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Part of Canada’s History – The Iconic Hudson’s Bay Stripes Blanket

One of my fondest childhood memories is visiting the top-floor restaurant at the Hudson’s Bay Company department store in my hometown of Victoria, British Columbia. On occasional Sundays, my dad and I would head downtown to browse the aisles at The Bay. Our ritual would end with a stop at the soda shop on the top floor, where we’d sit at the bar, sipping frosty chocolate malts. From our perch, we’d watch shoppers weave through the displays of housewares and neatly stacked Hudson’s Bay Point blankets. That was my first encounter with the Hudson’s Bay Iconic Stripes—a symbol of Canadian heritage that has remained etched in my memory.

Hudson's Bay Iconic Stripes

Floating Downstream, acrylic on canvas, 2018, Brandy Saturley

Years later, through history classes, I came to understand the deeper significance of those colourful stripes. More than just a cozy household item, the Hudson’s Bay Point Blanket carries with it a complex and layered history, entwined with trade, colonialism, and the shaping of Canada.

Hudson's Bay Iconic Stripes

Feather’s Over Blanket, acrylic on canvas, 2016, Brandy Saturley

The History of the Point Blanket

First produced for the Hudson’s Bay Company (HBC) in 1779, the Hudson’s Bay Point Blanket is a wool blanket marked by a series of distinctive stripes—green, red, yellow, and indigo—set against a white background. These colours are now emblematic of the HBC brand. Interestingly, the HBC did not invent the point blanket but rather popularized it in Canada. The original point blankets were woven by French artisans in the 17th century, who developed the “point system” to indicate the blanket’s size. The term point comes from the French word empointer, meaning “to make threaded stitches on cloth.” The black lines stitched into the corner of the blanket signified its size—one point for smaller blankets, and up to four points for larger ones.

Hudson's Bay Iconic Stripes

West Coast Solitudes, 2022, Acrylic on Canvas, 48 × 36 × 1 1/2 in, Brandy Saturley

During the fur trade, point blankets became a key commodity, often traded for beaver pelts and other goods. By the 1700s, they made up over 60% of the merchandise exchanged by the HBC. The blankets were adopted by both Indigenous and settler communities for practical purposes: bedding, clothing, and even as room dividers. For many Indigenous nations, blankets held deep cultural significance, serving as symbols of status and used in ceremonies. Prior to the introduction of European wool blankets, Indigenous peoples crafted their own from animal hides and furs.

Hudson's Bay Iconic Stripes

All Wrapped Up, 2024, Oil and Acrylic on canvas, 12 x 12 x 1.5 in, Brandy Saturley

A Symbol of Canadian Identity

By 1929, the Hudson’s Bay Company expanded its colour range and began promoting the blankets as home décor essentials, cementing them as a staple of Canadian households. The blankets were also produced for special occasions, such as the coronation of Queen Elizabeth II, which saw the release of a royal purple blanket with white stripes. Over time, the colours and stripe patterns were standardized, giving the blanket its iconic, recognizable design.

Today, the Hudson’s Bay stripes have transcended their original purpose, becoming a symbol of Canadian heritage and style. The classic design has been applied to everything from umbrellas to phone cases, making it a recognizable emblem of Canadiana. It frequently appears in home décor magazines and lifestyle blogs, celebrated for its vintage charm and nostalgic appeal.

INDOM, 2023, Oil and Acrylic on Wood Panel, 24 x 18 x 2 in, Brandy Saturley

Hudson’s Bay Iconic Stripes – An Icon in My Art

For me, as a Canadian artist who paints symbols of this country, the Hudson’s Bay stripes have become a recurring motif in my work. The blanket’s bold palette and distinctive pattern evoke a sense of nostalgia and national pride. Over the years, it has featured in many of my paintings—sometimes as a backdrop, other times as the focal point—representing themes of home, heritage, and identity.

Canadian Pop Art

Ride My Wake, 2014, Acrylic on canvas, 36 x 48 x 1.5 in, Brandy Saturley

Most recently, the news of the Hudson’s Bay Company filing for creditor protection and liquidating all but six of its stores marks the end of an era. Though the company may be coming to an end, the legacy of the striped blanket endures—a timeless symbol of Canada’s history, stitched into the fabric of our culture.

Explore more of my original paintings inspired by Canadian heritage and symbols. Click here to view the collection.

The Woman Art Show – Over 100 Figurative Painters

Opening September 21, 2024, The Woman Art Show, has become an annual exhibition of some of the best figurative painters from around the world. This well known figurative art show is produced annually by the James Baird Gallery in Pouch Cove, Newfoundland.

