The Power of Experiencing Art in Person

Over the years, virtual exhibitions have become a major part of how art is shared with the world. Nearly a decade ago, I was experimenting with online 3-D gallery spaces, curious about how technology might expand the reach of my work. These digital shows offered convenience and accessibility, and they certainly had their moment. But after recently opening a new solo exhibition at a Canadian art gallery, I’ve been reminded – very clearly – why live, in-person exhibitions continue to hold an essential place in the art world. The Power of Art in person is palpable.

The Wild Life at Miller Art Gallery – Edmonton – Brandy Saturley

Art Needs Space, Light, and Presence

A painting is not just an image. It’s a physical object with texture, scale, and subtle shifts that can only be understood when you stand in front of it. The thickness of the paint, the edges of the canvas, the way colours respond to natural or gallery lighting, these details disappear when artwork is translated into pixels.

In-person, a piece has a presence that simply can’t be conveyed through a screen. Viewers move around the work. They experience its size. They absorb its atmosphere. These sensory elements are part of the story, and they’re lost in a virtual setting.

iconic canadian art

#ICONICCANUCK at CARFAC Alberta – Brandy Saturley

A Rare Opportunity for Artists to Witness Their Audience

Creating artwork is an incredibly solitary process. Much of the time, it’s just the artist, the canvas, and the quiet. Live exhibitions offer one of the only opportunities to step outside that solitude and see how people actually respond to the work.

Watching visitors engage with the paintings – seeing which pieces they spend time with, the angles they lean in from, the conversations they start – provides insight that no online platform can offer. It becomes a feedback loop, a source of inspiration, and a reminder of why the work matters.

Power Art in Person

Newfoundland Impressions – James Baird Gallery – Newfoundland – Brandy Saturley

Power Art in Person: The Human Element That Digital Can’t Replace

Art brings people together. A gallery setting naturally creates dialogue, connection, and shared experience. People who may never otherwise meet find themselves standing side-by-side, interpreting the same piece through their own lens.

In a digital world that moves fast and often feels fragmented, a gallery becomes a slower, more intentional space. It invites presence. It gives the work room to breathe, and gives viewers the opportunity to breathe with it.

Art Opening in Newfoundland

Newfoundland Impressions – James Baird Gallery – Newfoundland – Brandy Saturley

Why I Still Believe in Showing Work Live

While virtual exhibitions will always have a place, especially for their accessibility, there is something irreplaceable about presenting art physically. The atmosphere of an opening, the conversations with collectors, the energy in the room, and the authentic, unfiltered reactions from viewers, these are essential parts of my practice.

After experiencing my recent gallery opening, I’m more convinced than ever that live exhibitions aren’t just important; they’re vital. They remind us that art is a dialogue, not just a digital experience. They bring back the human connection that fuels creativity and keeps the work evolving.

In an increasingly digital age, showing art live remains a powerful way to connect, communicate, and celebrate the creative process.

Power Art in Person

What is an image? Royal College of Art, London UK – Brandy Saturley

The Work Behind a Solo Art Show

One of the interesting things about being an artist is that you often get applause for the small things, while the big things – the projects that take the most time, effort, and investment – rarely get the recognition they deserve. Bringing a solo art show to life can take years of work, all for a brief but beautiful moment of celebration and connection with the public.

I’m currently preparing for the opening of my second solo art show this year. Just last week, my art shipper picked up fifteen paintings headed for Edmonton, Alberta. It’s a 1270 km journey that includes a ferry ride, but in truth, the journey of these paintings began long before last week, and much farther than 1270 km ago.

Preparing for a solo art show begins years before the opening night. It starts with ideas, tiny seeds that grow into new paintings, and with the experiences that shape what I want to say about the world. For me, these seeds are planted when I travel to explore new parts of Canada. On these journeys, I gather reference material: photographs, videos, sketches, and mental notes of smells, sights, and sounds. When I return home to my Vancouver Island studio, those impressions begin to take root and grow.

Behind a Solo Art Show

Brandy Saturley with her art shipping crates

I start by nurturing these ideas digitally, collaging moments into visual storyboards, snapshots of my experiences distilled into narrative form. From there, I edit and refine until I have a solid grouping of fully developed compositions. These collaged compositions then become loose renderings on canvas, sketched out with a chalk pen. Once I have several canvases drawn, I begin laying down underpaintings, blocking in colour and light, before building up the layers of vivid hues that give each piece its life.

