Behind The Scenes: The Evolution of an Acrylic Painting

Making an acrylic painting on canvas comes from years of developing a process unique to the result I am seeking. My artist voice plays out in it’s own unique way not unlike every other artist. Part of an artists’ signature is the way they apply the paint.

I paint with pop art sensibilities, hard edges and bold strokes, but that doesn’t mean my work doesn’t come with fine details, it does. These fine details balance the broader bolder strokes and the interplay of supersaturated hues. These details could be in the underpainting, small marks made nearing the completion of a painting or the signature itself.

Here I am sharing my process from first strokes to completion.

Making An Acrylic Painting

The Blueprint

Every painting has a starting point like a blueprint, it is the cones of the piece, the framework for where colour, texture and tone will transform a flat surface into a 3D rendering. I begin with a sketch on the canvas in chalk pen, this sketch comes from a compilation of photographs I collage together digitally to mock-up what I want the painting to look like. After the initial outline sketch is laid down, I begin colour-blocking different areas of the composition sometimes with florescent underpainting and sometimes complimentary colours of what the final colours will become.

From Back To Front

I paint from the objects furthest away to the foreground, often fully rendering the background before I work on the foreground focal point of the piece. In this case I painted the sky and mountains first leaving the clothing of the subjects to the final strokes.

Making An Acrylic Painting

The Finite Details

In this painting I am working on a story of two people standing in front of a mountain, kissing. I always leave faces to the end as the palette for skin tones is so different from the rest of the piece. The I go into finite details such as strands of hair and fur trim on the hat and fur collar. I almost always finish with outlining the foreground subjects in a very fine line of either highlight or complimentary colour – this gently separates the subjects from the background and makes them pop forward even more – pop art outlines that deliver punch and crispness.

Making An Acrylic Painting: Finishing the Painting

The final details of every painting come down to a few things, signing the painting, painting the edges of the canvas in a bold contrasting colour and applying a gloss finishing varnish for protection and to make the colours richer.

Making An Acrylic Painting

This is how I make my acrylic paintings. You can see more of my work here.

The Work of Art is Ever Evolving

mountain forms collective - paintings in progress - canadian artist

The work of Art is ever-evolving and so is the job of the Artist. This is a fluid career, where multi-tasking is a pre-requisite and if juggling isn’t your thing, you should stick with a 9-5. Now that is not to say that you can’t work a 9-5 and make art in your downtime, you absolutely can and it is much easier to do this than work as a full-time artist. Better yet, wait until you have retired from your 9-5, then make art your hobby, sell a few paintings here and there, maybe even find a gallery to represent your work, no pressure. Most who make art shouldn’t quit their day jobs, it’s a tough road and one that is not for most. For me, it is a ‘requirement’ like oxygen, if I were not doing it, I could not breath.

If you do decide to put it all on the line, and go full tilt at an art career full-time, you will need a support network that is SOLID. Your spouse or significant other, should be your BIGGEST FAN, if they are not, then don’t pursue your art full-time. The times when you need a shoulder to lean on, or someone to kick you in the butt and out of the ‘I must be crazy to think I can do this’ mode, you will need your ‘superfan’ at your side.

Thankfully I have a ‘superfan’ and a solid circle of supporters who’ve got me when the going gets tough, and it does, oddly enough it in fact is what keeps me moving forward. When you hit a certain stage in your career as a visual artist, you will find yourself being chased by many who want a piece and will grab at your ankles, pulling you back down. This is when you have to cut yourself loose from past relationships.

As a self representing full-time visual artist, I have carved a career that is unique to me and my brand of Art.  Any given week/month/year is lined with hurdles and wins that only I can make happen. It is a truly wonderful thing.

So, what does a week or month in my world look like? Here is a rundown of things I am juggling currently;

I am working on two collaborative series of paintings; the Mountain Forms Collective and The People of Canada Portrait Project. In the first I am painting mountainscapes with an artist in Calgary, shipping canvasses back and forth between two provinces. The Portrait Project is a series of paintings from photos submitted by everyday Canadians.

I am painting new landscapes inspired by my travels across North America, photography and writing.

I just released my first edition of fine art prints, celebrating a decade of the ‘Canadianisms’ body of work, a series of paintings inspired by Canada (now over 90 original paintings)

I manage three websites for my Art; along with my social media channels of Instagram, Facebook, Twitter and LinkedIn – yes, I use LinkedIn

I just finished writing a newsletter to clients and also stay in touch with numerous clients over email and social media

I just prepared several prints for shipping – sales management and bookkeeping

I am working to book solo and collaborative exhibitions of my work for the 2021/22 exhibition season

I am planning my next art trip, last year was a month in London at the Royal College of Art, the year before I was on Maui for a month

I am looking at presentation/teaching session at a local Arts School

Oh, and I am writing this blog.

These are just a few things I can tell you about.

I do sleep, and I do take the weekend off from my studio, but during the week I am working constantly.

I just painted the shit out this last piece, and am working on three new pieces that will be done by next week.

Damn I love my work, it comes with the deepest depths of self exploration and self-awareness. It comes with a deep intuitive understanding of the world and what is needed. It is deeply empathetic, with my fingers on the pulse of the world. I am incredibly disciplined and self-motivated, and I am here to learn, to teach, to do more than I did yesterday.

Pep talk, sure.

Around we go again.

Sincerely Yours,

Brandy

photo at #ICONICCANUCK arts exhibit