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West to East and East to West – Welcome Home

So let’s go to the East Coast I said, and we did. I was there to make Art at the Pouch Cove Foundation residency, and he came along to see a bit of my home for a month, tour around the Avalon peninsula, enjoy time with friends and eat fish & chips next to ships made for stormy seas and hard working fisher people! One town that captured our hearts and our bellies was Petty Harbour.

Welcome Home to Victoria

Petty Harbour reflections – photo Brandy Saturley

We went with friends and celebrated the end of the first week with a lobster roll and recovery fries, yes you read that right. At Chafe’s near the harbour we ate an East Coast poutine of fries smothered with gravy, cheese curds, dressing, mushrooms, onions, peas and ground beef, filling an entire plate. After a month on the rock, there was a grand welcome home to Victoria, dipping my toes back in the Pacific Ocean of the West Coast of this beautiful and massive country we call home.

Chafes Landing in Petty Harbour, Newfoundland – photo Brandy Saturley

For an artist, Petty Harbour is a living art installation of the most fascinating kind. Dotted along the shores of the harbour sits brightly painted structures in no particular layout or order, the style is more scattered, as if no one was too concerned with developing a town one could navigate. It’s almost like no one expected to stay here for very long, in many ways it feels like a living outdoor museum of the history of the area. There are brightly painted dories, tee-pee like structures, lobster fishing traps, piles of colourful ropes and fish boats of all kinds.

Old Lobster traps in Petty Harbour, Newfoundland – photo Brandy Saturley

The first day we visited the harbour it was a proper fall day in Newfoundland. Fog was rolling and waves at the mouth of the harbour were thunderous and deafening, it was incendiary! Like a cauldron of the ocean gods, I was trying to imagine these little boats crossing through that treacherous mouth protecting the harbour from shear insanity of the seas. This place represents all the best of true Newfoundlandness, at least from this West coaster’s perspective. Upstairs at Chafe’s the music is loud and the thumping of humans feet provides a beat to eat to below. The heartbeat of this place is thunderous and unabashed.

The mouth of Petty Harbour – photo Brandy Saturley

It’s 2024 now, and we are back on the West Coast, in Victoria. We walked ourselves down from the Bard & Banker pub, to a place we call The Mac (The McPherson Playhouse). Two Paloma margaritas and a lobster roll down, we walked up the red carpeted stairs of this beautiful old playhouse to the balcony seats made for tinier ancient times. On stage amongst the guitars, piano and drum kit, there sat a Newfoundland flag, draped over a musicians travelling case. There was also what looked like an antique radio speaker of some sort, it made for some good reverberations during Adam Baldwin’s set, a musician from Nova Scotia, the quintessential maritime character. With bleached blonde hair, and black beard wearing red plaid shirt with arms torn off, and blue collar worker neon yellow t-shirt underneath, his humorous stories of everyday growing up, were painting stories in my mind.

Welcome Home to Victoria

Alan Doyle Welcome Home Tour @ McPherson Playhouse – Victoria BC 2024

Then the Petty Harbour native himself made his fiery entrance, a proper Newfoundlander. Having just been in Petty Harbour we found ourselves getting every little thing Doyle was laying out in his stories. When he leaned into his stories of his perceptions with the East Coast, we laughed LOUD. “I was on Granville Island and someone paddled by the dock in a kayak, just for recreation!”.

Serendipity – Welcome Home to Victoria

I guess the point of me writing this blog post is my eternal belief in universal forces at work, well and how my brain works. How this journey of painting visual stories of Canada began over a decade ago during the Vancouver Olympic games and became what it is today.

Canadian Pop Art Painting

Scenes of Newfoundland – painting by Brandy Saturley 2024

From The Goalie’s Mask painting, to #ICONICCANUCK and then onto painting my ‘Pop Canadianisms’ and taking myself and my art on the road across the country, from coast to coast to coast. I have eight paintings now influenced by my experiences in Newfoundland, and I plan to take the next two months to focus on painting as many more as I can, before I head out on the road once again.

Welcome Home to Victoria

Fiery sunset in Petty Harbour – photo Brandy Saturley

Thank you Alan Doyle and your wonderfully talented group of musicians, poets, singers and storytellers. This night helped to cap my journey from west to east and back again, through this wonderful evening of song, stomping and clapping until our arms hurt.

