The Work Behind a Solo Art Show

One of the interesting things about being an artist is that you often get applause for the small things, while the big things – the projects that take the most time, effort, and investment – rarely get the recognition they deserve. Bringing a solo art show to life can take years of work, all for a brief but beautiful moment of celebration and connection with the public.

I’m currently preparing for the opening of my second solo art show this year. Just last week, my art shipper picked up fifteen paintings headed for Edmonton, Alberta. It’s a 1270 km journey that includes a ferry ride, but in truth, the journey of these paintings began long before last week, and much farther than 1270 km ago.

Preparing for a solo art show begins years before the opening night. It starts with ideas, tiny seeds that grow into new paintings, and with the experiences that shape what I want to say about the world. For me, these seeds are planted when I travel to explore new parts of Canada. On these journeys, I gather reference material: photographs, videos, sketches, and mental notes of smells, sights, and sounds. When I return home to my Vancouver Island studio, those impressions begin to take root and grow.

Behind a Solo Art Show

Brandy Saturley with her art shipping crates

I start by nurturing these ideas digitally, collaging moments into visual storyboards, snapshots of my experiences distilled into narrative form. From there, I edit and refine until I have a solid grouping of fully developed compositions. These collaged compositions then become loose renderings on canvas, sketched out with a chalk pen. Once I have several canvases drawn, I begin laying down underpaintings, blocking in colour and light, before building up the layers of vivid hues that give each piece its life.

Behind the Studio Door

The Gift Shop painting in progress – Brandy Saturley studio – Vancouver Island

The Work Behind A Solo Art Show Takes Time

Each painting takes weeks or sometimes months to complete. When finished, they’re sealed with protective varnish and readied for hanging. This process repeats again and again until a cohesive body of work begins to emerge. Not every painting makes the final cut, perhaps I create fifty pieces in a series, but when it’s time for a solo exhibition, I’ll select fifteen to twenty that best tell the story.

Once the paintings are chosen, they’re carefully packed and shipped to the gallery. From there, the gallery team takes over – unpacking, taking inventory, preparing the space, curating the show, and installing the work. Together, we promote the show and they plan the opening night, complete with wine, conversation, and guests.

James Baird gallery

Booking a solo show typically happens about two years in advance. So, each exhibition is really several years in the making. During that time, I’m not just painting; I’m running a business – working on commissions, participating in group shows, managing my website and social media, connecting with galleries and collectors, and keeping the financial side of the studio running.

Behind a Solo Art Show

Brandy Saturley with her art book – Painting Canada, 2025

To keep the creative momentum going, I’m always planting seeds for future work and exhibitions. Often, I’m preparing for a show two years in the future while also celebrating a body of work that began years before. The cycle never really stops, you’re constantly creating your future through your art.

As I close in on my next solo show at The Miller Art Gallery, I’m taking a moment to pause and appreciate the work of today. For while the public sees the finished paintings, celebrating them for one fleeting evening, what they don’t often see are the years of quiet effort behind each brushstroke, each idea, and each show. And that’s what makes the celebration all the more meaningful.

Behind a Solo Art Show

The Wild Life, The Miller Art Gallery @ The Roxy – Edmonton, Alberta November 2025

See more Canadian paintings by Brandy Saturley.

Comparing Coasts – Painting Canada’s East and West

When I set out to paint stories of Canada, I knew I couldn’t do it without eventually comparing my west coast home with the east coast of this country. Over the years, I have painted the prairies, the Rocky Mountains, and the North, but it wasn’t until 2023 that I found myself standing on the easternmost point of Canada, looking out toward the Atlantic from the rugged cliffs of Newfoundland, and painting Canada’s East and West coasts.

Maui in Newfoundland

Pouch Cove, Newfoundland, Canada

An artist residency at the Pouch Cove Foundation allowed me to immerse myself for a month in rural Newfoundland, exploring the Avalon Peninsula and painting where the sun first rises in the country. It was exactly what I needed to complete a vision nearly two decades in the making – to fill the missing piece in my ongoing portrait of Canada.