One hundred figurative painters from over twenty countries exploring the theme of woman. As in past years we are spanning the globe with outstanding artists and their practices. I am proud to have one of my paintings included in this important show. This show features my painting, ‘West Coast Solitudes‘. This painting features a woman peering out the window of a hotel room, she is wrapped in the iconic Hudson’s Bay Company point blanket, and she is enjoying a glass of wine. This Canadian pop art style rendering features a west coast palette of greens and earthy tones, reminiscent of my Vancouver Island home.

This show features work by the following figurative painters;

Griselda Alvarez, Jennifer Anderson, Kayoon Anderson, Duma Arantes, Majo Arrigoni, Robin Asquini, Zach Atticus, Abraham Brewster, Heather Brunetti, Katie Butler, Melissa Calabria, Diana Carolina, Ricardo Celma, Antonella Cinelli, Rossi Emerald Crimson, Yury Daraskevitch, Diego Dayer, Dan Ferguson, Sandra De Jaume, Jaq Grantford, Olivia di Gregorio, Lola Erhart, Maria Andres Fernandez, Annie Flores, Shelia Flaherty, Nanette Fluhr, Jane French, Vincent Giarrano, Jaq Grantford, Barbara Hack, Sadko Hadzihasanovic, Quinn Henderson, Heather Horton, Shelah Horvitz, Azul Iturri, Saara Knapp, Pippa Hale-Lynch , Caroline Ji, Sophie Jodoin, Colleen Kiely, Nicolina Kovalenko, Francien Krieg, Maya Kulenovic, Kim Leutwyler, Kathrin Longhurst, Ellen Star Lyon, Betzalel Maida, Marilyn McAvoy, Kai McCall, Stefany Milan, Hernan Javier Munoz, Reuben Negron, Laurence Nerbonne, Camila O’Gorman, Malin Ostlund, Tomas Ortolani, Chrystal Phan, Valentina Porcelli, Constance Regardsoe, Sam Reuter, Gwen Roberts, Manu Saluja,Paula Saneaux, Al Saralis, Daniela Savarese, Brandy Saturley, Shane Scribner, Sara Scribner, Natalie Segovia, Nicole Sleeth, June Stratton, Ian Strawn, Matt Talbert, Zienna Brunsted Stewart, Mark Tennant, Lesley Thiel, Terri Thomas, Nadine Tralala, Christina Troufa, Shannon Vaught, Amy Webber, Graeme Wilcox, Caitlin Winner, Torsten Wilber, Rimi Yang, Pippa Young, Rodolfo Zagert, Anne-Marie Zanetti, Narelle Zeller, Brenda Zlamany, Luis Zuluaga

More about the show here.

Woman Art Show Newfoundland

More Canadian Pop Art style paintings by Brandy Saturley, here.

Ten Paintings referencing the iconic HBC Point Blanket

Originally used in trade with First Nations in Canada, the Hudson’s Bay point blanket is one that all Canadians recognize. With it’s distinctive HBC stripes of green, red, yellow and indigo, the blanket has become an icon of Canadiana. Known as the ‘point blanket’ for the black lines woven into the selvage of the blanket along the edge, these lines came to signify the size of the blanket. Genuine point blankets have become a luxury item and a sought after collectible, fetching prices in the thousands of dollars. The main determinants of value include age, size, colour, pattern rarity and condition. As a Canadian artist who is known for painting themes, symbols and icons of Canada; the HBC point blanket has made it’s way into my paintings over the years, helping to express visual stories about my Canadian experience, on canvas. Here are ten paintings that reference the iconic Hudson Bay stripes and point blanket:

HBC point blanket in art

HBC blanket in art

HBC stripes in art

HBC point blanket paintings

HBC stripes in art

Point blankets were bought by Indigenous Canadians and settler communities alike to use as bedding, clothing, room dividers and fabric for other items. Prior to the European blanket trade, many Indigenous nations wore hand-woven blankets made of animal hides and furs. Blankets played an important role in many Canadian Indigenous communities as all-purpose clothes and household items, as well as status symbols.

HBC blanket painting

HBC blanket in art

HBC stripes in art

hbc stripes in art

HBC stripes painting

Ten paintings that reference the HBC point blanket and stripes. We see those stripes everywhere we look in Canada and around the world. I have one of these blankets on the couch in my studio. It serves as a reminder of our history, and the importance these blankets played. Like the landscape, there is something loved and familiar here, you cannot deny the visual importance that four little stripes hold on the Canadian consciousness.

See more iconic Canadian paintings.