category for the 2023 Outside Awards, the 5-minute OHC short film joined the Warren Miller film tour for a chance to win the People’s Choice award and $10,000. The awards were hosted by Outside Magazine and the tour hit 200+ cities in Canada, US, and UK. Well, the votes are in and OHC came out on top. Not too bad for a hockey film, up against two skiing films on a ski film tour!

Eric Reder and his amazing rinks in Winnipeg – courtesy Randy Frykas

The film has been added to Outside TV’s streaming service and it is available to buy (link below). Two dollars from each sale will be donated to Save Pond Hockey and their ongoing climate action efforts. Most of us had an unpredictable winter when it came to playing outdoor hockey, so we feel this is a good way to share the film and help spread Save Pond Hockey’s message.

For more information on Save Pond Hockey, check them out here: https://savepondhockey.org/

On the ODR at Hillcrest Whitehorse – courtesy Randy Frykas

So, what’s next for OHC? Filming continues as Frykas works towards producing a longer film that will include more outdoor hockey sounds, sights, and stories from rinks everywhere.

You can follow along on Instagram and YouTube:

https://www.instagram.com/outdoorhockeyclub/

https://www.youtube.com/@outdoorhockeyclub

And the 5-min OHC documentary short is available here:

https://outdoorhockeyclub.sellfy.store/p/outdoor-hockey-club-documentary-short-2023/

The Outdoor Hockey Club in Canadian Art

There is a rich history of outdoor hockey paintings in Canadian Art, where the frozen lakes and ponds have served as both canvas and stage for the game’s timeless beauty.

From its humble origins in the 19th century to its modern-day prominence, hockey has evolved into more than just a sport—it’s a cultural phenomenon ingrained in the fabric of Canadian identity.

As the game’s rules refined over the decades, hockey’s essence remained rooted in tradition, spanning millennia of human history. Today, it evokes profound passion among players and fans alike, uniting communities under the banner of shared heritage and national pride.

Explore the artistic expressions inspired by this beloved sport, showcased in exhibitions across Canada and the US. These diverse interpretations shed light on hockey’s complexities, from inclusivity to the delicate balance between athleticism and its toll on individual well-being.

While acknowledging hockey’s inherent physicality and occasional controversies, it’s undeniable that the game fosters a sense of belonging and camaraderie among its participants and supporters.

Step into the world of Canadian hockey through the eyes of five iconic artists, whose paintings vividly capture the essence of playing on outdoor rinks, lakes, streets, and ponds. Experience the beauty, the passion, and the timeless allure of hockey in its purest form.”

Molly Lamb Bobak – La Partie de hockey – courtesy Kilnkhoff Gallery

James Duncan – Canadian Watercolour

Bill Brownridge – Choosing Up (courtesy Heart of Hockey)

Brandy Saturley – A Punch Line and an Unknown (courtesy Artist & Colart Collection)

Richard Brodeur – Kids on The Lake

February 25, 2024

Welcome Home to Victoria

Artist Process, Artist Residency

West to East and East to West – Welcome Home

So let’s go to the East Coast I said, and we did. I was there to make Art at the Pouch Cove Foundation residency, and he came along to see a bit of my home for a month, tour around the Avalon peninsula, enjoy time with friends and eat fish & chips next to ships made for stormy seas and hard working fisher people! One town that captured our hearts and our bellies was Petty Harbour.

Petty Harbour reflections – photo Brandy Saturley

We went with friends and celebrated the end of the first week with a lobster roll and recovery fries, yes you read that right. At Chafe’s near the harbour we ate an East Coast poutine of fries smothered with gravy, cheese curds, dressing, mushrooms, onions, peas and ground beef, filling an entire plate. After a month on the rock, there was a grand welcome home to Victoria, dipping my toes back in the Pacific Ocean of the West Coast of this beautiful and massive country we call home.

