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Vancouver 2010 Olympics Inspires

How the 2010 Olympic Winter Games in Vancouver, Influenced A Decade of Painting.

The year was 2010, and I had been working as a full-time professional Canadian artist for 3 years. Before that I was doing what many do in my profession, work a side job to pay the bills, while making Art in my off hours. During the Vancouver 2010 Olympics the city of Vancouver was punctuated with Canadian stereotype, and the air thick with smells of maple syrup pride. I came home from the experience with visions of red, maple leaves, and hockey. All these experiences zipping across my temporal lobe.

I attended a Canucks game shortly after the Vancouver Olympic Games, Roberto Luongo in goal, the energy from the Games still in the arena. The chanting still strong, the singing of the Canadian National Anthem louder than ever before. I am pretty sure if you were walking outside the stadium, you could hear the voices ringing out within!

Up until this point in my career as an artist, the sport of Hockey had yet to appear in my work. This year was different. On the tail of our Canadian hockey gold at the Vancouver 2010 Olympics, hockey fever was stronger than ever, and it was hard to ignore the buzz. I could not ignore the energy and enthusiasm of everyone around me, and Hockey found its way into my brain, and onto my canvas.

On my travels across Canada I have taken thousands of photos for reference, and as I scoured I came across the rookie mask of Hockey Great, Ken Dryden, whose mask resides at the Hockey Hall of Fame. I was taken with the character of the mask, as in Dryden’s day the mold of the mask actually resembled the shape of the players face very distinctly, so that even though it is beaten up with nicks and dents, you can still see his face whenever you see the mask. I developed a deep appreciation of how dangerous the game was for him back then, with the mask as proof, it is pitted so badly that it is a wonder his face survived the game. Impressive and inspiring.

The painting now affectionately known across Canada as, ‘The Goalie’s Mask Painting‘ marks the first in a series that began as ‘Iconic’. Later Growing into a body of work known as ‘Pop Canadianisms’, under my social media persona and hashtag #ICONICCANUCK. The first solo exhibition of the work, which took place in Edmonton Alberta, was titled, #ICONICCANUCK. THe name coming to me after promoting my work, and engaging through the use of social media and Twitter. I spent a week as curator of the @peopleofcanada Twitter account in 2013, the rest is history.

A decade in, and my pop visions of Canada continue to evolve. Now with approximately 90 paintings in the series, this series just keeps on growing. My touring solo exhibitions in 2017, featured 30 of the paintings from the first 5 years of the series.

It has been a fascinating, interactive, productive, and reflective decade of learning on all fronts. In many ways the enthusiasm and feedback from collectors, fans, and friends have provided additional fuel to keep going. With every photograph I take, and every contemplative moment shared on social media. Whether it is my process as an artist, my space, the work, or the journey; if it touches even one person, I feel my contributions to the collective consciousness are a celebration of Canada.

Below are 10 of my favourite paintings from the past 10 years of painting Pop Canadianisms;

10. Poppies For Louise

9. The Goalie’s Mask Painting

8. Under A Borealis Sky

7. Canoe View

6. Charity

5. Remember Us

4. Let Your Backbone Rise

3. Feathers Over Blanket

2. Complementary Canoes

1. Face Off

Here’s to Canada!

Sincerely Yours,

Brandy Saturley

February 13, 2020

12 Years Painting Canada

Art Career

Celebrating 12 Years Painting Canada.

July 1, 2019 marked my 12^th year as a full-time professional visual artist, painting Canada. This past week I received an email from an art dealer in the Silicon Valley, their first question to me, “how long have you been an artist?” This is always a very strange question to an artist, as artists’ we have all been making art since we were children, and as such we have always considered ourselves artists.

This means, I have been an artist for over 40 years. My professional career, where I began showing and selling my work, began about 30 years ago, while still in high school. Over the past two decades, I have spent a considerable amount of time setting myself up as an independent self-representing artist. For many years I worked a side job, while producing artwork, mostly drawing. I began painting, seriously, about 18 years ago.

The past 12 years have been all about painting, exhibiting, traveling, and selling my art. Over the past 8 years I have worked hard at immersing myself deeply into the Canadian art communities of Edmonton, Calgary, Vancouver, Montreal, Winnipeg, and Toronto. I have created two collaborative projects, written for numerous Canadian publications and artist websites and have contributed to the Canadian Arts community through advocacy groups and on public art committees. I’ve visited a few art fairs, won a few awards and been paid to show my work. I have been commissioned to make work for corporations and private clients, and have licensed my work to many unique brands in Canada and the USA. As I head into my 13^th year, I am reflecting on some works of the past.