Behind the Studio Door

The Gift Shop painting in progress – Brandy Saturley studio – Vancouver Island

The Work Behind A Solo Art Show Takes Time

Each painting takes weeks or sometimes months to complete. When finished, they’re sealed with protective varnish and readied for hanging. This process repeats again and again until a cohesive body of work begins to emerge. Not every painting makes the final cut, perhaps I create fifty pieces in a series, but when it’s time for a solo exhibition, I’ll select fifteen to twenty that best tell the story.

Once the paintings are chosen, they’re carefully packed and shipped to the gallery. From there, the gallery team takes over – unpacking, taking inventory, preparing the space, curating the show, and installing the work. Together, we promote the show and they plan the opening night, complete with wine, conversation, and guests.

James Baird gallery

Booking a solo show typically happens about two years in advance. So, each exhibition is really several years in the making. During that time, I’m not just painting; I’m running a business – working on commissions, participating in group shows, managing my website and social media, connecting with galleries and collectors, and keeping the financial side of the studio running.

Behind a Solo Art Show

Brandy Saturley with her art book – Painting Canada, 2025

To keep the creative momentum going, I’m always planting seeds for future work and exhibitions. Often, I’m preparing for a show two years in the future while also celebrating a body of work that began years before. The cycle never really stops, you’re constantly creating your future through your art.

As I close in on my next solo show at The Miller Art Gallery, I’m taking a moment to pause and appreciate the work of today. For while the public sees the finished paintings, celebrating them for one fleeting evening, what they don’t often see are the years of quiet effort behind each brushstroke, each idea, and each show. And that’s what makes the celebration all the more meaningful.

Behind a Solo Art Show

The Wild Life, The Miller Art Gallery @ The Roxy – Edmonton, Alberta November 2025

See more Canadian paintings by Brandy Saturley.

ARTattack at The Miller Art Gallery: Arts Fundraiser in Edmonton

On September 19th, 2025 another edition of the ARTattack fundraiser opens at the Miller Art Gallery. This annual Arts fundraiser in Edmonton helps support the Peck Visual Art Program and the Miller Art Gallery inside the Roxy Theatre.

Arts Fundraiser in Edmonton

The Miller Art Gallery and the Peck Visual Arts program are proud partners of Theatre Network, located within the Roxy Theatre in Edmonton. Established in 2022 by Theatre Network, the Miller Art Gallery was created to diversity the programming and take advantage of the expanded space within the new Roxy under the curatorial direction of Jared Tabler.

The Miller Art Gallery is the proud home of the Peck Visual Arts program, which focuses on championing the best in Canadian contemporary art and elevating the work of Canadian artists. We are creating an artist’s home, with a sense of community, where people feel valued, are elevated and have a safe space to develop and grow. We invite audiences to engage and connect through visual art and transform their understanding of the world around them.

Arts Fundraiser in Edmonton

This year’s ARTattack fundraiser titled; Iconic Brands offers 20 Canadian Artists’ takes on the theme. This years artists are: Jai Tanninen, Curtis Trent, Josh Harnack, Sean Allan, Charlene Johnson, Nick Ross, Brandy Saturley, Marcie Rohr, DUNCE, Lydon Hurst, Sarah Jackson, Beto Vigo, Riki Kuropatwa, E.R. Gott, Patrick Marino, Michael McLean, Denise Lefebvre, Justina Smith, Maverick McGinn, and Dean Pickup. Each artist has created work based on their own interpretation of the theme in their unique and definitive style. The works will be auctioned off during ARTattack on September 19th with all of the proceeds supporting the Peck Visual Art Program at the Miller Art Gallery.

When I was invited to donate a work to this important event I immediately began thinking of iconic Canadian brands. With a limited canvas size of 14×14 inches I was looking to create a bold message with the brand logo as the focal point. There are so many iconic Canadian brands to choose from like the Hudson’s Bay stripes and the purple and gold of Crown Royal Whisky, but for this event I chose Hawkins Cheezies with it’s bold red and white stripes and vividly orange Cheezies set against a complimentary teal background. The piece feels like childhood and fun memories of eating the favourite snack after school or late night in front of the TV. They could be spilled out during a card game or a late night chat session with a friend. As an adult I prefer my Cheezies with a nice glass of wine, making the perfect pairing for a lazy evening. Get your tickets and score some ‘Iconic Art’. See all the paintings here.