Chafes Landing in Petty Harbour, Newfoundland – photo Brandy Saturley

For an artist, Petty Harbour is a living art installation of the most fascinating kind. Dotted along the shores of the harbour sits brightly painted structures in no particular layout or order, the style is more scattered, as if no one was too concerned with developing a town one could navigate. It’s almost like no one expected to stay here for very long, in many ways it feels like a living outdoor museum of the history of the area. There are brightly painted dories, tee-pee like structures, lobster fishing traps, piles of colourful ropes and fish boats of all kinds.

Old Lobster traps in Petty Harbour, Newfoundland – photo Brandy Saturley

The first day we visited the harbour it was a proper fall day in Newfoundland. Fog was rolling and waves at the mouth of the harbour were thunderous and deafening, it was incendiary! Like a cauldron of the ocean gods, I was trying to imagine these little boats crossing through that treacherous mouth protecting the harbour from shear insanity of the seas. This place represents all the best of true Newfoundlandness, at least from this West coaster’s perspective. Upstairs at Chafe’s the music is loud and the thumping of humans feet provides a beat to eat to below. The heartbeat of this place is thunderous and unabashed.

The mouth of Petty Harbour – photo Brandy Saturley

It’s 2024 now, and we are back on the West Coast, in Victoria. We walked ourselves down from the Bard & Banker pub, to a place we call The Mac (The McPherson Playhouse). Two Paloma margaritas and a lobster roll down, we walked up the red carpeted stairs of this beautiful old playhouse to the balcony seats made for tinier ancient times. On stage amongst the guitars, piano and drum kit, there sat a Newfoundland flag, draped over a musicians travelling case. There was also what looked like an antique radio speaker of some sort, it made for some good reverberations during Adam Baldwin’s set, a musician from Nova Scotia, the quintessential maritime character. With bleached blonde hair, and black beard wearing red plaid shirt with arms torn off, and blue collar worker neon yellow t-shirt underneath, his humorous stories of everyday growing up, were painting stories in my mind.

Alan Doyle Welcome Home Tour @ McPherson Playhouse – Victoria BC 2024

Then the Petty Harbour native himself made his fiery entrance, a proper Newfoundlander. Having just been in Petty Harbour we found ourselves getting every little thing Doyle was laying out in his stories. When he leaned into his stories of his perceptions with the East Coast, we laughed LOUD. “I was on Granville Island and someone paddled by the dock in a kayak, just for recreation!”.

Serendipity – Welcome Home to Victoria

I guess the point of me writing this blog post is my eternal belief in universal forces at work, well and how my brain works. How this journey of painting visual stories of Canada began over a decade ago during the Vancouver Olympic games and became what it is today.

Scenes of Newfoundland – painting by Brandy Saturley 2024

From The Goalie’s Mask painting, to #ICONICCANUCK and then onto painting my ‘Pop Canadianisms’ and taking myself and my art on the road across the country, from coast to coast to coast. I have eight paintings now influenced by my experiences in Newfoundland, and I plan to take the next two months to focus on painting as many more as I can, before I head out on the road once again.

Fiery sunset in Petty Harbour – photo Brandy Saturley

Thank you Alan Doyle and your wonderfully talented group of musicians, poets, singers and storytellers. This night helped to cap my journey from west to east and back again, through this wonderful evening of song, stomping and clapping until our arms hurt.

Gloves on a clothesline in Petty Harbour – photo Brandy Saturley

February 23, 2024

Painting Love on The Rock

Artist Residency, New Paintings

Capturing Newfoundland’s Essence: ‘Love on The Rock’

It was an early October morning, I rolled out of bed in my loft at the Pouch Cove Foundation, and stumbled sleepy eyed down unfinished wooden stairs in my wool socks, trying not to lose footing and slide to the bottom. Today my plan was to make it to Cape Bonavista Newfoundland, a four hour drive each way in one day, all to see an iconic east coast lighthouse and town, two peninsula’s up from my Pouch Cove studio. The gift of rising extra early on this day was a glimpse of a sunrise, in the first place to see the sun in North America. With foggy mornings and ever changing Autumn skies, thanks to constant wind gusts, the light changes rapidly in this place, which is wonderful for an artist who paints and take photographs. It also means you have to work and move quickly, and use your eyes and intuition to capture what may be delivered in any given minute.

