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Painting 15 in A Series about Newfoundland

We were up exploring around Cape Bonavista lighthouse, and by up I mean, above the Avalon Peninsula, where I was based out of during my month in Newfoundland. A three hour and forty minute drive each way, from Pouch Cove Foundation. On our way to the iconic lighthouse and town, I received a text from a friend. Make sure on your return trip you have lunch in Trinity, it’s a quaint little town that really has an old colonial Newfoundland feel. And this is where painting 15, in this series about Newfoundland began, on a lunch stop in a town called Trinity.

A Trinity in Newfoundland

Looking down on Trinity, Newfoundland – October 2023, Brandy Saturley

Trinity, nestled along the picturesque Trinity Bay in Newfoundland and Labrador, boasts a rich historical background. Its quaint streets are adorned with a collection of architectural gems, each designated as a Registered Heritage Structure by the esteemed Heritage Foundation of Newfoundland and Labrador. The town’s harbor, a hub of maritime activity since the 16th century, witnessed the arrival of Portuguese explorer Gaspar Corte-Real on Trinity Sunday of 1501, bestowing upon the site its enduring name. By the 1570s, Trinity had already established itself as a vital summer outpost for fishermen from England’s West Country, drawn by the abundant riches of the migratory fishery. Beyond its maritime legacy, Trinity holds a place in medical history, serving as the pioneering ground for the introduction of the smallpox vaccine to the New World by John Clinch in 1798.

Unique architecture in Trinity, Newfoundland – October 2023, Brandy Saturley

When we arrived at Trinity it was a ghost town, being Autumn in Newfoundland many places are closing up for the Winter. The restaurant situation is hit and miss this time of year, with no regular hours really being kept in any place we have explored. Immediately I was drawn to the multitude of colourful buildings all situated on a quiet cove. A sparse landscape dotted with colour, the idyllic Newfoundland setting.

Trinity Newfoundland

A ‘trinity’ of colourful homes in Newfoundland – October 2023, Brandy Saturley

As I was clicking through photos from my trip, I kept returning to the photo above of a ‘trifecta’ of buildings adorned in Easter hues. If I was only going to paint one visual story about this place, this grouping expresses the town in one photo. From the trio of buildings, a ‘trinity’ of it’s own to the unique heritage structures, to the English influence. It is all felt and said in this photo, with the rock and the grass, all I felt that was needed to complete this story was a woman searching for meaning in this historic little town.

Sketching out the underpainting on black gesso ground – Brandy Saturley 2024

For this painting I began with a black gesso ground, something I haven’t done before, and I NEVER use black. Black is something you must be careful with as it can become too graphic and too comic book, I have always veered away from it. I found that with this piece it offered a different way to tackle the plank siding. Rather than being heavy outlines it offers ‘peeks’ into darkness and ultimately was successful in this painting. It gives the painting a sketchbook feel, and I like this for telling the story of this piece. It felt like I was painting on a chalkboard!

Working the angles, a painting in progress. – Brandy Saturley 2024

A poem for the finished painting about Trinity, Newfoundland

Let her wander, fearless, beneath Newfoundland’s vast sky,
In her red toque and yellow slicker, love’s quest does not belie.
For amidst Trinity’s hues, where tales of old abide,
Her love may yet be waiting, in the ebb and flow of tides.

A Trinity in Newfoundland

Trinity, 20×20 inches, acrylic and gouache on wood panel, 2024 Brandy Saturley

Learn more about this painting and see additional photo’s here. See all the Newfoundland Paintings here.

High on Canada Drive – A Painting About Icebergs in Newfoundland

When I am working as an artist abroad, and on the road, I don’t drive. This leaves me with the opportunity to soak it all up and take notice of things around me, looking for the next opportunity to ditch the car and jump out for a few moments to capture something that catches my eye. I spend a great deal of time as the passenger, on the roads of this continuing journey of Art.

I have always been interested by this perspective, looking through a windshield that sometimes reflects the sunlight, takes on bug splatter, and various elements of weather as we drive across Canada. The photos and video I capture on these trips offering views from the rear view and sometimes a wiper gets caught in the frame. Even when I am captive in a long line of city traffic, there is something to shoot, even if it’s my Nikon on my lap, captured by my iPhone. I am always getting high on the energy of this drive across Canada.