Painting Canada's East and West

High Tide, 36×48 inches, acrylic on canvas, 2024 – Brandy Saturley

What I discovered on the east coast is that, despite our vast distance, both coasts share a deep affinity for the ocean. We live surrounded by it, shaped by it, and inspired by it. Yet, the Atlantic feels more fierce, more exposed, an endless expanse that pulls you outward. Here on Vancouver Island, the ocean is often framed by islands or the distant outline of the United States. It’s tamer at first glance, but venture north and you’ll find wild, uninhabited shores every bit as raw and powerful as Newfoundland’s cliffs. The cliffs there are their Rocky Mountains – ancient, resilient, and endlessly humbling.

Painting Canada’s East and West

With Wind and Without, 48×30 inches, acrylic on canvas, 2024, Brandy Saturley

Both coasts share a rugged individualism that sets them apart from the rest of Canada. We are, in many ways, outsiders – shaped by isolation and by a closeness to the elements. For years, I’ve been trying to reconcile my ideas of Canada and what it truly means to be Canadian. In that process, I often felt like an observer on my own coast, always looking for a way in. Newfoundland changed that. Painting there deepened my understanding of my home on Vancouver Island, and in turn, made me love it even more.

Painting Canada’s East and West

When I Go To SEE. 30×60 inches, acrylic on canvas, 2025 – Brandy Saturley

Now, as I paint from my new studio further up the Island, shifting from a southern to a mid-Island perspective, I find myself turning inward. My daily walks by the ocean have become quiet meditations. The beaches, the light, and the rhythms of the tides are slowly revealing themselves as new subjects in my work. It’s an introspective time, one that feels like a natural continuation of everything I’ve been exploring across the country.

West Coast Still Life

The World is Your Oyster, 30×30 inches, acrylic on canvas, 2025 – Brandy Saturley

This fall, I’ll be showing many of these new works, alongside paintings from across Canada, in my upcoming solo exhibition “The Wild Life” at the Miller Art Gallery in Edmonton, opening November 13, 2025. The show reflects a journey that has taken me from coast to coast, from one edge of the continent to the other. It’s a wild life indeed, and the journey continues.

Art with a Narrative

Rocky Mountains Higher, 36×49 inches, acrylic on canvas, 2023 – Brandy Saturley

Read more about Brandy Saturley’s time painting in Newfoundland here.

Painting Canada Asks Me to Question, What is Canada?

When I began down a path fueled by an Olympic Games to answer the question, What is Canada to me? I never thought I would find myself nearly two decades later still working to express my thoughts of this country on canvas.

What is Canada?

The 2010 Olympics in Vancouver were loud and rife with stereotype: giant igloos and Inukshuk, beer and moose. I became curious about what the West Coast was trying to say about itself and how it was representing all of us on the world stage. Canadians are known for our quirky, self-deprecating sense of humour, and for gleefully making fun of ourselves at our own expense. When I began thinking about my impressions of Canada, I too began with stereotype and popular culture. It felt like the most natural place to start.

What is Canada?

I began painting hockey masks floating above the landscape, stories of hockey on canvas, and cultural icons reimagined through paint. I placed the Stanley Cup in the serene lounge of Château Lake Louise and set a giant cup of Tim Hortons coffee and donut holes on a frozen rink surrounded by skaters. I painted a Mountie with a thumbs up like The Fonz, riding a horse with a maple leaf tattoo on its flank that read “Eh.” I painted Pamela Anderson, clad in a bikini, reclining on top of a Macintosh’s Toffee Bar at Peggy’s Cove, and a portrait of everyday Canadians posed in front of the original Forum building, hockey stick in hand, wearing the same stoic expressions as American Gothic.

What is Canada?

In 2016 I set out on a series of journeys that would take me across Canada and into the Northern Territories. Through residencies, exhibitions, and planned excursions, I began to ask a deeper question: Who are Canadians? What began as a playful exploration of symbols and stereotypes evolved into a profound investigation of identity, geography, and collective consciousness.

The question “What is Canada?” became not a single answer but a lifelong dialogue.

available paintings montreal canadiens

It became about experience and connection, about gathering impressions and stories, then filtering them through paint, memory, and emotion.