Twelve paintings for 12 years. It was hard for me to pick twelve, as I have painted near 400 now. It was also more challenging to pick favourites as the years increased. I am finding I now have more favourites than I did in the beginning. Maybe it highlights consistency as an artist as my years of experience grow, or as my passion for painting deepens. You would think after 12 years of painting daily my interest would wain, but it is quite the opposite, the intensity and passion grow. Rather than focus on my accomplishments of the past twelve years, I want to focus on the personal side of my journey as an Artist, and how life and art are intertwined and have become one in the same.

Here are 12 paintings for 12 years;

2007

The TREES Period: in 2007 I was fresh out of the gate with full days to concentrate on painting, naturally I began with nature. My live/work studio at the time was a 6^th floor view of Beacon Hill Park in Victoria, BC – nothing but trees for miles. I guess I had trees on the brain, and still love finding the character in each tree I meet.

Arbutus Hug – 40×30, acrylic on canvas, 2007, Brandy Saturley

2008

The VEGAS Period: in 2006 I was married in Las Vegas, by Elvis of course! The sheer ‘overload’ and ‘overstimulation’ provided by this loud landscape was putting electric images in my head. The otherworldly shows of Montreal born, Cirque Du Soleil, helped push these ideas as my mind spun like a top.

Cirque Reflections – 48×24, acrylic on canvas, 2008, Brandy Saturley

2009

The BEATLES Period: this marks the year that I FULLY connected with the Beatles and their entire catalogue of music. I was born years after they broke-up, but once I fully embraced their music, they have played consistently in the background of my studio. The Beatles channel on Sirius satellite radio is a revelation, and the narratives of their music, as well as their album covers continue to inspire my brush. The Beatles Period has never really ended and continues to creep into my work.

Passion Gnu Solo (Glass Onion Soup) – 48×48, acrylic on canvas, 2009, Brandy Saturley

2010

The TRANSITIONAL Period: as I continued to move forward with mastering figurative techniques in my paintings, my romance with the landscapes of Canada remained. This year I moved my home and studio into a space more than double my previous. My view turns to lagoon, ocean and estuary, with birdsong and nature at the helm. The greenness of BC and the trees brought inspiration for my largest painting to date, at 48” wide by 60” wide, this piece is a showstopper of soothing green and abstract forms.

Aerial Landscape: Crossroads – 48×60, acrylic on canvas, Brandy Saturley, 2010

2011

The #ICONICCANUCK Period

2010 brought the Olympic games to Vancouver BC – Canadian stereotype and pride was at an all-time high on the west coast of Canada, a place where we usually escape the stereotypical mounties, beer, moose and hockey. It made me think. What does it mean to be a Canadian? I began with hockey; the rest is history.

Goalie’s Mask: red, white & Dryden – 36×48, acrylic on canvas, Brandy Saturley, 2010

2012

As I continue with my ‘Canadian’ comment I incorporate the Canadian flag for composition purposes, on the landscape. Travels through the Rocky Mountains imprint on my mind. Emboldening my comment on Canada.

Poppies For Louise – 48×36, acrylic on canvas, 2012, Brandy Saturley

2013

With a Goalie Mask on the Canadian flag, my initial representation of Canada, my focus turns to nature and a black bear skull on the iconic Hudson’s Bay Company stripes. A good representation of Canadian symbolism in art.

HBC Skull – 36×48, acrylic on canvas, Brandy Saturley, 2013

2014

The CANCER Period: the end of 2014 marked a bit of exhaustion and a diagnosis of cervical cancer, with a radical hysterectomy and lymph node removal, the remedy. In December, I had major surgery. It was another transitional time, and reminder that art does not happen without health. This year changed my outlook on life, and as an artist.

Dreaming in the Colours of Eh – 48×36, acrylic on canvas, Brandy Saturley, 2014

2015

The CANADIANISMS Period: the beginning of 2015 marked my comeback from surgery and aftereffects. It took me a while to get my core muscles back, as I began the year with some very small works. By the Summer I was back at it with this large format piece, at 48×48 inches. I was thinking beyond the stereotypes of Canada and turning back to the landscapes, nature and our connection to the land.

Canadian Subconscious – 48×48, acrylic on canvas, Brandy Saturley, 2015

2016

The REBIRTH Period: a new body, a new mindset and a renewed interest in the landscape, this time interjecting myself into the famous landscapes of Lawren Harris and the Group of Seven. My commentary as a female Canadian painter was deepening, as my fearlessness in art and life had grown to new heights. I felt fully prepared to take on the greats and claim my spot in Canadian art history.