High on Canada Drive

Driving to Tors Cove, Newfoundland – October 2023

With my latest figurative landscape painting, I chose to focus on this perspective from the passenger seat. I found this photo on my iPhone that I took while stopped at an intersection in Mount Pearl, Newfoundland. Naturally, being the Canadiana enthusiast I am, I had to take this photo of a sign called Canada Drive. As we waited what seemed like eternity at this intersection, my mind began to drift on the subject of Canada Drive, and then I heard a song come over the Sirius satellite radio.

High on Canada Drive

“Lounging in the living room in long johns
More distant than Victoria to Saint John’s
Trying to use a record to repair my heart
I’d be lying if I said I didn’t want to start again, my friend
You’re leaving me high and Canada dry
I’m out of your head and I’m losing my mind
Listening to Neil is making me cry
You’re leaving me high and Canada dry.”
Canada Dry is a song by the Canadian Music Hall of Fame Barenaked Ladies, from the album, Fake Nudes. I’ve long been a fan of the Ladies, since their very first album, through their break up and re-launch into the world, when I felt like they were leaving us high and Canada Dry.
High on Canada Drive painting

Brandy Saturley studio – April 2024

Coming home to Victoria, sitting in my studio with feet up and a few finished paintings about Newfoundland, I stared at a new wood panel ready to take on a story through use of acrylic and oil paints. It was April and my friends in Twillingate were hailing the arrival of iceberg season. With my Apple playlist set to the best of the Barenaked Ladies, these lyrics began to penetrate my mind and my eyes began to see the next painting. I saw beautiful glacial teal coloured bergs, against a complimentary orange/red sunset sky, with this street sign of Canada Drive. Rather than paint the entire traffic light I chose to focus on the red light, against this intersection with the icebergs towering high above the sign. While you would never likely see icebergs from this Newfoundland locale, it does offer pause about the climate and the Earth.
High on Canada Drive

Detail view, High on Canada Drive, acrylic and oil on wood panel, 2024 Brandy Saturley

When the painting was finished and I was searching for the title, I was going to go with Canada Drive, for obvious reasons. But that just wasn’t right to me, and instead as I listened to ‘Canada Dry’ over and over I found the title. High on Canada Drive, referencing the height of the icebergs towering over the city, and also if you were to see icebergs from this vantage point, you may be high on life, a dream or some mind altering substance. Or perhaps you’re just an Artist making sense of the world.

High on Canada Drive, Oil and Acrylic on Wood Panel, 12 x 36 x 2 in, 2024, Brandy Saturley

More details and high resolution photos of the painting here.

A Painting About Newfoundland – Celebrating Art Deco in Canada

When I set out to explore and photograph St. John’s Newfoundland, I expected to find the vividly painted character homes on the iconic Jelly Bean Row and the Battery of the harbour. What I did not expect was to fall for a building that would transport me back to my days as a teenager when I would watch sockless Don Johnson in his white linen suits, on Miami Vice. As soon as I walked up to the side door of South Beach Residences, I could hear the sounds of Jan Hammer and feel the warmth and swaying palms of Miami, and then the cold Newfoundland wind knocked me back to reality. Art Deco in Canada is very much alive, and not just in Newfoundland.

Art Deco in Canada

South Beach Residences, side door – St. John’s Newfoundland 2023 – Brandy Saturley

What exactly is Art Deco? The Canadian Art Deco Society describes it as a 20th century phenomenon that emerged during the period between the First and Second World Wars. It was a new style for a new modern era. Combining the affluence of materials with the artistic simplicity of specific design, the Art Deco style often focused on geometric forms composed primarily of angular elements, like highly stylized chevrons and zig-zags. Other characteristics of Art Deco include: sunbursts, sweeping curves, ziggurats (staggered or tiered pyramid shapes), a liberal use of sleek-looking material, as well as Egyptian influences and motifs focusing on birds and floral patterns. Recognized as a popular, non-revolutionary modernism, Art Deco was a self-conscious split from the past.