Nearly twenty years later, my visual stories of Canada now encompass people, landscapes, myth, and Mother Nature herself. My work has become a conversation between the land and the people, between history and the present moment. From coast to coast to coast, each painting tells part of the story of how this vast and complex country shapes those who live within it.

Tariffs and Canadian Art

Writers such as Margaret Atwood, Louise Penny, Mike Myers, and Will Ferguson have wrestled with similar questions in their work. In Ferguson’s Why I Hate Canadians, he writes with both affection and frustration about our national character – our politeness, our contradictions, and our quiet pride. Like these authors, I too am searching for Canada, not as a fixed image, but as an evolving reflection of its people and places.

Art with a Narrative

Through painting, I have learned that Canada is not one story but many. It is the laughter echoing from a rink in small-town Saskatchewan, the vast silence of the Arctic, the salt air of the Atlantic, and the rain-soaked forests of the Pacific. It is our symbols, our humour, and our shared moments of awe in nature’s company.

What is Canada?

To paint Canada is to keep asking the question. And in doing so, I continue to discover a country that reveals itself one brushstroke at a time. For collectors, each painting in this ongoing series offers a piece of that discovery – a visual story of Canada seen through the eyes of an artist who has spent decades exploring its symbols, spirit, and soul.

See more Canadian paintings by Brandy Saturley.

A New Place to Paint – Studio Move to Parksville, BC on Beautiful Vancouver Island

When an opportunity presents itself, and it feels meant to be, I go with my gut and jump. No hesitation, I go and don’t look back. It is a characteristic that has helped me a great deal in my art practice, and I don’t spend a lot of time questioning, nor do I wait for perfect timing, as there is no such thing. That said, this feels pretty ideal at this stage in my career. A home and studio move to beautiful Parksville a place known for it’s expansive sandy beaches, low tides, sand dollars and it’s annual sand sculpture competition that attracts teams from all over the world.

Studio Move to Parksville

low tide in Parksville, BC Canada

We are a couple weeks in and as I continue setting up the new studio, and organizing my inventory, I have been busy exploring the new neighborhood and all it offers. Every day I walk the beach for an hour, I go in the morning and get to experience a shifting landscape as the beach changes with the monthly tide charts. Some days I can walk out for a mile and other days I am hugging the shoreline. The receding waves reveal oysters, clams, crabs and undulating sand ripples sculpted by the tides. Beautiful abstract sculptures and paintings made by the ocean and changing daily.

Studio Move to Parksville

low tide in front of The Beach Club resort, Parksville, Canada.

With these first few weeks walking and exploring I just want to be outside as much as possible as summer turns to warm fall. Beach days are still here and the land is plentiful. I can see myself doing some plein air painting here. It is peaceful and the ocean breeze carries a crisp reminder that the seasons are changing. The colours are muted with warm greys, cerulean blues and the shimmering oyster shells. There are hints of lime green with seaweed and vivid red oranges with abandoned crab shells abounds. The discarded clam shells offer creamy yellows and deep hues of purple on the inside.

beach shells in Parksville, BC

You will also find structures built from logs on the beach. Places to escape on hot days, forts of the sea built from play and for privacy. These huts look like ancient remnants of villages which once dotted the land. Your imagination and building skills can take you anywhere on a west coast beach.

Studio Move to Parksville

beach structure in Parksville, BC Canada

You will also find dozens of structures that look like people set on logs near the beach. The art of rock stacking is alive in Parksville. I have found similar structures everywhere from remote Newfoundland to Yellowknife on the Bay. Little human like stacks make you realize humans have been here and they have left their signature through their rock structures.

Rock Stacking on the beach in Parksville, Canada

Beyond the beautiful beaches you will find an unassuming town that offers every amenity of a city. There are murals to been seen on many buildings and amazing eateries hidden within simple structures.

One of many murals in Parksville, BC

Beyond the streets is a wonderful Canadian art gallery, The McMillan Arts Centre. One of the oldest buildings in the area, the current McMillan Arts Centre started life as Parksville School in 1913. At that time, Memorial was one of the main streets in Parksville, and the building was a centrepiece. The Oceanside Community Arts Council (OCAC) purchased the building in the 1990s and the upper part of the building became the McMillan Arts Centre (the MAC). The MAC showcases the works of 2D, 3D and performance art. The MAC is also a place where various concerts, workshops, and rehearsals are held. The art scene in Parksville is strong.

