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Where My Ideas Come From, the Sunday Muse.

In my work leading up to a residency in Newfoundland, I have been operating from my office instead of my studio this week. While it’s the ‘less fun’ place to work, it is just as integral to my art career. I have invoices to create, inventory to manage, a website to keep current, and, of course, the task of writing this blog and keeping up with my Sunday Muse.

I’ve been putting a bit more effort into it this year than I usually do. It has proven to be a great source for connecting with new collectors and offering a peek behind the curtain. On Sundays this year, I have been sharing my ‘Sunday Muse’ with my Facebook family. It opens a door to my thoughts and where my ideas begin brewing, eventually becoming finished artworks. I like to write in short bouts; it adds another dimension to the work. I’ve never been good at speaking my mind as my thoughts often wander when asked to speak at length. I’ve always communicated better through images while I paint and on the page as I write. I know there is a book in me somewhere, and I am getting much closer to making this happen.

Sunday Muse

With Newfoundland on my mind, I’ve developed a loose schedule and working structure for my month on the east coast. While I am there to absorb the local culture and natural wonders, and it will be a time led by intuition and creating in the moment, the loose structure of my days helps ease the transition from my home studio to a studio in a new location. I want to get the most out of my time, and a loose structure and plan help me ensure this will happen.

I’ve been listening to a lot of Neil Young this week while I get lost in paperwork and updates around the web. Coldplay was my live playlist last week as we took in the Coldplay Music of the Spheres world tour at BC Place in Vancouver. The concert was not really a concert but an experience. It transcended a mere venue presentation of musical artists; it was an uplifting love fest filled with lighted bracelets and the movement of lighted wrists to music. I wasn’t seeing Chris Martin and his band on stage; I was seeing color and light and movement. It was an experience of the highest power, and as I sit here in my Spinalis chair that moves with my spine, I am swaying to another Brit of great wonder and grandeur, David Bowie. “I will be King,, and you will be Queen, though nothing will drive them away, we can beat them, just for one day. We can be heroes, just for one day.” And we were heroes that day at Coldplay.

Sunday Muse

In fact, if I reflect on the moment when I began contemplating what to write in this post, the term ‘Generation X’ is on my mind. There’s been a surge of memes circulating on the internet lately. You’ve probably come across them; they often feature a photo of Judd Nelson from the Breakfast Club with captions like ‘Gen X, the only generation that became 30 at age 10, and still is 30 at 50.’ As a proud Gen X’er, I can relate; it never fails to bring a laugh and a smile because it resonates with my truth. I’ve been labeled an old soul. I didn’t enjoy being around screaming children when I was a child, and I still don’t. However, I’ll happily whoop and throw my fist forward at a concert—go figure. With no children of my own, I’m essentially a big child who plays in my studio and communicates with the world through my paintings. Remember that quote by Picasso? “The problem is how to remain an artist once we grow up,” and I still haven’t. I find more joy around children now than I did when I was one.

Sunday Muse

Returning to ‘Gen X’—many of us are likely unaware of the origin of this term in contemporary usage. ‘Generation X’ has been employed at various times to describe alienated youth, dating as far back as the 1950s post-WWII era. It firmly embedded itself in contemporary culture after Vancouver artist—and one of my favorites—Douglas Coupland, published the novel ‘Generation X: Tales for an Accelerated Culture’ back in 1991.

The trajectory of my thoughts leads me to the significance of music in my work. As I contemplate where the music of Newfoundland will take me while I paint in my studio at the Pouch Cove Foundation, only time will tell. I am ready to soar. Come, float along with me on this journey as I create paintings, prose, videos, and capture images on my Nikon D810. The muse is in motion, and so am I.

The Artist and Muse: the 13th Canadian Portrait

painting of brandy saturley

A muse’s job is to penetrate the male artist and bring forth a work from the womb of his mind, right? Historically speaking, the artist’s muse, is a great source of artistic inspiration. In mythology, the Muses were nine goddesses who symbolized the arts and sciences. There have been many famous traditional artist/muse relationships over the years such as Edie Sedgwick, Andy Warhol’s poor little rich girl, or Dora Maar who inspired several of Picasso’s most famous paintings. For women throughout art history, the relationship between female artist and male muse has often been more subtle, hidden behind the canvas, rarely depicted.

Edie Sedgwick and Andy Warhol on the set of Ciao! Manhattan (1972)

In today’s world, a muse is a person who serves as an artist’s inspiration, and there are more female artists painting their male muses. Traditionally male artist’s, and men in many professions provided, and women raised the family and took care of the household. Gendered expectations of women as primary caretakers of others, would get in the way of women pursuing cultural production.

My grandmother was one of these women, as she was busy raising a family and helping run a business on the Canadian prairies. Recently I discovered my grandmothers hand written recipe book, with about twenty blank pages at the end. Thinking there was nothing more most would just close the book and toss to the side. I thought it was strange and flipped to the back of the book where I found lists. These lists were ideas, and information, perhaps read in newspapers or seen on TV and heard on radio. The lists included a budget for art supplies and painting lessons. It seemed in later years my grandmother found a way to save her pennies and put this money towards making art, mostly in secret. My grandmother owned and ran a gas station, ran a restaurant and nightclub, sewed and weaved traditional Ukrainian textiles. My mother was very close with my grandmother and she also began cooking, and enjoying creative pursuits such as drawing and painting. These women instilled a love for the arts in my life. I did not take to the domestic side of life, I dreamed of grander pursuits and envisioned a wildly creative life.

Ukrainianweaving

Fast-forward to 2014, I began creating a body of work that would rely on collaboration with everyday Canadians, and people not necessarily connected to the arts or near major art centers. I suppose looking back now, it is like I am reaching back in time and trying to bring art to those that did not have access or see the value of artistic pursuits, or perhaps it is that I am reaching out to everyone in hopes to touch their lives through art, to speak to them through painting. This project, the ‘People of Canada Portrait Project’ relies on Canadians to send me a photo of themselves, in their authentic clothing, central to their identities. Through the process of interview questions, I decide on a background for the painting and then paint the subjects into the background, in many cases.

Now five years in and 13 paintings, the project has grown organically and at a much slower pace than I had originally anticipated. As the project has been a side-bar to my core work as an artist, I give it what time I can as I work on several projects concurrently, including running my business as an independent artist. As such I have been able to watch my work grow as my technical abilities for portraiture mature.

As I am coming into my 13th year working as a full-time professional artist, it seemed appropriate to paint a self portrait and the person who is integral to my life. Not only is he my greatest muse, he is my greatest supporter and sometimes collaborator. He is my husband and as I write this I realize that we will also be celebrating our 13th wedding anniversary this December. Seems like the number 13 is our lucky number.

In numerology the number 13 tends to accomplish most things without the need of others or relying on them to make the decisions. Most of the goals are about building the foundation for the future. 13’s are very determined and tend to go after their goals with persistence. The basic meaning of 13 is composed of the ideas of focus, pragmatism, secure foundation, independence, and creative self-expression.

Referenced as #ICONICCANUCK and the #KILTPIPER on the People of Canada Portrait Project website, we are a couple of gregarious and life loving Canadians who live for the moment, and road trips in our ruby red JEEP.

As with the previous portraits we will participate in answering questions about ourselves and our thoughts about being Canadian, through grilling one another. For now here is the portrait; The Artist and The Muse. More to follow…

Brandy Saturley Canadian artist