Art Deco in Canada

South Beach Residences, Newfoundland, Canada – Brandy Saturley 2023

When I was in Toronto delivering my goalie’s mask painting to the Canadian Olympic Committee Art of Sport event, I found myself at the old Maple Leaf Gardens building , which is now a Loblaws, amongst other things. Few may realize that one of Canada’s most celebrated sporting venues, Maple Leaf Gardens National Historic Site of Canada (below), is an example of Art Deco architecture. This Toronto landmark exhibits the style through its symmetrical yellow brick façade and dome with crowning lantern. Other prominent characteristics of Art Deco within the Gardens include its simple brickwork pattern, and use of metal along the building’s patterned window arrangement. Many of the original fittings, fixtures, fabric and design components relate to the Toronto Maple Leafs and survive to this day, contributing to the heritage value of the building which is now a rehabilitated building, housing a local grocery store and upper floor arena.

Art Deco in Canada

Maple Leaf Gardens – Brandy Saturley 2013

Painting South Beach Residences – Art Deco in Canada

As my work continues on this new series about my time exploring Newfoundland in late 2023, I am flipping back through moments, photographs and things that made an undeniable impression on my psyche.  These things that draw my attention are the things that become part of my visual storytelling in their own way and in a time that means something to my work. When I found this photo I had taken and decided that this would be the subject matter for the next painting, I then began to delve deep into the history of this building holding my attention.

Brandy Saturley in studio, Victoria, Canada – 2024

Built Before Newfoundland Became Part of Canada
In the optimism which followed the end of WWII, local architect William J. Ryan designed and built the first Art Deco building in what was then the Dominion of Newfoundland. Completed in 1947, with a building envelope constructed with concrete, mixed and poured by hand, its distinctive and creative form stood in strong contrast to the local architectural vernacular. Over the years, South Beach became home to architects, a radio station, a bookstore, and an art gallery. Which brings us to today, and the six years it’s taken to restore and transform this exceptionally well engineered building into the modern Residences of South Beach.

It’s been a labour of love. Today, the iconic Art Deco landmark is known and loved far and wide. Pedestrians stop for selfies. Filmmakers and artists celebrate its design and colour palette. Morawetz included it in his ‘Art Deco Architecture Across Canada, by Tim Morawetz’.  A captivating book showcasing more than 150 Canadian Art Deco buildings.

The Finished Painting – A Little Miami in Canada

A pop modernism style painting about an art Deco masterpiece. Painting visual stories of my travels across Canada.

Art Deco in Canada

I’ll Meet You in South Beach, Newfoundland – original acrylic painting on wood panel, 2024, Brandy Saturley

See more photos of the painting here.

Sources Consulted

Natural Affinities: Lawren Harris and Rockwell Kent

As a Canadian artist deeply connected to the rugged beauty of my homeland, I find myself inexorably drawn to the works of Lawren Harris and Rockwell Kent. The artistry of these two painters has had a profound influence on my own creative journey, inspiring and shaping my unique painting style. Harris’s ability to distill the essence of Canadian landscapes into mystical abstractions resonates with my soul, while Kent’s romantic realism kindles a sense of longing for untouched wilderness. While they may have worked in different styles and contexts, their works share striking similarities, revealing natural affinities between the two painters. In this blog post, we will delve into the artistic journeys of Harris and Kent, examining their contrasting styles and analyzing the common threads that bind their masterpieces.

Art has the extraordinary power to capture the essence of the world and transport viewers to different realms. In the realm of landscape painting, Lawren Harris and Rockwell Kent stand as giants, each leaving an indelible mark on the art world.

Lawren Harris: Mystical Abstractions

Lawren Harris, a prominent member of the Group of Seven, was renowned for his abstract and spiritual interpretations of the Canadian landscape. His paintings often depicted rugged mountains, icy glaciers, and vast stretches of untouched wilderness. Harris possessed an uncanny ability to distill nature’s raw power and transform it into something ethereal.

Harris’s works, such as “North Shore, Lake Superior” and “Mount Lefroy,” showcased his affinity for simplicity and abstraction. He employed bold lines, geometric shapes, and a restricted color palette to capture the essence of the subject matter. The resulting images exuded a sense of serenity and mysticism, evoking a profound emotional response from viewers.