Arts Fundraiser in Edmonton

Say Cheezies! 14×14 acrylic on canvas, Brandy Saturley, 2025

Secret Ingredient Condiment Company
presents
ARTattack 2025
featuring Ethan Palazzo
Friday September 19th, 2025 at 8pm

CLICK HERE TO PURCHASE TICKETS

7PM – VIP Reception
8PM – Doors Open / Party Starts
Tickets: General $25, VIP $75*
*includes $50 tax receipt

 

NEIGHBOURLY – A National Juried Canadian Art Exhibition at Coles Art Market

Opening Night Celebration in Huntsville, Ontario July 18, 2025

“Neighbourly” is a national juried art exhibition that brings together Canadian artists exploring the ideas of community, connection, and sense of place. Opening night offers a unique opportunity to be among the first to experience the show, meet the artists, and engage in thoughtful conversation with neighbours both familiar and new.

Art Opening Coles Art Market

Neighbourly at Coles Art Market opening July 18, 2025

Featuring over 40 original works ranging from painting and sculpture to drawing, the exhibition highlights a diverse range of artistic interpretations of what it means to be “neighbourly” in Canada today.

Hosted by Coles Art Market in beautiful Huntsville, Ontario, the gallery is known for showcasing and selling original fine art by some of the country’s most accomplished artists. Whether you’re seeking a striking centrepiece for your home, business, or cottage – or need expert guidance in finding the perfect work—Coles offers an exceptional variety of Canadian artworks, including painting, sculpture, drawing, and handcrafted jewelry.

I’m honoured to have one of my paintings included in this thoughtful and timely exhibition. Titled “Lovers in a Dangerous Time,” my piece explores the complex and evolving relationship between Canada and the United States. Set at dusk against a backdrop of ocean meeting snow-peaked mountains, the Canadian and American flags appear gently touching and quiet, almost hesitant. The painting reflects on the delicate balance of our cross-border ties as we navigate changing political landscapes, tariffs, and a redefined neighbourly connection.

Art Opening Coles Art Market

Lovers in a Dangerous Time, Acrylic on wood panel, 18 x 24 x 1.5 in – Brandy Saturley

If you’re in the Huntsville area, I encourage you to join us for the opening or visit the show during its run—this exhibition offers a compelling and heartfelt look at what it means to be connected.

Opens July 18th and runs until August 17th.

Art Opening Coles Art Market

See more paintings by Brandy Saturley.

How Do We Ship Art to A Gallery? Preparing An Art Shipment

Over the past two decades The Art of Brandy Saturley has been shipped to numerous galleries and collectors across North America, using wooden crate. While there are many options when it comes to art shipping, our favourite way to ship is inside a sturdy plywood crate that is impervious to weather, bangs, bumps and even boots. Once again we are preparing an art shipment to a gallery for a solo exhibition.

Preparing An Art Shipment

Crate made by Denbigh Fine Arts, Vancouver Canada for Brandy Saturley

Over the years I have partnered with some of the best crater makers in Western Canada, who have built crates for one painting to several paintings being shipped at once. From Vevex crates in Vancouver to crates made by Presentation Framing in Victoria. My crate makers supply the crate and I paint the exterior for branding but also for exhibition. When it comes to shipping 20 paintings to one destination for exhibition, Denbigh Fine Arts in Vancouver is my trusted choice for crate and shipping services. While I don’t paint my Denbigh made crates, they are by far the premium fine art packer in Western Canada. Museum worthy crates that protect some of the most valuable artworks during shipment.

Custom art crate for Brandy Saturley by Denbigh

As we are preparing for an upcoming solo exhibition in Newfoundland, once again we have employed Denbigh to construct, pack and ship 20 paintings to destination at James Baird Gallery in Pouch Cove. Packing 20 paintings in one crate is like a game of Tetris, where multiple layers of paintings, foam and plastic come together to provide the ideal environment for these artworks to rest during their journey.

Preparing An Art Shipment

Custom fine art shipping crate for Brandy Saturley – Denbigh Fine Arts

Denbigh has grown to become part of a larger family-owned group that represents the gold standard of international art handling. They have expanded into Montreal, Quebec with a new office and team to support clients in Western Canada. Their offering has expanded to a full suite of in-house services from shipping and logistics to crating and collections management. Combined with an international network of collaborators around the world, Denbigh brings their skills to a global stage.

Preparing An Art Shipment

inside Denbigh – image courtesy DenbighFAS.com

As we are located on Vancouver Island we begin with soft packing and wrapping the Art in my studio here, then we pack the car and take a ferry to the mainland, landing in Vancouver where we unload twenty paintings at Denbigh. The crate is built around the Art and packed by Denbigh, then their partners in shipping take the crate and deliver to destination, from the Western-most point in Canada to the easternmost, it is quite the journey for art.