Studio Move to Parksville

The MAC – McMillan Arts Centre in Parksville, BC Canada

Parksville is a place to make art and escape the big city while remaining close to the city centre of Nanaimo and not far from Victoria, BC. Parksville is considered part of the Oceanside community which includes nearby Qualicum Beach. Happy to be in this community and I look forward to learning more about what makes this town tick, beyond the beach. As I continue to get my new studio set up I am mindful of where these new vistas might take my visual stories of Canada.

As new paintings become available, you can find them here. 

Explore the Art of 2025 – New Paintings, Major Shows, and Momentum

We’re not even halfway through the year, and already 2025 is shaping up to be one of the most dynamic and creatively fulfilling years of my career as a Canadian visual artist. With 26 new paintings completed, a newly released book celebrating my work, and solo exhibitions in both Newfoundland and Banff, the momentum is undeniable, and the response from collectors has been just as energizing for the art of 2025.

Art of 2025

Brandy Saturley with her Art Book – Painting Canada released April 2025

Earlier this year, I presented a solo show of twenty original works at James Baird Gallery in Newfoundland, where the raw beauty and deep cultural resonance of the province inspired a powerful new series. This summer, I’ll head west for a solo feature with Willock & Sax Gallery in Banff, a region whose dramatic landscapes and creative pulse are a perfect match for this evolving body of work.

Art of 2025

Newfoundland Impressions by Brandy Saturley at James Baird Gallery April 2025

I also released a new book chronicling my artistic journey across Canada – a collection that weaves together stories, sketches, and paintings from coast to coast. At the same time, I had the privilege of contributing to a public art exhibition in Boston, where two of my murals were presented to a broad and diverse audience, bringing a uniquely Canadian voice to an international stage.

Art of 2025

Winteractive 2025 in Boston, Massachusetts – mural by Brandy Saturley

With so many milestones already behind me this year, it’s no surprise that sales have been swift, and many of these new works are already in private and corporate collections across the country.

Behind the scenes in Brandy Saturley studio – June 2025

If you’ve been thinking about bringing an original piece of Canadian contemporary art into your life, now is the perfect time to explore what’s available. From vivid landscapes and symbolic storytelling, to modern expressions of Canadian identity, the new paintings speak to place, people, and the evolving story of this country.

New Paintings About Newfoundland

Brandy Saturley in her studio at Pouch Cove Foundation – April 2025

Each work tells a story. Perhaps one of them is yours.

👉 Explore Available Paintings

How I Became a Top Canada Art Blog

I think it was around the year 2000 when I launched my first artist website—an online portfolio that marked the beginning of my professional art career. Over the years, that simple website evolved into a dynamic space where I could share not only my paintings but also my journey through the ever-changing landscape of the Canadian art world. How I became a top Canada art blog.

Top Canada Art Blog

In the beginning, I wrote blog posts monthly, often reflecting on local events or exhibitions close to home. As my career expanded across Canada and into North America, so did the scope of my writing. Eventually, my blog became more frequent—sometimes with multiple posts in a single week—covering everything from travel adventures and exhibition openings to topics like buying art, understanding the art market, and investing in original work.

Top Canada Art Blog

Writing has become a valuable part of my creative process. It allows me to explore ideas beyond the canvas—where my artist brain meets my entrepreneurial side. I often use the blog to tell the stories behind individual paintings, giving readers insight into how a piece comes to life in the studio. It’s become an important tool for educating and engaging with art lovers, collectors, and aspiring artists. I believe sharing the behind-the-scenes experience helps bridge the gap between artist and viewer—bringing more understanding to what it means to be a professional Canadian artist today.