Sunrise in Pouch Cove, Newfoundland – photo Brandy Saturley

Fast-forward to right now, the month of Love, February. I have been going over my photography and writings of the trip, and finding what speaks to me visually and in my heart. As this series of paintings about Newfoundland continues to grow and evolve, I am finding myself recalling the romance of the wind, rain, cliffs, waves and light. I am connecting to the feeling of the place, even though I am home on the west coast. Every day I walked the town and parts of the East Coast Trail, often crossing back through the cove and sitting above the Cove letting the wind rip through me, returning to my studio with crimson face, the kind where if you put your hand on your cheek it leaves a temporary white imprint of your fingers. More than a few times I got caught in a rain storm as the skies shifted quickly, but I LOVED IT. I wanted to get soaked, cold, salty and tingle. It feels like a clean slate, a new adventure, a fresh perspective, and these are all things I came to Newfoundland for, developing something new in my work.

Heart shaped blue rock – Chance Cove, Newfoundland – photo Brandy Saturley

‘Love on The Rock’: a journey of discovery, of connection, and of love

With this new painting I find I am expressing all these things, in a figurative landscape that includes floating rocks, which is something I have painted 3 times now since I began developing this series. Of all the great things that commanded my attention when I was in Pouch Cove, rocks were the number one draw for me, the variety, the colours, the shapes and how each beach I visited had distinctly different selections and colours. The Rock of The Rock is REMARKABLE.

Constructing LOVE on the beach – Bell Island, Newfoundland – Brandy Saturley

This brings me to my new painting, titled ‘Love on The Rock’. For in the heart of Newfoundland’s wild embrace, amidst the silent symphony of rocks and waves, lies a love story waiting to be told—a story of love on The Rock.

Love on The Rock, Acrylic Painting On Canvas, 18 x 36 x 1.5 in, Brandy Saturley

February 21, 2024

Tax Benefits Canadian Art

Advice for Art Collectors, Buying Art

Maximize Your Tax Benefits: Invest in Original Canadian Art for Your Business

Have you ever considered leveraging your tax refund to enrich your corporate environment? Instead of opting for conventional investments, why not explore the lasting benefits of acquiring original Canadian art from independent living artists? Original art not only fosters discussion and entertainment but also enhances the aesthetic appeal of your corporate spaces, ultimately adding value to your business premises. Following are some Tax Benefits of purchasing original Canadian Art.

Golden Hour in The Heart of Canoeland, Acrylic 36 x 60 x 1.5 in (91.44 x 152.4 x 3.81 cm) Brandy Saturley

Embrace the Opportunity to Define Your Brand:
Decorating your corporate offices with original Canadian paintings serves as more than mere decoration. It’s an opportunity to convey your brand’s ethos and warmth to clients and employees alike. Each piece of art injects a sense of taste, class, and sophistication, elevating your corporation’s image and fostering a sense of community within your workspace.

Tax Deductions Make Art Acquisition a Smart Investment:
Did you know that purchasing original Canadian art offers substantial tax benefits for your business? The Canadian government actively supports investments in Canadian artwork by offering tax incentives to businesses of all sizes. By investing in the Canadian art market, not only do you enrich your corporate environment, but you also enjoy tax deductions under the Capital Cost Allowance scheme. Consult your accountant for personalized advice on maximizing these benefits.

Saint Kanata – Acrylic 48 x 36 x 1.5 in (121.92 x 91.44 x 3.81 cm) Brandy Saturley

Make Art Acquisition Affordable with Fine Art Financing:
Art Lease Canada provides an attractive solution for businesses looking to invest in fine art without significant upfront costs. With low-interest financing and flexible payment terms, building an impressive art collection becomes accessible to businesses of all sizes. Plus, by financing your Canadian art purchases, you can claim these expenses as tax-deductible business expenses, further enhancing your financial benefits.