Victoria, BC to Pouch Cove, Newfoundland

As I continue to prepare for my solo show and a one month residency in Newfoundland at the Pouch Cove Foundation, I too will take the journey from west to east. All in all a very large endeavour. It is going to be a great show!

Solo Show in Newfoundland

Brandy Saturley with Newfoundland paintings 2025

A Solo Show and A Residency in Newfoundland

In the fall of 2023, the wilds of Newfoundland were calling my name. It was October, and I was preparing for a month in Pouch Cove, a rugged, breathtaking place on the Eastern tip of Canada. That time in Newfoundland filled my artist’s vessel with the sights, sounds, and culture of a uniquely Canadian province, one with a swagger all its own. Now, as 2025 unfolds, I am preparing for a solo show in Newfoundland and another month at the Pouch Cove Foundation residency. The paintings for this upcoming exhibition were created both during my time in Newfoundland and upon my return home to my Vancouver Island studio.

Solo Show in Newfoundland

Pouch Cove, Newfoundland 2023 – Brandy Saturley

Preparing for a solo exhibition is no small feat — it takes years of experiences where ideas are born, months of painting to produce enough work to command a gallery space, and a great deal of planning. Once the art is ready, there’s the task of packing and shipping everything for installation. To add another layer, I decided to create an art book to accompany the show — a celebration not only of this body of work but of the art I’ve made over the past 15 years. In less than two years, I painted the paintings, published the book, and now I’m preparing to exhibit this collection in Newfoundland.

Solo Show in Newfoundland

Brandy Saturley in her Victoria, BC studio with Newfoundland paintings

Balancing the creative and business sides of being a full-time professional artist is always a juggling act. The work doesn’t stop simply because a solo show is on the horizon. Between October 2023 and now, I’ve had countless adventures and created numerous paintings beyond the Newfoundland series. I’ve traveled for art to Santa Fe, New Mexico, and Boston, Massachusetts. I’ve produced over 30 new paintings, with a particular flurry of interest in my Polar Bear King series — now more than 25 paintings strong. Alongside these, I’ve worked on brand collaborations, commissions, and kept my art flowing to galleries, including partnering with a new dealer in Alberta.

Newfoundland Paintings

Brandy Saturley studio – January 2024

There have been charity auctions, interviews, and steady sales — all while keeping my artistic lens firmly focused on Canada, a perspective I’ve maintained for nearly two decades. This focus feels more timely than ever, as the current political climate has heightened the importance of supporting Canadian artists and local industries.

Solo Show in Newfoundland

Brandy Saturley with her art book, Painting Canada, 2025

Now, I’m readying my work for shipment to James Baird Gallery in Newfoundland and booking my flight for another stay at the edge of the Atlantic. I’m eager for this next adventure on The Rock — to see how the landscape, culture, and community will once again influence my art. What will emerge from my second residency at the Pouch Cove Foundation? I can’t wait to find out.

Solo Show in Newfoundland

Brandy Saturley in her studio at Pouch Cove Foundation, Newfoundland

A preview of the solo show is now available on ARTSY — a glimpse into the journey so far and what’s to come.

WINTERACTIVE Features Canadian Artists in Boston

If you are Canadian, you probably know that we celebrate winter in a big way. Snow and freezing temperatures never stop us from gathering, having a good time, and embracing the magic of the season. Across the country, winter festivals and public art projects highlight the beauty and energy of this time of year. From the enchanting festivals in Quebec to skating along the Rideau Canal in Ottawa, from skijoring in Banff to polar bear swims in Vancouver, Canadians know how to make the most of winter.

The City of Boston from the water.

Inspired by the vibrant winter festivals and art exhibitions in Québec, an outdoor winter celebration of art was born in Boston, USA. Now in its second year, WINTERACTIVE is a free, walkable art experience featuring 16 artworks and interactive play elements, presented by the Downtown Boston Alliance. This year’s event is a collaboration with EXMURO Art Public in Québec and other Canadian artists, showcasing everything from light installations to sculptures and painting imagery.

Canadian Artists In Boston

Winter festival in Quebec

We traveled to Boston in early January to attend the event’s kickoff at The Vermillion Club. The installations include works by Canadian artists Phillipe Katerine, Neon Studio & Frankie Boyle, Brandon Vickerd, Robe Jensen and Warren Trezevant, Serge Maheu, Mike Geiger, Lucion, Lemonde Studio, Breehan James, and Brandy Saturley. From a giant inflatable pink figure named “Mr. Pink” to kinetic and light sculptures, the outdoor show invites visitors to explore downtown Boston and enjoy the delight of discovering uniquely Canadian artworks.

