A Spirit Bear Painting

Tales of the Wild West Coast – A Spirit Bear Painting

In late 2019, I began painting stories of a polar bear searching for a new home – a journey that took this wandering bear from coast to coast, discovering the beauty and vastness of Canada. Along the way, the bear has been joined by a cast of familiar Canadian characters, from Canada Geese to moose, each adding to this evolving visual narrative.

Float Away With Me, 12×9 inches, acrylic on canvas, 2025 – Brandy Saturley

Most recently, I found myself drawn to another iconic creature, the spirit bear, adding a new chapter to this ongoing story of travels across Canada.

The elusive Kermode – Spirit Bear

The spirit bear, also known as the Kermode bear, is a subspecies of the American black bear found along the Central and North Coast regions of British Columbia. With its distinctive white coat, the spirit bear is the official provincial mammal of British Columbia. These white bears are not albinos, they have pigmented skin and eyes, and while not exceedingly rare, their populations are carefully protected because of their deep ecological and cultural importance.

View of Mount Arrowsmith from Parksville, BC beach.

Over the past month, I’ve been painting the landscapes and still life of Parksville, British Columbia, my new home and studio by the sea. For this latest work, I wanted to capture the spirit of the West Coast in autumn: the soft tones of the beach, the distant rise of Mount Arrowsmith, and the abundant bird life that fills the scene with energy. It felt like the perfect landscape for a spirit bear to roam, quietly powerful, reflective, and free.

A Spirited Walk, 30×30 inches, acrylic on canvas, 2025 – Brandy Saturley

Here is A Spirited Walk, my newest painting and the latest tale in this series of Canadian wanderers, a story of connection to place, myth, and the wild heart of the West Coast.

October 27, 2025

West Coast Still Life

New Paintings

Painting on the Left Coast – West Coast Still Life

We recently moved our home and my studio to the seaside city of Parksville, British Columbia – leaving my hometown of Victoria behind for a serene and immersive locale. After just one month, the studio is finally feeling like my own, and the paintings are flowing again. Five new works are already complete. It feels somewhat like being on an artist residency, and I’ve been treating these first few weeks as such.

The beach at low tide in Parksville BC – Canada

Though I’ve lived on Vancouver Island my entire life and traveled across Canada to make and show my art, I’ve rarely turned my focus to painting the West Coast itself. Since moving here, I’ve learned that many locals affectionately refer to it as the “Left Coast.” The phrase plays on geography, our coast lies on the left of the map, but also carries a certain spirit of independence and creative energy that defines this region.

The desire that once drove me to travel and connect with the rest of Canada came largely from feeling isolated from the national identity and the stereotypes of “Canadiana.” British Columbia has always stood apart. When British poet Rupert Brooke arrived in Vancouver after a cross-Canada journey in 1913, he wrote home: “It’s a queer place, rather different from the rest of Canada.” While others may have viewed BC as a rain-sodden outpost, those who live here understand that “Super, Natural British Columbia” is far closer to the truth. As humorist Eric Nicol once quipped, “British Columbians like to think of their province as a large body of land entirely surrounded by envy.”

The Beach in Parksville, BC – Canada

I’ve often said that we live in our own biosphere here on the coast. BC is undeniably part of Canada, yet it feels like its own realm, a place of unique rhythms and light. If, as historian Jean Barman suggested, “British Columbia is not so much a place as a state of mind,” then I find myself now immersed in exploring what that state of mind truly means.

Here in Parksville, I’ve been walking the endless sandy beaches, observing wildlife, flora, and the play of tide and wind. I find myself looking more closely than ever before, perhaps it’s that residency mindset taking hold. Beyond the beaches, I’ve explored the wetlands and railway tracks, visited the local MacMillan Arts Centre, and joined the Oceanside Arts Council, connecting with the vibrant creative community of Oceanside, Qualicum Beach, Nanoose Bay, and Nanaimo.

New Paintings – West Coast Still Life

This exploration has already inspired two new paintings, visual stories of life by the ocean. The palette of these works draws directly from the coast: green-golds, blues, Payne’s grey, and raw sienna. They are part still life, part landscape, inviting the viewer to look closely at the natural details that define this place. Rocks and shells float serenely within these compositions, much as I feel when walking along the shore, listening to the rhythm of the waves.

Unusual Oyster shell in Parksville, BC

The World Is Your Oyster reveals a uniquely shaped oyster shell shimmering above a beach landscape at low tide, while a Great Blue Heron stands silhouetted in the distance. The sundown sky glows with yellows and greys, a quiet tribute to the poetic solitude of the coast.

The World is Your Oyster, 30×30 inches, acrylic on canvas, 2025, Brandy Saturley

Sumo tells another West Coast story. A stack of stones, balanced like an inukshuk, takes on the presence of a Sumo wrestler, strong, grounded, and immovable, set against a moody sky of blues and greys with a lush outcropping of green trees in the distance.