Right now, I’m writing from Newfoundland, Canada, where I’m enjoying an artist residency at the Pouch Cove Foundation. This place is born of waves, wind, jagged cliffs, and solitude. It’s incredibly conducive to reflection and writing. The studio features floor-to-ceiling windows that open onto a field of swaying grass, flanked by trees and a dramatic cliffside, with a single house perched at the top. As I write, I watch the wind dance through the grass and crows play in the trees—a meditative view and the perfect backdrop for creativity.

top Canada art blog

Brandy Saturley Top 25 Canada Art Blog

Yesterday, I received some exciting news—Feedspot has selected my blog as one of the Top 25 Canada Art Blogs. This recognition made me smile, as I truly enjoy writing and sharing this side of my artistic life. For those unfamiliar, Feedspot is a global content curator that ranks blogs, podcasts, news outlets, and social media creators to help audiences easily discover new voices and perspectives.

I’m honoured to be listed alongside some of Canada’s most influential art voices, including Booooooom, Akimbo, Canada Council Art Bank, and the Art Gallery of Ontario.

top canada art blog

To everyone who has followed, read, or shared my blog over the years—thank you. Whether you’re here for the paintings, the stories, or the behind-the-scenes journey, I’m grateful you’re part of this creative adventure with me.

What Are the Statistics on Visual Artists in Canada?

Did you know that the National Gallery of Canada Library maintains an extensive database of professional visual artists in Canada? This valuable resource contains information on over 42,000 Canadian visual artists and more than 5,300 biographies, thanks to the support of CHIN, the National Gallery of Canada Foundation, and the dedicated work of Colin MacDonald, author of A Dictionary of Canadian Artists, alongside a team of staff and volunteers.

Artists in Canada

Canadian Paintings at Okotoks Art Gallery, 2017 – Brandy Saturley

In the visual arts field, the term “artist” is broadly defined, encompassing painters, sculptors, printmakers, designers, photographers, architects, and artisans. To be considered an artist “in Canada,” one must either be born in Canada or have worked here. The database does not imply any form of selection or recognition—only that a file exists, which may contain anything from a single press clipping to an extensive archive of exhibition records and media coverage.

Artists in Canada

Canadian Visual Artist, Brandy Saturley on her Art Shipping Crates

The Reality of Being a Visual Artist in Canada

According to the most recent census data, there are approximately 203,000 full-time professional artists in Canada, with around 21,000 working as visual artists. More than half (51%) of these artists are self-employed, valuing the flexibility, control, and sense of purpose that comes with managing their own creative careers. In contrast to the general workforce, where only 20% work from home, 54% of artists conduct their practice from home studios.

However, financial stability remains a challenge. Half of all artists report total personal incomes below $40,000, and when looking specifically at earnings from the cultural sector, two-thirds (66%) earn less than $40,000 annually, with 21% earning under $10,000. Despite these challenges, half of the artists surveyed would choose the same career path if given the chance to start over, a testament to their passion and dedication.

Artists in Canada

Postage stamp by Canadian Artist, Brandy Saturley

Artists as Multi-Talented Contributors

Many artists contribute to the arts beyond their own creative work. A significant portion (71%) hold more than one job, and 72% of those with secondary employment work within the cultural sector, blending their creative pursuits with other artistic or administrative roles. Yet, despite wearing multiple hats, almost half (44%) of self-employed artists have never received formal business or career management training—an area that remains crucial for long-term sustainability.

The Art of Brandy Saturley in Boston at Winteractive 2025

My Journey as a Full-Time Canadian Artist

Like many artists, I started my career balancing a full-time job outside the arts while developing my practice. This experience provided me with valuable skills that eventually supported my transition into a full-time artistic career. For nearly two decades, my art has been my sole profession—I don’t take on side gigs to supplement my income, nor do I frequently accept commissions. If I do take on a commission, it’s because I’m genuinely excited about the creative collaboration and the relationship behind the opportunity.

Painting Canada

Canadian Artist Brandy Saturley with her Art Book, Painting Canada, 2025

From the beginning, I admired artists who successfully built sustainable careers while they were alive. Meeting renowned figures like Vilmos Zsigmond, the Academy Award-winning cinematographer of Close Encounters of the Third Kind, and Takashi Murakami, whose commercial success is as impressive as his artistic vision, reinforced my belief that it’s possible to make a living from art. I have never relied solely on my local market to grow my career. Instead, I’ve always looked beyond, balancing the creative and business sides of the industry to push my work forward.