Gloves on a clothesline in Petty Harbour – photo Brandy Saturley

National Indigenous Peoples Day – Honouring Our First Nations in Canada

On June 21st, National Indigenous Peoples Day, we come together to acknowledge and celebrate the rich history, heritage, resilience, and diversity of First Nations, Inuit, and Métis peoples across Canada. As someone who grew up on Vancouver Island, I am particularly aware of the presence of 50 First Nations within three distinct tribal regions: Coast Salish, Nuu chah nulth, and Kwakiutl. These nations are the original inhabitants of Vancouver Island, and you can explore their territories through this interactive map.

The 50 First Nations of Vancouver Island.

During my childhood in the community of Sooke, located on the southern tip of Vancouver Island, I was immersed in the Coast Salish culture. Our home was just a short walk away from a reservation on the ocean, nestled up a long hill beyond a pasture of horses and a weather station. Many of my childhood friends and classmates either belonged to this reservation or traveled a long distance by bus (over an hour) from the reservation in Port Renfrew, which we affectionately called “Renfrew.” In those formative years, Indigenous elders visited our elementary school to teach us about their vibrant culture. I have vivid memories of learning to harvest kelp and seaweed on the rocky Whiffen Spit beach, where we would make Seaweed Soup over an open fire. Our classroom discussions often revolved around spirit animals, and I can still recall the excitement of live owls being brought in for educational purposes. As a child, I found myself captivated by this fascinating culture, and I even received a certificate upon completing my first “Nitinaht Culture Course” from a man named Randy Chipps, whose infectious smile I can still faintly remember.

National Indigenous Peoples Day

Certificate Nitinaht Culture Course, 1980

Growing up in Sooke, BC, meant a life intertwined with the natural wonders that surrounded us. Beachcombing, hiking, swimming in the Potholes, and exploring the old growth forests were regular activities. In the summer, we would harvest wild blackberries and sell them through the kitchen window to the chef at our local luxury west coast hotel, The Sooke Harbour House, which was merely a mile down the road. Building houses on the beach out of driftwood and spending hours skipping rocks at the Sooke River potholes were cherished pastimes. During our hikes, encounters with deer, black bears, and cougars were commonplace, yet we never felt afraid. It was simply part of the rhythm of life. It comes as no surprise that the art I created as a child was heavily influenced by these experiences, reflecting the blend of British, Ukrainian, and Canadian backgrounds that shaped my identity.

National Indigenous Peoples Day

Drawing, 4 years old, Brandy Saturley

National Indigenous Peoples Day – A Tapestry of Family Connections

I was born in Victoria, British Columbia, often referred to as the Harbour City and City of Gardens. However, it is important to acknowledge that it is also one of the whitest places in Canada. In Greater Victoria, nearly three-quarters of the population is of white European descent, with British (31.4%), Scottish (23.6%), and Irish (18.4%) backgrounds comprising the largest ethnic/cultural origins. German (12.3%) and Canadian (11%) identities follow closely. In 2021, 34.4% of the population in British Columbia identified as members of a visible minority group, whereas in Greater Victoria, this figure was 16.7%.

I had a close uncle who dedicated his career to social work in BC and served as the superintendent of social services for what was then known as “Indian Affairs.” He was one of the individuals working tirelessly to support communities across BC, residing on various reservations and even adopting a daughter born in the Haida Gwaii area of BC. Eventually, he helped her reconnect with her birth family. With a Native cousin from Haida Gwaii and a Métis niece, I felt that I had a deeper understanding of their cultures compared to many of my Canadian friends at the time. As a second-generation Vancouver Islander, I have often referred to my family as natives of Vancouver Island, despite not having “Native blood.”

National Indigenous Peoples Day

Painting, 8 years old, Brandy Saturley.

With the arrival of Canada150 and the subsequent conversations surrounding colonialism, I found myself compelled to reflect on my childhood and my connections to Indigenous culture. The pandemic has forced us all to examine ourselves under a magnifying glass and consider our interactions with one another. It has sparked new understandings of cultures, humanity, and the ongoing process of reconciliation in Canada. Humanity, as a whole, has been yearning to become more compassionate and understanding. Asserting our individuality is a cry for recognition, but once we have voiced our truths, it is crucial to prioritize peace, respect, understanding, and self-reflection.

As I delved deeper into learning about my Indigenous relatives, I also found a renewed interest in exploring my Ukrainian and British cultural heritage. Consequently, my recent paintings have become more influenced by multicultural perspectives, reflecting my evolving outlook on life.