Tax Benefits – Buy Original Canadian Art Because You Love It:
Beyond financial considerations, the primary motivation for investing in original Canadian art should always be personal connection and appreciation. Each artwork is a testament to the artist’s creativity and vision, resonating with your own sensibilities. By nurturing a direct relationship with the artist, you not only acquire a unique piece of art but also contribute to preserving Canada’s artistic heritage for future generations.

Monarch of The Arctic Realms – Acrylic – 48 x 48 x 1.5 in (121.92 x 121.92 x 3.81 cm) Brandy Saturley

Unlock the Benefits of Investing in Original Canadian Art:
Whether it’s paintings, sculptures, or photographs, investing in original Canadian art offers both aesthetic and financial rewards. Take advantage of the tax deductions available for business art purchases and explore financing options to make art acquisition more accessible. By infusing your corporate spaces with original Canadian art, you not only enhance your brand’s image but also contribute to the vibrant cultural landscape of Canada.

Discover a beautiful painting for your lobby or office, now.

Commission a custom painting for your business with Brandy Saturley

February 16, 2024

Painting Newfoundland Vibrant Reds

New Paintings

Painting Newfoundland: Exploring the Vibrant Reds of Canada’s Atlantic Gem

Having penned numerous blog entries since my inspiring residency at the James Baird/Pouch Cove Foundation back in October 2023, I find myself revisiting the vibrant memories of my time in Newfoundland and Labrador. Amidst the rugged beauty and historical richness of this Atlantic province, one element consistently stands out: the vivid presence of the color red. It’s a hue that not only adorns the buildings and iron gates of old but also seems to embody the spirit of this unique corner of Canada. As I delve into the images and recollections from my journey, I’m struck by the prevalence of red, whether in its matte simplicity or glossy allure, gracing the architecture of places like Tors Cove and Brigus. I am painting Newfoundland and her vibrant reds.

Brandy Saturley at Cape Spear Lighthouse, Newfoundland and Labrador

The Historical Significance of Red in Newfoundland

The tale of red in Newfoundland dates back centuries, with a notable incident in 1610 when a container of red paint was accidentally spilled in Cupids Cove. Fast forward four hundred years, and archaeologists stumbled upon this spill, marking the earliest evidence of red ochre paint on a building in Newfoundland and Labrador. Beyond this accidental discovery, indigenous communities, particularly the Beothuk, had long embraced red ochre, utilizing it to adorn tools, garments, and even their bodies, imbuing it with spiritual meaning.

Photograph of red saltbox house at Tors Cove – Brandy Saturley

For generations, fishermen employed red ochre to coat their stages and stores, resulting in a spectrum of hues when mixed with natural oils—seal oil yielding a truer red, while fish oil produced a warmer, ruddy brown. These ochre paints, often thinned with turpentine or kerosene, evolved over time, with early 20th-century markets offering an array of shades under names like oxblood, carmine, vermillion, and rose pink.

The Artistic Significance of Red

Red isn’t merely a color; it’s a symbol steeped in history, from its earliest use in prehistoric art to its enduring presence in contemporary culture. Across civilizations, red has held multifaceted significance, often associated with love, joy, and good fortune. In art and textiles, its allure is undeniable, commanding attention with its warmth and vibrancy.

Photo of gate St. Georges Church, Brigus – Brandy Saturley

Understanding the Psychology of Red in Art

Delving deeper, the psychology of red unveils a range of emotions and associations. From love and desire to anger and aggression, red evokes powerful reactions. It symbolizes passion and warmth, yet also serves as a beacon of danger and intensity. Throughout history, red has been wielded as a tool for political and social expression, shaping movements and stirring emotions with its bold presence on canvas and in life. In capturing the essence of Newfoundland, one cannot overlook the significance of red—both in its historical roots and its artistic resonance. It’s a color that transcends mere pigment, weaving a narrative of culture, tradition, and the indomitable spirit of Canada’s Atlantic province.