Navigating the Art World: A Balancing Act

Being a full-time artist is both exhilarating and unpredictable—like riding waves on a surfboard, with highs, lows, and unexpected turns. Some might call it luck, but I see it as a combination of preparation, focus, and the ability to seize opportunities as they arise. In an industry filled with uncertainty, I work hard to be a reliable and adaptable presence. Every idea, whether it comes to fruition or not, holds the potential for creative and professional growth.

Brandy Saturley in her Victoria BC Canada studio

If you’re considering working with me—whether as a collector, collaborator, or client—I bring not only my artistic vision but also the dedication and business acumen necessary to see a project through successfully. Let’s create something meaningful together.

As an Artist Painting Canada, Road Trips Have Become Integral to My Process

I wear many hats: professional artist, painter, photographer, and video creator. But above all, I am an artist on the road. My process—both for creating and promoting my art—relies on time spent outside the studio, exploring Canada from coast to coast to coast. These experiences inform and inspire the art I bring to life on canvas. I am an artist painting Canada.

Painting Canada

The Art of Brandy Saturley on the road again.

When I transitioned from part-time to full-time artistry nearly 20 years ago, I never imagined how vital the road would become to my creative journey. Over time, my process evolved: three weeks in the studio followed by one week out with my camera, soaking up the world beyond my imagination. More recently, artist residencies have shifted this rhythm to three months in the studio and one month on the road or immersed in a place I’ve never explored before.

Artist On The Road

Brandy Saturley taking photos at Cape Spear, Newfoundland

While my obsession with Canada remains at the heart of my work, these adventures have also taken me beyond its borders—to London, England; Santa Fe, New Mexico; Moab, Utah; and Maui, Hawaii. On every trip, I capture the essence of these places through photography and video, returning home with vivid records of the landscapes and moments that inspire my art.

Artist On The Road

Brandy Saturley at Banff Centre – Leighton Studios

One journey I often revisit is the drive from Victoria, BC, through the Rocky Mountains to Banff, Calgary, and Edmonton. It’s a remarkable trek, offering views of towering rock formations that shift with the seasons. Snow, light, and shadow continuously transform the mountains into something new, each day bringing fresh forms and moods to behold.

Painting Canada

On the road in the Bow River Valley, Alberta Canada.

Driving into Banff in winter feels like entering the perfect wonderland. The town’s proximity to the mountains, its cozy size, and old-world charm make it feel like a scene from a Christmas movie. Bundled-up visitors, the crunch of snow underfoot, and the crisp alpine air create an atmosphere of joy.

Downtown Banff – November 2024

For me, the mountains are a source of awe and renewal. Their grandeur dwarfs me in the best way, lifting the weight of everyday responsibilities. Standing among them, I feel connected to something far greater than myself. Reaching a mountaintop—surrounded by pristine snow and the purest air—is exhilarating. The light shifts constantly, casting soft pastels and long shadows that bring the landscape to life. It’s a magical, ever-changing world, and it’s no wonder artists like Lawren Harris found themselves drawn to paint these majestic scenes.

Painting Canada

A Landscape To Go, 30×30, acrylic on wood panel, 2016 – Brandy Saturley

The Rockies inspire endless stories waiting to be told on canvas. Each visit reminds me why I’m so passionate about capturing Canada’s landscapes in my art.

painting canada

Cascade, 36×48, acrylic on canvas, 2020 – Brandy Saturley

I invite you to watch this short video of my recent road trip from Victoria to Calgary and back. You’ll glimpse the beauty of these mountains and the diverse landscapes in between. Perhaps you, too, will feel the magic of Western Canada calling.

See more paintings by Brandy Saturley here.