Sumo, 16×16 inches, acrylic on canvas, 2025 – Brandy Saturley

These paintings are undeniably Left Coast – rooted in place and mood. As I continue this residency-like chapter of my practice, I look forward to seeing how this new home will shape the stories I tell through paint.

See more paintings of Canada here.

October 20, 2025

Bowler Hat Painting

New Paintings

She Was Knocking On The Sky – A New Painting with a Bowler Hat

My painting process has always been rooted in storytelling. It begins with collecting, taking numerous photo references from my travels across Canada and collaging them together into a single narrative or scene. These photos might come from moments in nature or from the controlled light of my studio. Often, they sit in my archive for years before revealing their purpose. This is the story of a painting with a bowler hat.

Canadian Artist Brandy Saturley wearing Lilliput Hats Bowler Hat

The latest painting began with two familiar objects: a bowler hat custom-made for me by Karen Ruiz of Lilliput Hats, and a flannel shirt from Dixxon Flannels Canada – a combination that has become part of my #ICONICCANUCK persona. Over the past two decades, this persona has found its way into several of my self-portraits – a recurring figure set against landscapes that echo the abstracted forms of Lawren Harris. These works merge the real and the surreal, blending lived experience with imagined topographies.

Let Your Backbone Rise, 36×36 acrylic on canvas, 2016 – Brandy Saturley

In this new painting, I return to those themes – idealized forms, undulating skies, filtered light, and softly rounded island shapes. The figure wears a purple bowler hat and a plaid shirt, her long brown hair moving with the wind. She is a wanderer, never home long, drawn to the road and to the horizon beyond.

Inside Brandy Saturley Studio

The title and spirit of the piece come from a Buddhist proverb: “Knock on the sky and listen to the sound.” It speaks to the act of seeking- of listening deeply to nature, to intuition, to the world’s quiet messages. In this painting, “knocking on the sky” becomes both a poetic and spiritual gesture, a moment of connection between self and landscape.

Knocking On The Sky, 30×30 acrylic on canvas, 2025 – Brandy Saturley

The girl with the bowler hat is, in many ways, me, and all who search for meaning in the beauty of the unknown.

The Bowler Hat in Art History

The bowler hat has a rich and layered symbolism in art history, a small object that has come to represent much larger ideas about identity, class, conformity, and individuality.

Originating in 19th-century England as practical headwear for working-class men, the bowler quickly crossed class boundaries. By the mid-20th century, it became synonymous with the British middle class, the uniform of bankers and city workers, a symbol of respectability and social order.

In art, however, the bowler hat took on more surreal and philosophical meanings. Most notably, René Magritte used the bowler repeatedly in his paintings as a stand-in for the “everyman” – a faceless, anonymous figure navigating dreamlike realities (The Son of Man, Golconda, The Man in the Bowler Hat). Magritte’s use of the hat stripped it of social hierarchy and turned it into a symbol of mystery, anonymity, and the tension between appearance and reality.

Later artists and filmmakers have drawn on the bowler’s visual and cultural weight to explore ideas of duality, between individuality and conformity, reality and illusion, the seen and unseen self.

In your own work, the purple bowler hat subverts this history. It becomes personal rather than anonymous – a symbol of self-definition instead of conformity. By placing it within a natural, Canadian landscape rather than an urban or surrealist setting, you transform the hat from a marker of class or mystery into a poetic emblem of identity, curiosity, and connection to place. Having the woman wearing a plaid shirt, the uniform of the working class everyman, further echoes the sentiments of Magritte.

October 9, 2025

A West Coast Painting

New Paintings

Inspired by The Beach – A West Coast Painting

Just a few weeks ago, we packed up our lives and moved to a charming seaside city called Parksville. With that came the task of dismantling my Victoria studio and setting up anew. While moving is rarely easy, my experiences with artist residencies over the years have prepared me well for transitions like this. When you spend a month creating in an unfamiliar place, you quickly learn how to adapt – how to set up your tools, find your rhythm, and create as though you’ve always been there.

The beach in Parksville, BC

This time, my new environment has brought me closer to the sea, and it didn’t take long before that influence found its way onto the canvas. My first painting created here feels distinctly West Coast and rooted in the rhythms, textures, and moods of the shoreline.

The beach in Parksville, BC

Studio moves can be disruptive, but I’ve come to see disruption as a gift. Shifting environments keeps me alert, curious, and responsive. Routine can make an artist complacent, while change stirs creativity. It’s why travel and residencies have been such an essential part of my practice, from coast to coast to coast across Canada, and even further afield, like my month spent painting at the Royal College of Art in London, England. Each new place challenges my eye and my adaptability.

Brandy Saturley in studio residency at Pouch Cove Foundation, Newfoundland Canada

One of my favourite artists, Georgia O’Keeffe, was deeply influenced by her travels. She painted across more than forty-nine countries in her lifetime. I share her belief that travel not only shapes an artist’s work but also helps reveal one’s fullest potential as a human being.

Though the transition to Parksville took a few weeks, I continued painting while setting up the new studio. My daily walks along the beach have become a source of constant inspiration, where the air smells of salt and seaweed, where herons, crows, and gulls punctuate the quiet, and where driftwood sculptures rise like monuments to impermanence. The landscape of sand and tide shifts daily, and with it, so does my perception.