Canadian Artists In Boston

WINTERACTIVE 2025 route map

Today marks Inauguration Day in the United States, and what could be more fitting than Canada and America coming together through art? Art is a unifying force, transcending borders and differences, and this collaboration highlights the shared creativity and connection between our nations. The people of Boston and the Downtown Boston Alliance were warm and welcoming, and the city itself feels like an artwork—a harmonious blend of old and new architecture. With its clean streets, safe environment, and walkable layout, Boston is a joy to explore.

Brandy Saturley standing under a giant American flag in Boston, MA.

During our visit, we indulged in delicious seafood and visited several art museums. This experience deepened our appreciation for our neighbors to the south. The bond between Canada and the United States is vital, and partnerships like WINTERACTIVE remind us of the strength we share when we come together.

Museum of Fine Arts in Boston, MA.

Enjoy the photos we captured during our visit to Winteractive in Boston, Massachusetts!

Canadian Artists In Boston

Mr. Pink x 6 by Phillpe Katerine – part of WINTERACTIVE 2025 in Boston

Canadian Artists In Boston

Alouette by Brandon Vickerd

Canadian Artists In Boston

Slap Shot by LeMonde Studio Quebec – Brandy Saturley

Hockey Hijinks by Brandy Saturley from Victoria, BC Canada

Polar Bear Passages by Brandy Saturley

Enjoy The Art: Three Canadian Art Galleries & Current Events

This month we have three Canadian art galleries representing and showing original paintings of Brandy Saturley. From themes of Wildlife in Toronto with John B. Aird Gallery, to Beautiful Still Life in Oakville at Summer & Grace gallery to the Polar Bear King and landscapes of Alberta in Banff with our dedicated art dealer Willock & Sax, original works from this Victoria based artist are continuing to fascinate audiences across Canada. Here are three events with Canadian Art Galleries this spring.

Wildlife with John B. Aird Gallery in Toronto, Canada

The world’s population has tripled in roughly seventy years. In that period, people encroached on habitats that had previously only been occupied by WILDLIFE. Artworks by 70 artists, juried by Montreal-based gallerists André Laroche and Louis Joncas. Online juried slide exhibition with playlist and PDF catalogue.

Canadian Art Galleries Events

Monarch of The Arctic Realms: 48×48, acrylic on canvas, 2023, Brandy Saturley

A Beautiful Life: Still Life Exhibition at Summer & Grace Gallery in Oakville, Canada

A collection of captivating still life artworks by Canadian Artists, each offering a unique perspective on the beauty found in the ordinary. From meticulously arranged fruit bowls to artfully painted floral arrangements, this exhibition showcases the timeless allure of the still life genre.

Canadian Art Galleries Events

CHARITY: 36×36 acrylic on canvas, Brandy Saturley

At Willock & Sax Gallery in Banff, Canada

Canadian Art Galleries Events

King of The Polar Bears: 48×36, acrylic on canvas, Brandy Saturley

It is wonderful to have work on view with these three exceptional Canadian Art Galleries, two being in Ontario and my dedicated art dealer and representative in Banff, Alberta. Offering my clients the ability to view and purchase my work across Canada is an important part of expanding my reach as a Canadian Artist. From commercial art galleries to public art galleries, I am proud to show and sell my work through these phenomenal galleries.

In nearly two decades as a professional full-time Canadian artist, 17 of those years self-representing, my contributions have been numerous and oftentimes undocumented as I believe an important part of my responsibility as a professional Canadian Visual Artist is to be an educator.  As artists in this Canadian Art community I believe our role is to educate every person we encounter about Art and the Arts in Canada. When I travel for my art career, I see myself as an ambassador of sorts for the Canadian Arts Community and Canada itself. It is a privilege to pursue a full-time professional career as a visual artist, and I do not take this opportunity or the importance of arts and culture lightly. Art is more than something beautiful to decorate your wall, so very much more, it is the fabric of humanity and a legacy that will live on long after we have exited this world.

Canadian Art Galleries Shows

A Beautiful Life: Still Life Exhibition Summer & Grace Gallery

Pleased to share I will be exhibiting work in the upcoming still life exhibition with Summer & Grace Gallery. After a North American call out, a unique opportunity to show my work alongside a talented group of North American painters in Oakville, Ontario. This exhibition, touted as the ‘artistry of everyday’ brings together artworks offering a unique perspective on the beauty found in the ordinary.