Elected to the Society of Canadian Artists

In June this year, the Society of Canadian Artists will celebrate new Elected Members at their Annual General Meeting at the Arts & Letters Club in Toronto, Ontario. As a professional Canadian Artist with nearly twenty years in the Canadian Art business, Brandy Saturley is honoured to be elected to the SCA a talented and dedicated group of Canadian Arts professionals. The Arts & Letters Club of Toronto is a vibrant private members’ club that brings together creative and performing artists, writers, architects, musicians, painters, graphic artists, and more. Established in 1908, it champions the arts in English Canada. The  St George’s Hall at 14 Elm Street is a Toronto landmark — a building with a lively history of remarkable colour and vivacity in a convenient downtown location. It has been designated a building of National Historic Significance by the Government of Canada. The focus of Club life and activity is the Great Hall, a splendid room with a cathedral ceiling, and wonderfully tongue-in-cheek banners by J.E.H. MacDonald celebrating the names of illustrious early Members. Celebrated club members include; A.Y. Jackson, Vincent Massey and J.E.H MacDonald.

Elected to the SCA

What is the SCA? (Society of Canadian Artists)

The Society of Canadian Artists (SCA) is a national, non-profit artists’ organization dedicated to expanding the visibility and stature of the visual arts in Canada. In a country so creatively diverse, art is an anthem.  Officially founded in 1972 (although germinating since 1957), the SCA is the young, national, non-profit artists’ organization born to foster and celebrate the visual arts and artists in Canada. They are a collection of some of the country’s most committed traditional and new media artists welcoming the new, the up-and-coming and the established.

the multiverse of art

Let Your Backbone Rise, 36×36, acrylic on canvas, 2016, Brandy Saturley

Elected to the SCA: What Does it Mean to be an elected member of the Society of Canadian Artists?

Being an Elected Member of the Society of Canadian Artists (SCA) is a prestigious recognition for professional artists who have undergone a rigorous adjudication process. Being an Elected Member of the SCA signifies recognition, commitment, and active participation in the vibrant world of Canadian visual arts. Carrying the SCA designation signifies recognition, commitment, and active participation in the world of Canadian Visual Arts.

Elected to the SCA

Brandy Saturley Studio, North Saanich, BC, Canada – 2020

Who are some notable current and past elected Canadian member artists of the SCA?

The Society of Canadian Artists (SCA) boasts a roster of talented artists who have made significant contributions to the Canadian art scene.

While we don’t have an exhaustive list, here are a few notable members:

  1. Ray Phelps: Served as President of the SCA.
  2. Tom Chatfield: Another past President who left his mark on the organization.
  3. Pat Fairhead: An accomplished artist associated with the SCA.
  4. D. Bellerby: Contributed to the SCA’s vibrant community.
  5. Ina Gilbert: Known for her artistic endeavors within the SCA.
  6. Ron Bolt: A respected member who has enriched the SCA’s legacy.
  7. Claire Kerwin: Her work has been influential in the Canadian art world.
  8. Tibor Kovalik: An artist whose creativity resonates with many.
  9. A. Meredith Barry: Contributed to the SCA’s growth and vibrancy.
  10. Kazuo Hamasaki: His artistic journey has left an indelible mark.
  11. Janet Newcome Basmadjian: An artist who embodies the spirit of the SCA.

Vibrant Newfoundland Paintings

Contributions to the Artistic Community

In nearly two decades as a professional full-time Canadian artist, 17 of those years self-representing, my contributions have been numerous and oftentimes undocumented I believe an important part of my responsibility as a professional Canadian Visual Artist is to be an educator.  As artists in this Canadian Art community I believe our role is to educate every person we encounter about Art and the Arts in Canada.

Paintings Gallery Canadian Artist

Brandy Saturley in her Vancouver Island Studio, 2022

In 2018, Saturley was honoured to be juried into the 50th Annual International Exhibition and her painting, Balance, appeared on the catalogue cover for the exhibition, held at Papermill Gallery in Toronto.

What Do Artists Do All Day? A Day in The Life of An Artist

I woke up, I stumbled out of bed, dragged my fingers across my head. Found my way across the floor, let the machine pour me a cup. I made my way upstairs, and noticed I was later than usual. I found my slippers and grabbed my blanket and laid back in my chair as I read the news on my iPhone. Found some emails waiting to be answered and some comments on my Facebook and Instagram that needed a response. Grabbed my mug walked downstairs to the shower, washed the night before off and got ready for a cup more. As the coffee machine churned loudly, I glanced outside through the kitchen window and my mind noticed the clouds drift by, in a different way than the day before. I ran upstairs and grabbed my camera, another distraction and another opportunity to capture life with distinction.