Two New Paintings: Loving Newfoundland Vibrant Reds

The Little Red Saltbox of Tors Cove

Little Red Saltbox Acrylic painting 18 x 24 x 2 in Brandy Saturley

Nestled in the rugged arms of Newfoundland’s embrace,
This little red saltbox, a symbol of grace.
Amidst the craggy cliffs and wild, rolling sea,
It stands as a testament to resilience and glee.

The little red saltbox house at Tors Cove, Newfoundland, is an iconic location and much photographed home.
I met this little house at the end of a long day as the sun was coming down in the Fall of 2023. It was the perfect day!

The red clover iron gate of Old St. Georges Church in Brigus

Strawberry Clover Acrylic painting 18 x 24 x 2 in Brandy Saturley

In Brigus town where tales unfold,
Stands a church with secrets untold,
Its gate of strawberry clover’s bloom,
A sacred space, where love finds room.

Beneath the arch of crimson hue,
I met my love, my heart anew,
Amongst the grass of vibrant green,
A fateful meeting, yet unseen.

Old St. George’s Church, Brigus, Newfoundland – I was romanced by her during my 2023 residency at Pouch Cove, she held my attention long enough to become a painting.

Chair of Contemplation photo – Brandy Saturley in her Vancouver Island studio.

February 9, 2024

Canadian Artists to Collect

Advice for Art Collectors

20 Contemporary Canadian Artists to Collect Right Now.

Do professional Artists collect other Artist’s work? Hell yes we do, of course we do, we were born loving Art. In addition to collecting my own work, I collect work by other artists, mostly painters and mostly Canadian. Whether gifted, traded for, bought at auction, online or in a artists gallery, I am also a collector of primarily Canadian Artists. Here is a list of twenty Canadian Artists, I would put in my collection right now!