National Indigenous Peoples Day

Paintings reflecting the Canadian-Ukrainian experience – Brandy Saturley, 2023

My Top 10 Favorite Indigenous Canadian Artists

Over the years, numerous Indigenous Canadian artists have ignited a fire within me through their incredible work. Here are ten Indigenous artists you should know about:

1.Kent Monkman
Kent Monkman

 

 

 

 

 

 

 

 

2. Terry McCue

National Indigenous Peoples Day

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3. Jane Ash Poitras

4. Lawrence Paul Yuxweluptun

National Indigenous Peoples Day

5. Norval Morrisseau

6. Rebecca Belmore

7. Christi Belcourt

8. Roy Henry Vickers

9. Susan Point

10. KENOJUAK ASHEVAK

 

Art Galleries of Victoria BC – Canadian Art in BC’s Capital

The Canadian art gallery landscape is vast, diverse, and reflects the interests and loves of the art collectors in each region. The centre of the Canadian Art World has always been Toronto, but this is shifting with the galleries in Winnipeg, Montreal, Vancouver and even Victoria becoming serious contenders for Canada’s art loving obsessions. Below I highlight five art galleries in Victoria, British Columbia.

Growing up on Vancouver Island was an endless adventure spent exploring beaches, lakes and forests. It is a place that was, and remains, a bit disconnected from the rest of Canada, a biosphere all its own. Many who were born on this island leave for bigger salaries and more opportunity in cities like Calgary, Vancouver, and Toronto. Some have migrated to areas where the cost of living is so appealing that they are willing to swallow the long, cold winters of the ‘Great White North’. A few have trekked across the border hoping to make it big in the big US cities of New York, Chicago and Portland.

My career as a visual artist began as soon as I picked up a handful of earth, blossomed in high school art class, and given fuel to start my journey as a professional in college. For the past 16 years I have been fortunate enough to work full-time as a professional visual artist, traveling across Canada and learning everything I could about the art galleries, artist-run centres, commercial galleries and public galleries across the country. I am a painter who has managed to make a living as an independent self-representing artist, with the exception of my public gallery exhibitions, and recently securing representation through an established private gallery in Banff, AB at Willock & Sax Gallery.

I never left Vancouver Island, the home to one of Canada’s most famous historical painters Emily Carr, and thanks to the Internet and my ability to travel at a moment’s notice, I have managed to make a career on this Island in a bubble. I guess in some ways I see myself as an ambassador of ‘my island’ and the artists and people that make their living here in Victoria, BC. I have successfully built a Canada-wide following of collectors, without formal gallery representation.

It can be challenging to get people to hop on that ferry from mainland Vancouver and venture to Vancouver Island, where you can also fly to from Vancouver Harbour and absorb the beauty of our biosphere. Victoria has some great art galleries to explore, here are five of my favourite galleries in Victoria BC. As for my work, it can be seen in the public and private galleries I show with across Canada, or by appointment in my private studio, when you visit beautiful Vancouver Island.

West End Gallery – image Blu Smith, North Saanich BC

West End Gallery is a family owned and operated art gallery, specializing in Canadian art since 1975, in Victoria BC.

Madrona Gallery

Madrona Gallery is a contemporary and historic fine art gallery located in downtown Victoria. The gallery exhibits work from Canadian Masters such as Emily Carr, the Group of Seven, J.W. Morrice, E. J Hughes and their contemporaries; art from established and emerging Canadian artists. The gallery also exhibits a world-class collection of Inuit carvings, drawings and prints.

Gallery Merrick – Donovan Rose, Sorrento BC

art galleries victoria bc

Gallery Merrick features Canadian fine art for sale in downtown Victoria, BC. Supporting creativity means fostering growth. At Gallery Merrick, we help artists live their authentic selves, nurturing talent through personal encouragement. The gallery showcases exciting work by established practitioners as well as new talents from across Canada.

The Avenue Gallery – Catherine Moffat, Sidney BC

art galleries victoria bc

Art Gallery of Greater Victoria (AGGV) image: Emily Carr

When it first opened in 1951, the Art Gallery of Greater Victoria exhibited art in the historic 1889 mansion that is now adjacent to its seven modern galleries. With almost 20,000 works of art including a large collection of works by Emily Carr, the Art Gallery has the largest public collection in BC and remains a big part of Victoria’s arts community.

Art in Victoria is much more than what can be seen in the galleries, and in my next post I will share my favourite places for eclectic art and experiences in the capital city known for it’s gardens.

Sincerely Yours,

Brandy Saturley