I am a full-time artist, a professional, though that always sounds a bit weird to say, as it’s not like being a Dr. or Lawyer. It’s not a 9-5, although I try to stick to a schedule, as it helps me to turn the brain down a notch and also remember to engage in life, outside my studio. Like being a hockey player, it is something that grew from love and play and a love of this thing called ‘making art’ more than anything else in the world. Turning a childhood dream into something that sustains me, still seems like a dream, one that comes true every day that I wake up and stumble out of bed.

My day begins just like yours, but what I do all day is a balancing act between right and left brain. Between what I want to do (make art) and what I need to do (sell art and communicate with people outside my studio). These are polar opposite things, one is creating something from the purest voice within and one is about commerce and structure and marketing. One is highly personal and one is a means to making more art and the career grow and art last generations. A dealer said to me the other day, I shouldn’t be thinking about the latter, but that it also should be the most important thing, this explains the art business in the most succinct way I am able, from the perspective of an artist navigating it. As a hyper-sensitive artist with a bulletproof set of armour, this could drive one to drink or go crazy, and sometimes it is quite hard to reconcile these two halves.

So while we endeavor to make art for arts sake, sometimes we need to make art for commerce sake, so we can continue to do the first, and magically sometimes the two converge and this is the sweet spot.

A Day in The Life

My weeks and days are flexible but I also adhere to a routine. I get up early, have coffee work in the office until about 11am and then head down to the studio. I paint until noon, break for lunch and exercise and then back at the painting until dinner. Then more office work, reading, maybe a webinar, and build a list for the next day. I have a number of lists, weekly to do, daily to do, annual to do. I have lists for my office and for my studio work. These lists differ greatly, the studio list is mostly ideas for work, series of paintings and future shows. The office is all the rest, the submissions, emails, newsletters, website, social media, sales, shipping.

A Day in The Life

My studio has become a sacred space, a place where I make art, have my art books and all the things I have collected that relate to work I may make in the future. I moved my office out of my studio after a flood during the pandemic and it was the best decision I ever made, I feel it has changed my work completely. The studio is now a place I can really disappear into the flow of painting and creating. Listening to music and books, a place where I can read and reflect. My studio is by far my favourite place in the world. It is all I really need in the whole world, to make me happy.

A Day in The Life

Brandy Saturley Studio – Victoria, BC Canada

I have often said that artists are like athletes, I have written about it many times before. Athletes and Artists aren’t very fond of this comparison, perhaps because one relates to physical exertion and physical toughness and a competitive nature. I think if I were to take any athletic sport and contrast it with being an artist it would be golf. For with golf as with art, the competition is with yourself, and it is a lifelong sport and while there is a development of skills and discipline, so much of the game is in the head and with the elements. Athletes and artists have to find a way to fund their careers, they have to find patrons, sponsors, and supporters. They have to find a mental toughness and block out the world around them, but also be open to everything the world delivers.

The Heavy Lifting of Art Making – Brandy Saturley

A Day in The Life – The Artist Process

Every few months I find myself on the road, with living on an island on the extreme west coast of Canada, I find it is integral to keeping myself engaged in the conversation of Art, outside of my immediate world. These ‘art road trips’ offer the opportunity to break out my Nikon and work out my photographer’s eye. These trips also offer the opportunity to engage with the places I visit and these art communities. Visits to art museums and galleries, offer opportunities to keep myself sharp and engaged in the global conversation of art. These trips offer the time to breath, to experience a new place and new perspectives. Adventures that get me writing, photographing, sketching and thinking, deeply. This is my process as an Artist.

A Day in The Life

Brandy Saturley with her Nikon at Cape Spear Lighthouse, Newfoundland

This is what Artists’ do all day. We continuously fill the vessel, soak up the rhythms of the world and pour it out in many different ways. We are disciplined, but also need time for play and discovery. We are always seeking to go further with our art and challenge ourselves and our conversations with the world. We are diving rods planted deeply within the Earth, and it can be hard to disconnect from this, so we must keep schedules, this helps.

To see more of my journey and inside my studio, check this out.