Terry McCue is an Ojibway artist from the Curve Lake First Nation, in southeastern Ontario. I love his use of colour and subject matter. Bold and graphically pleasing contemporary Indigenous artworks. Canada House Gallery, Banff, Alberta Canada
Marsha Schuld is a multi-media artist working out of her studio in southern Saskatchewan. I love her clay crows and owls as well as her distinctive embroidery pieces. She received a second to none education from the skilled tutors at the Royal School of Needlework (RSN). The result is a proudly earned Certification with Merit from the people who embroider the Queen’s coronation robes. Willock & Sax, Banff Alberta Canada
Luther Pokrant his illustration work is thematic or historical, often of other artists or their work, or the creative process itself. I love his use of colour, his dreamy subject matter and palettes and his visual storytelling. Mayberry Fine Art, Winnipeg
Diana Thorneycroft is a Winnipeg artist and photographer who became known for her installation photographs and re-creations of Group of Seven paintings. She brings humour to the socio-political commentary and stories she is weaving through her detailed photographs. Michael Gibson Gallery, London Ontario
Winnie Truong is a Toronto artist working with drawing and animation to explore ideas of identity, feminism, and fantasy and finding its connections and transgressions in the natural world. I love her drawings, they are precise designs with feminine treasures and stories held within. Patel Brown Gallery, Toronto Canada
Mike Hansen is a senior Canadian artist who uses sound and noise to develop artworks in various mediums. He is well known as an established colourist painter, sound artist and experimental musician. His body of work explores the visualization of sound and noise. While I love his large abstract paintings of colour and form, I was quite intrigued by his upholstered pieces that I slept under at the Pouch Cove residency in Newfoundland. James Baird Gallery, Newfoundland
Andrew Valko is a well-known Canadian Hyper-Realist whose paintings explore the psychological tension caused by observation. Layered with open-ended ambiguity, his compositions subtly weave narratives that imply that there is much more than meets the eye. The works are set in neon-lit motels, drive-in theatres and parking lots; it is in these transient locations that Valko captures intense moments that tell an unfinished story. Louis K. Meisel Gallery, NYC
Daren Whalen more often the subject of his paintings are people. Intensely detailed and beautiful figurative paintings that tell stories of Newfoundland. Emma Butler Gallery, Newfoundland, Canada
Kent Monkman is an interdisciplinary Cree visual artist. A member of Fisher River Cree Nation in Treaty 5 Territory (Manitoba), he lives and works in New York City and Toronto. Gender fluid, Indigenous commentaries on colonialism, realistic visual stories fused with fantasy and magic. Artists’ website.
Kim Dorland’s practice reflects a fascination with the enigmatic Canadian landscape as it comes into contact with contemporary urban experience. The psychological atmosphere represented by Dorland is confrontational and hallucinatory, disrupting conventional ideas that the natural world is a place of solace and contemplation. His paintings fascinate me and I am drawn to the sometimes fluorescent palettes and dark imagery. Another painter that tells visual stories in his work. Angell Gallery, Toronto Canada
Karel Funk lives and works in Winnipeg, Canada. Contemporary urbanism, technical figurative paintings, backs of hoodies, jackets and hats, they draw you into his paintings. The minimalism and cool tones add to the mystery of who might be wearing those clothes. Monte Clark Gallery, Vancouver BC
David Pirrie – obsessed with mountain’s, this painter offers a contemporary pop art style take on these marvelous beauties. Meticulously rendered and fused with vivid colours and distinctive patterns. Ian Tan Gallery, Vancouver BC
Eric Louie is a Vancouver-based painter whose vibrant compositions are being recognized by numerous collectors both public and private. His signature metallic, shimmering forms, achieved via many thin layers of luminescent glazes, are central to the virtual worlds he creates. These abstract paintings are somewhat transcendental in nature. They are metallic meditations on the rythyms of nature. Bau-Xi Gallery, Toronto Ontario
Shawn Serfas – thick and juicy, vivid and dimensional, buttery and sculptural, his abstracts are a treat to delve into. – Sopa Fine Arts, Kelowna BC
Catherine Blackburn – contemporary Indigenous beadwork and living sculptures. Artist website.
Curtis Cutshaw – textual abstracts of sculptural collage, makes me want to stare for hours and try and find the words within. Kostiuk Gallery, Vancouver BC
Luke Ramsay – magical landscapes and west coast FERRY tales of form and pastel palettes Madrona Gallery, Victoria BC
Angela Grossman – human figures and ephemeral layers of letters, photographs, addresses, envelopes, postage and cancellation marks. Herringer Kiss Gallery Calgary, AB
Steve Driscoll – creates fine art using unorthodox materials. I find his abstract searing landscapes Hockney-esque and glossy. – Peter Robertson Gallery, Edmonton, Canada
Bob Kebic – Group Of Seven-esque, textural and vivid abstract landscapes. They male you feel alive and joyful. They make you smile every time you see them. Mayberry Fine Art, Winnipeg, Canada

From hyper-realism, to figurative, narrative, abstract, landscape and fine embroidery craft, these are twenty artworks by contemporary Canadian artists I would put in my collection right now.

January 30, 2024

Creativity and Mental Health

Advice for Artists, Art Career

Breaking the Myth: Mental Illness and Creativity Unraveled

The widely held belief that mental illness and creativity are inextricably linked has become a romanticized notion ingrained in our collective consciousness. However, it’s crucial to dispel this myth from the outset: mental illness is neither a necessary nor a sufficient condition for creativity. As we explore this intriguing topic, we uncover the nuances that challenge this prevailing belief and shed light on the complex relationship between mental health and creative expression.

“There is only one difference between a madman and me. I am not mad.” —Salvador Dali

Exploring the Connection:
While researchers emphasize that mental illness doesn’t guarantee creativity, recent findings reveal intriguing patterns. Siblings of individuals with autism and first-degree relatives of those with schizophrenia, bipolar disorder, and anorexia nervosa are disproportionately represented in creative professions. This raises questions about the potential inheritance of traits conducive to creativity while avoiding the debilitating aspects of mental illness.

Personal Reflection:
Growing up as the eldest child in a family where one parent navigated artistic pursuits and mental health challenges, I witnessed firsthand the impact of these dynamics. The global pandemic further brought to light the prevalence of less debilitating forms of mental illness, particularly affecting teenagers facing disruptions in their crucial stages of growth and learning.