Lawren Harris and Rockwell Kent

North Shore, Lake Superior – Lawren Harris 1926

Rockwell Kent: Realism with a Romantic Touch

Rockwell Kent, on the other hand, was an American artist whose paintings encompassed both realistic and romantic elements. His artistic journey led him to various locales, including Alaska, Greenland, and Newfoundland, which greatly influenced his subject matter. Kent’s works portrayed expansive landscapes, seascapes, and the human figure against majestic natural backdrops.

Kent’s paintings, such as “Moonlight, Winter” and “Monhegan Night,” captivated audiences with their meticulous attention to detail. His command over light and shadow, combined with a rich color palette, brought his scenes to life. Kent’s romantic sensibilities infused his work with a touch of nostalgia, inviting viewers to contemplate the vastness and beauty of the natural world.

Lawren Harris and Rockwell Kent

Moonlight Winter – Rockwell Kent 1940

Natural Affinities and Common Threads

Despite the differences in their styles and geographical influences, Lawren Harris and Rockwell Kent’s works reveal surprising commonalities, suggesting a natural affinity between the two painters.

Both artists shared a deep reverence for nature and sought to capture its sublime qualities. Harris and Kent depicted landscapes that inspired awe and contemplation, inviting viewers to connect with the grandeur of the natural world. Their paintings transported viewers to remote and untouched locations, offering a respite from the modern world’s hustle and bustle. They both also embraced a sense of spirituality in their work. Harris’s abstract compositions and Kent’s romanticized scenes transcended the physical realm, hinting at something greater and more profound. Whether through Harris’s simplified shapes or Kent’s ethereal lighting, both artists infused their works with a spiritual dimension, elevating the ordinary to the extraordinary.

Harris and Kent possessed a keen eye for composition. Harris’s bold lines and geometric forms provided structure and harmony to his landscapes, while Kent’s meticulous attention to detail created balanced and visually captivating scenes. Both artists had an innate ability to arrange elements within the frame, leading the viewer’s eye and creating a sense of visual poetry.

Lawren Harris and Rockwell Kent

Where Icebergs Roam Free – Brandy Saturley 2016

Lawren Harris and Rockwell Kent, despite their unique styles and influences, shared a remarkable bond through their artistic explorations of the natural world. Harris’s mystical abstractions and Kent’s romantic realism offer distinct but complementary perspectives on the power and beauty of nature. Their works elevate the landscape to a spiritual experience, where nature becomes a source of awe and contemplation. Through their mastery of composition, use of color, and ability to capture the sublime, Harris and Kent have left an indelible mark on the art world. Their legacies continue to inspire artists, like myself, to seek the inherent beauty and spirituality in the natural world and share it with audiences worldwide.

By Centuries: Artist’s Ahead of Their Time

There are numerous articles and books that talk about Artist’s ahead of their time. Perhaps the most famous painter described as being ahead of their time is Van Gogh. Over the centuries there have been many, who were painting about the culture of the time and their thoughts. So while they were painting what they were living, they were in many ways addressing internal thoughts about the future.

As I continue to explore themes about contemporary Canadian culture and my journey as a Canadian Artist, I find myself intuitively addressing questions that are currently on my mind, through my art. Right now I find myself on a path of painting figurative works about Canada, set against vivid backdrops of shadow, light and saturated colour. With my first few paintings this year, I find myself romanced by outdoor skating on frozen ponds and lakes. I am listening to a soundtrack filled with poetic lyrics that project images of joy and appreciation for life. These sounds are colourful, haunting and even romantic. From Joni Mitchell looking for a river to skate away on, to the Tragically Hip who are ahead by a century, the soundtrack flowing in the studio is important to the flow of my paintbrush.

My hope in posting this article is to share a little behind the scenes experience into how I work in the studio and how this new painting came to live. I carry a large cotton duck canvas of five feet high by four feet wide down to my studio and I begin to sketch out the idea I’ve been developing. A painting about two women, becoming one. One Inuit woman wrapped in a Hudson’s Bay Eight Point Scarlett blanket, and one Caucasian woman wearing a red parka with furry white trim. The backdrop will be Northern Lights (aurora borealis) and the night sky filled with stars, some shooting and some larger than life. One woman with the ear of a wolf and one the antler of a stag deer. Together these two women will appear to be shapeshifting and becoming one under the Aurora night sky. It is a magical, spiritual and futuristic story about friendship and common ground. This painting tells stories of how life should be for all Canadians, and this painting speaks of sisterhood and equality.