Let Your Backbone Rise – 36×36, acrylic on canvas, Brandy Saturley, 2016

2017

The CANADA150 Period: with the past 5 years painting themes of Canadiana, the public galleries came calling for content. With a traveling solo retrospective, numbering more than 30 paintings, my year was filled with celebration, art talks, conversations, and stories that would fill my next bodies of work. As the past paintings connected with audiences in other parts of Canada, I continued to paint myself into the landscape. Marveling at it’s grandeur, examining it’s importance in Canadian art, honouring the land and holding it safely for future generations.

A Landscape to Go – acrylic on wood panel, 36×36, Brandy Saturley, 2017

2018

The LANDSCAPE AS PORTRAIT Period: with 2018 came another change in life, a move into a new home and studio, my largest studio to date. With this change a need to move my comment on Canada forward. I began looking more to my feelings, expressing these feelings through use of colour and form, while continuing to keep a figure in the landscape. My new, visionary paintings collage different, unexpected elements of Canadiana rendered in my characteristic pop aesthetic. These landscapes oscillate between a graphic realism used for Canada’s famous mountain peaks or views of forest lakes, and the abstractness of the colorful, even psychedelic backgrounds. These new paintings are otherworldly, transportive and playful.

Raised in The Sky – acrylic on canvas, 36×48, Brandy Saturley, 2018

Onto lucky number 13.

2019

The LONDON Year: taking my art, International.

As I head into year thirteen, I am preparing for a new adventure and opportunity to push the boundaries of my painting. For one month I will be making new work at the Royal College of Art in London as part of their Contemporary Art Summer program. It will be an intense three weeks of art making in the largest city in the European Union, and one of the world’s major art centres. As I work on preparing materials for my trip, I am looking forward to connecting with my Cornish heritage. Bringing my ‘Canadianisms’ to London – I am excited about this new opportunity to examine my work, through a British lens.

You can watch my progress in London on Instagram, my Facebook fan page or here on this blog.

July 4, 2019

IOC Trophy Sport Art

PRESS

The IOC Trophy for Sport Art, shortlisted painting about hockey.

TORONTO, ON April 2015 – This week we received news from the Canadian Olympic Committee (COC) that the painting, ‘Goalie’s Mask: red, white & Dryden’, by Canadian visual artist and painter, Brandy Saturley, has been shortlisted for the 2014 IOC Trophy in Sport and Art.

Another accolade for a painting that launched a new body of work titled, #ICONICCANUCK, in 2010, and later was exhibited as part of retrospective exhibitions, ‘Canadianisms’ in 2017 celebrating Canada150. The Goalie’s Mask painting continues to ignite interest and engage viewers in passionate discussion about Olympic hockey, Dryden, Habs and Canada. From The Glenbow Museum Lobby in Calgary, to Canada’s Sports Hall of Fame, from Gallery @501 in Sherwood Park, Alberta, to Okotoks Art Gallery in, Calgary, Alberta. This iconic and important painting has been included in numerous exhibitions across Canada including; Victoria, Vancouver, Edmonton, Calgary and Toronto. The painting has been featured across the web, from art publications like Galleries West Magazine, Montreal Canadiens Instagram, to on-line Habs communities including AllHabs Magazine.

The Goalie’s Mask Painting – shortlisted for the Olympic Trophy in Sport & Art 2014

An homage to Canada, hockey, Habs, goaltenders and the American painter, Georgia O’ Keeffe; the painting has touched many and enjoyed accolades and a range of polarizing feedback from art lovers and hockey lovers alike. Bridging a gap between sport and art and bringing together two communities, often at odds over funding.

“The annual International Olympic Committee (IOC) Trophy was established in 1985 to promote the teaching of Olympism in various areas. For 2014 the IOC intends to reward artistic expression. With the Canadian trophy, the Canadian Olympic Committee (COC) wishes to recognise artists and creators who, through their talent, have promoted Olympism and left a legacy through art.” ~ Olympic.ca

Olympism is defined by the IOC as follows:

“Olympism is a philosophy of life, exalting and combining in a balanced whole the qualities of body, will and mind. Blending sport with culture and education, Olympism seeks to create a way of life based on the joy found in effort, the educational value of good example and respect for universal fundamental ethical principles.”

As accolades and press pile up, the value of the original piece has increased considerably over the past decade. With the continued building of interest and fascination in the painting, the artist suggests it may now be time to offer this important Canadian painting for sale. Update 2021: learn more about this painting.

March 23, 2018

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