Dreaming Under Northern Lights, 36×36 acrylic on canvas, 2022 – Brandy Saturley

Silver Linings: Mental Health and Creativity

A big positive of this time was it brought to light many things, all at once, and got us all talking, sharing, and expressing ourselves. As we continue to share and learn about what makes us all tick, we continue to evolve as humans living together on this planet. I too learned that I’m not impervious to the effects of stress and anxiety, which ultimately landed me burned out in a hospital bed for a month during the pandemic, it was quite the experience and something that I will write about at some point, but for now I’ll just say, it was another reminder from the universe to ‘slow down’ and take care.

Brandy Saturley in her studio at Royal College of Art, London, England, 2019

Today, I am looking back at a short documentary that was filmed just months before the pandemic broke out around the world. It is a cool trip back to a moment in time when I was just coming off a month in London, England at the Royal College of Art, my confidence was at an all-time high and I was ready to take on this next chapter of my career as a professional Artist.

Now having experienced what is one of the most prolific periods of my career, which has resulted in tremendous growth both personally and professionally. It is a period where ‘imposter syndrome’ has now largely disappeared and I am open to everything in a way I have never been before. I am also enjoying the ride much more, not putting the same pressures on myself, though my expectations will always be ‘A-type personality high’.

I want to share with you this short documentary film (about 25 minutes) by the very talented Canadian filmmaker, Randy Frykas. Although filmed at the end of 2019, this new version includes an epilogue updated for 2024.

In embracing the complexities of mental health and creativity, we challenge stereotypes and foster a deeper understanding of the human experience. As we navigate the ever-evolving landscape of our lives, let us approach challenges with resilience and, in the words of my chiropractor, “Just, Keep, Moving”.

With gratitude,
Brandy Saturley

January 24, 2024

Painting Quidi Vidi Newfoundland

Artist Process, New Paintings

A Place Called Quidi Vidi – Painting Newfoundland

With Newfoundland still fresh in my thoughts, I’ve been revisiting the images captured during my inspiring month at Pouch Cove Foundation. While I usually refrain from translating photographs into full-fledged paintings, there was something captivating about my first weekend in Newfoundland, particularly our visit to the enchanting Quidi Vidi Brewery nestled in the equally charming neighborhood of Quidi Vidi. This painting inspired by Quidi Vidi Newfoundland is an ode to a place I now hold dear.

Quidi Vidi Harbour Newfoundland – photo: Brandy Saturley

Pronunciations of “Quidi Vidi” vary among the locals, with “Kiddy Vidi” being the most common rendition. One delightful theory suggests that the name originated from a beloved cat named Vidi. Situated adjacent to Quidi Vidi Lake, where the Royal St. John’s Regatta takes place every first Wednesday in August (weather permitting), the village is graced by the renowned “Gut” harbor and houses the Quidi Vidi Battery Provincial Historic Site, along with various small businesses.

Quidi Vidi Newfoundland – photo: Brandy Saturley

Despite the limited time I had to explore this distinctive fishing village, I couldn’t help but absorb the humor and pride permeating the air. The photograph I took encapsulates much of what I felt about Quidi Vidi—its uniqueness, charm, and a touch of disheveled authenticity.

Translating this sentiment into a painting became a personal mission. I took my photograph and honed in on simplifying its elements, unveiling the story embedded within. The result is a vibrant portrayal, rendered in oils, acrylics, and neon gouache on a beautiful wood panel. The choice of materials aimed to replicate the lively palette of painted wood structures and boats that define the visual tapestry of Newfoundland.

In essence, my painting seeks to encapsulate Quidi Vidi not just as a picturesque locale but as a living art installation, a testament to the rich culture of Newfoundland. The colors, the textures, and the subtle chaos of the village come together to create a piece that mirrors the essence of this captivating corner of the world.

Quidi on the Vidi – Oil and Acrylic on Wood Panel 24 x 18 x 1.5 in 2024, Brandy Saturley

You can find more details about this painting here.

January 18, 2024