Tulip as Still Life – About the Painting

Beautiful Still Life Exhibition

CHARITY – acrylic on canvas painting of Canada150 tulip, 36×36, Brandy Saturley

My expression of the Canada150 tulip. The most common meaning for tulips is perfect or deep love. Because tulips are one of the first flowers to bloom in the spring, they can mean rebirth. Victorians often associated tulips with charity, and the Dutch associate tulips with “Thanks” to Canadian soldiers that liberated The Netherlands in World War II.

With my painting of this iconic and graceful tulip I chose to depict it frozen in time, somehow preserving it for generations to come. With my signature pop art style rendering of a tulip against a backdrop of blue sky and ocean, I sought to capture the elegance and simplicity of the subject.

Beautiful Everyday: History of Still Life Painting in Canada

Still life painting, a genre dating back to antiquity, gained prominence in Western art during the Renaissance. Depicting inanimate objects such as fruit, flowers, and everyday items, still life compositions often symbolize themes of mortality, wealth, and the passage of time. In Canada, notable still life painters include Newfoundland’s Pratt family. Mary Pratt, celebrated for her hyper-realistic renderings of domestic scenes, and Christopher Pratt, known for his minimalist approach and use of light and shadow. Their works capture the essence of Canadian life and landscape while exploring the subtleties of color, form, and texture. These artists, among others, have contributed significantly to the rich tapestry of Canadian art, infusing the tradition of still life painting with a distinctively Canadian perspective.

Beautiful Still Life Exhibition

Mary Pratt, Jelly Shelf, 1999. Oil on canvas, 55.9 x 71.1. cm. Collection of Equinox Gallery. Photo: Ned Pratt.

If you are in Oakville, Ontario you are invited to pop in and see the show.

Hosted at the enchanting Summer & Grace Gallery, nestled at 350 Lakeshore Road East, this event promises to be an evening of unparalleled beauty and inspiration.

Date: Thursday, May 30th, 4-8 PM
Location: Summer & Grace Gallery, 350 Lakeshore Road East

Show runs May 30th to July 14, 2024

More on the Summer & Grace Gallery website.

Beautiful Still Life Exhibition

See more tulip still life paintings by Brandy Saturley

 

Opening March 31, 2024: WILDLIFE Art Exhibition Project

Experience the untamed beauty of nature from the comfort of your screen with the WILDLIFE Spring Art Exhibition Project, hosted by the esteemed John B. Aird Gallery in Toronto, Canada. In a world where digital connections have become paramount, we invite you to embark on a visual journey that transcends boundaries and celebrates many Artists expressions of WILDLIFE.

WILDLIFE Art Exhibition Project

Since its inception in 1975, the John B. Aird Gallery has been a beacon of artistic expression, championing the work of Canadian artists and fostering a vibrant cultural community. Named in honor of Ontario’s 23rd Lieutenant Governor, the gallery stands as a testament to the enduring spirit of creativity and innovation.

With the onset of the pandemic, the gallery has embraced the digital realm, bringing its exhibitions to a global audience. This spring, join us as we unveil the WILDLIFE project, curated by renowned Montreal gallerists André Laroche and Louis Joncas. Featuring contributions from 62 artists and showcasing 71 mesmerizing pieces, this exhibition promises to inspire and captivate.

WILDLIFE Art Exhibition Project

Proud to be selected for this unique project and virtual exhibition, I am thrilled to present my painting ‘Monarch of the Arctic Realms’, a homage to the majestic polar bear and its habitat. Selected as artwork of the year in 2023, this piece invites viewers into the serene yet powerful world of the Arctic wilderness.

WILDLIFE Art Exhibition Project

Monarch of The Arctic Realms – acrylic and gouache on raw canvas, 2023 Brandy Saturley

62 Artists: WILDLIFE Art Exhibition Project

Don’t miss your chance to experience the WILDLIFE exhibition, accessible online at the Aird Gallery website. Immerse yourself in the beauty of nature and join the conversation surrounding contemporary art and visual culture. Visit https://airdgallery.org to explore the exhibition and discover a world of creativity at your fingertips. Additionally, a publication featuring the showcased artwork will be available for perusal on the website at https://airdgallery.org/publications/. Join us as we celebrate the intersection of art and visual culture in this unforgettable showcase of talent and inspiration.