While I begin with an initial rough sketch on canvas, I move on quickly to laying down an underpainting through colour blocking in neon hues.

Ahead of Their Time

My palette becomes a furious abstract painting and evidence of an artist busy painting.

Once I have laid down all the underlying colours I move on to painting out the background, blending on the canvas as I go and this leads me to a question, do I want more texture in this painting? and the answer is, yes.

Ahead of Their Time

After the first few days I take the canvas and lay it flat on my studio floor, I begin applying dots of paint through pouring paint in a loose pattern to the background sky of the piece, then the piece has to dry overnight and harden before I can begin the second day of painting. I do this numerous times, and create dots of varying sizes, each by hand, painting over each layer as I work.

I move the painting to my crank easel so that I can work more finely on details in the lower portion of the canvas, thankfully I have numerous easels and lots of space in my studio so that I can work on this canvas from multiple vantage points and orientations.

Ahead of Their Time

Detailing the hair and face in this painting, because my style of working is very much influenced by realism but also pop art. An idealized portrait, and some might refer to it as magic realism. I refer to my style as ‘Canadian Pop Realism’.

Ahead of Their Time

Once the details are done and I feel like the journey of this painting has come to an end, I sit back and take long looks at the piece, contemplating it’s story and overall balance. There has to be ‘a flow’ in the composition, the eye must move around and then land somewhere in the centre of those faces, they are the focal point of this piece.

Once I am finished the front of the painting, the edges get their treatment of texture and colour to compliment the piece.

Ahead of Their Time

Ahead by Centuries, acrylic and gouache on canvas, 60″h x 48″ w, 2023, Brandy Saturley

A painting that perhaps in it’s time, may be ahead of it’s time. See more visual stories on canvas by Brandy Saturley here.

The Chair of Contemplation: those final looks before a painting is complete

When is a painting finished? Picasso stated a work of art is finished when you have been through with it, to rid a painting of it’s soul, to kill it and give it it’s final blow. Those final looks at a piece from a chair of contemplation are something every painter knows, it is perhaps the most important part of the artist process. Da Vinci once wrote that “art is never finished, only abandoned”, a romantic statement about the relationship between artist and art. When Warhol was asked this question his response was famously, “when the cheque clears”, which certainly refers to the economy of art and getting paid.

Over the years I have come to document and celebrate these final moments of applying paint to canvas. Yes, I do believe that I must abandon the work like Da Vinci, but for me it comes from the perspective of leaving a journey behind. For me each painting I create is a journey, it begins long before brush hits the canvas, and ends once the painting leaves my studio easels. A finished painting is a painting that has been signed, edges painted and finishing varnish applied and dried. Once all of these steps are completed the painting is truly finished and ready to sell to a collector or send to a gallery.

These final moments in the journey of a painting happen through intense examination of the piece. From my studio chair, a rusty orange old velour chair passed down over generations of family, this chair has become known as the ‘Chair of Contemplation’. In 2016, I was sitting in my chair reviewing the final details of a painting and it came to me, I realized that this integral part of the artist process should in fact have it’s own moment, giving my viewers a peek inside the world of an artist. Every single painting I have made since has been documented in this manner, and these moments have become art themselves, performance art. With each chair of contemplation photo I have come to delve deep into the what I am saying with the work and the moment, what I am wearing, how I am posing, the moment, each moment has become a statement about the work I am contemplating.

At some point I hope to compile these moments and photographs into a book and exhibition, for now a few #chairofcontemplation photos to enjoy.

chair of contemplation

Chair of Contemplation – Canadian Artist Brandy Saturley

chair of contemplation

Chair of Contemplation – Brandy Saturley with paintings and art crates

chair of contemplation

Brandy Saturley in her Vancouver Island studio

chair of contemplation

Brandy Saturley in her North Saanich studio

chair of contemplation

Brandy Saturley with Canadian prairie paintings

Brandy Saturley in her studio

Brandy Saturley with polar bear paintings

Brandy Saturley wearing bowler hat and HBC point blanket

See the finished paintings.

Becoming An Artist – Talking Art, Passion and Hockey

When does someone become an Artist? What drives the creation of a painting? How many hours are spent making Art? People are attracted to passion, and those who pursue their passions relentlessly, putting it all on the line. Talking with Canadian documentary filmmaker Randy Frykas, about becoming an Artist and the influence of hockey.

In October 2019, a few months before COVID-19 started changing how we navigate our worlds, I invited a Winnipeg filmmaker into my haven, my Art studio. As I stated in a blog post from 2018, art studios “are places typically reserved for artists to create, serious art collectors to view the work privately, and curators to visit and consider works for future art exhibitions.” After a few emails back and fourth, and a telephone conversation, I agreed to the visit and I also agreed to let the filmmaker ask questions without pre-screening. He came to learn and film and arrived with a professional audio engineer, James Humberstone, also originally hailing from Manitoba. I accepted their visit and interest purely on the portfolio Frykas produced when I began asking questions. There seemed to be a common ground in the topic of hockey and my paintings about hockey, so the focus became mostly these works from my oeuvre of the past decade. I had recently returned home from a month studying and making work at the Royal College of Art in London, England, and was in the process of making a new work, a large landscape on loose canvas.

Becoming an artist documentary film

Over the course of two separate days, Frykas asked questions and recorded digital video. Over the course of the coming months the team of The Passion Projects, led by director Frykas, began editing while flying to other locations to film with other talented people driven by their passions. With Frykas and Humberstone also creating their own soundtrack for each short documentary film produced for the project. This truly was becoming a collaborative effort, filled with passion and experience, bringing together film, editing, sound, music and visual art.

As this series began shooting before COVID hit, and was being developed as the filmmakers’ own passion project on the side while he is working full-time TV and freelance gigs, the series is developing organically and is quickly becoming a record of life and attitudes before, during and eventually post COVID.

filmmaker Randy Frykas

I don’t invite many people into my studio, it really is my workplace, and a sacred place I go to escape into my work. I was moved by the enthusiasm exuding from the voice on the other end of the phone line, which was as palpable in person. Vulnerability is another important facet of making great Art, and those days we were filming, we were at our most vulnerable, and I am proud of the film that came from this experience.

Sincere thanks to Randy Frykas and James Humberstone, I can’t wait to see what comes next!

Randy Frykas James Humberstone The Passion Projects

Sincerely Yours,

Brandy Saturley a.k.a #iconiccanuck

Interview With Whitehot Magazine NYC: Confronting the Enormity of the Landscape, in Canadian Art

Typically the ‘art season’ runs September to June, typically my art season as an independent self-representing artist runs the whole year, minus a couple weeks around Christmas holidays. This year I decided to book a month on the Hawaiian Island of Maui in August, and re-connect with nature and nurture my artists’ senses. It was a great adventure and one that will bleed into my work, with many posts about my trip to follow. August was a busy month for me while most of the Art World lay dormant. I finished some paintings, sold some art, showed my work in a Toronto gallery, and spoke in an interview with Whitehot Magazine in New York City about my paintings of the last decade.

Whitehot Magazine is a one of the leading online art magazines in the world, based in NYC, with contributing arts writers and art historians from all over the world, interviewing artists worldwide. In August, I had the great pleasure of speaking with Andrea Bell, a NYC art historian, critic and writer. Based in New York City, Andrea teaches Art History and Criticism at Parsons School of Design. Bell is a contributing writer for Whitehot Magazine and we spoke about; mountains, Canadianisms, pop culture, and the People of Canada Portrait Project.

 

Interview with Whitehot Magazine

Excerpt from the article; “In her most recent work, Saturley has turned once again to the landscape, never really having left. Her new, visionary paintings collage different, unexpected elements of Canadiana rendered in her characteristic pop aesthetic. They oscillate between a graphic realism used for Canada’s famous mountain peaks or views of forest lakes, and the abstractness of the colorful, even psychedelic backgrounds. The sincerity of their celebration keeps them from tripping over into kitsch. Instead they are otherworldly and transportive, playful and humorous. Confronting the enormity of the landscape has become a crucial aspect in Canadian identity, and a thread that is woven throughout Saturley’s work. The “Canadianisms” series has already toured in both Edmonton and Calgary, and has garnered the artist notoriety as the voice of Canadian Pop Art.” read full article here.