Great Blue Heron

This brings me to my first painting completed here, in this still-settling space. When I Go To SEE is a visual story of my daily walks to the shore. It captures that moment when the senses awaken when observation turns into immersion, and I become not just a viewer of nature, but a part of it.

Detail View, When I Go To See, acrylic painting on canvas by Brandy Saturley, 2025

When I Go To SEE marks the beginning of a new chapter in my West Coast story, painted by the sea, inspired by daily encounters with light, tide, and transformation. Rendered in my signature pop modernism style and with a vivid palette. This new work is now available to view and collect through my website. For those who have followed my visual journey across Canada, this painting represents a fresh horizon and a deepening connection to place, one that invites you to see, feel, and breathe the Pacific.

When I Got to SEE, acrylic on canvas painting, 30×60 inches, 2025, Brandy Saturley

October 6, 2025

New Small Canadian Paintings

New Paintings

New Small Canadian Paintings – 6 New Small Works to Collect

When I took my art practice full-time nearly 20 years ago, one of the first commitments I made was to create new paintings consistently every month. That simple decision shaped the direction of my career. Each year, I set myself the goal of producing between 25 and 35 original works, and this year I am on track as I approach painting number 31. Over the summer I produced six new small works, each one highly detailed and rich with storytelling.

Get The Good One, 2025 – Brandy Saturley

These new small paintings invite you to experience fresh visual stories of Canada, capturing the essence of the Canadian landscape and way of life. From glowing sunsets to quiet canoes on the lake, from towering mountains to the dancing Northern Lights, each piece offers a vibrant palette and a deep connection to the wilderness.

Heralding Autumn, 2025 – Brandy Saturley

Small paintings are an ideal way to begin or expand an art collection. They bring the same level of detail and storytelling as larger works but are accessible in scale and investment. Each painting is created with the same care, layered brushwork, and attention to light and symbolism that define my larger canvases.

You and Me and Dancing Skies, 2025 Brandy Saturley

Whether you are drawn to the serene stillness of a canoe on a glassy lake, the brilliance of a northern sunset, or the energy of the Aurora Borealis, these works carry a distinctly Canadian spirit. They are original, one-of-a-kind pieces that will bring warmth, color, and a story of Canada into your home.

Let’s Paddle Away, 2025 – Brandy Saturley

Explore these six new works now and find the piece that speaks to your own love of Canada.

Languishing Along, 2025 – Brandy Saturley

Your Wonderland, 2025 – Brandy Saturley

See more paintings by Brandy Saturley. Follow the artist on Instagram @brandysaturleyart

August 26, 2025

New Polar Bear Painting

New Paintings

The 30th Polar Bear Painting – Filled With Wildflowers

Each day, I walk the quiet country roads and along the edges of farmers’ fields in North Saanich, where nature’s details slowly reveal themselves. In spring, the once-muted palette of greens and golds transforms into a vibrant patchwork of wildflowers. The landscape, previously hushed and restrained, now bursts into song, each bloom a different note in nature’s symphony. Scarlet reds, brilliant yellows, soft purples, and crisp whites dance across the fields, shifting with the breeze, breathing life and motion into the earth beneath my feet.

This seasonal shift brings with it a deeper richness: textures layered like brushstrokes, shadows that stretch and play among the petals, and a fragrance that invites you to pause and breathe a little deeper. It’s a time of awakening, when even the most familiar paths feel reborn. As I walk, I imagine myself part of this landscape resting among the tall grasses, enveloped by blooms, listening to the hum of bees and the whisper of the wind.

It is in this moment of quiet immersion that my mind returns to the Polar Bear King.

Now marking the 30th painting in this ongoing series, this latest piece brings the iconic figure of the polar bear into a new setting, surrounded not by ice and snow, but by wildflowers in full bloom. This king of the North finds himself in a dreamlike place, filled with colour, vitality, and the gentle chaos of nature’s abundance. It is a celebration of contrast and transformation, of strength meeting softness, of solitude meeting bloom.

The Wild Life, Acrylic On Canvas, 36 x 60 x 1.5 in, 2025 – Brandy Saturley

As with every painting in the series, the Polar Bear King becomes a mirror for my own journey; roaming, observing, resting, and transforming alongside the landscapes of Canada. This wildflower-filled work is not just a new chapter for the bear, but also for me, and for anyone who has followed this series over the years.

Brandy Saturley studio, North Saanich, BC Canada

Here’s to the thirtieth painting. To wildflowers. To wandering. To finding beauty in unexpected places.

July 3, 2025

Polar Bear and Moose Paintings

New Paintings

The Polar Bear King and a Mighty Moose – New Paintings

A few years ago, I began painting a curious polar bear – roaming ice shelves, standing watch over northern landscapes, and searching for a new home. As he made his way across North America in my imagination and on my canvases, this bear became much more than a motif. He became a character, a constant presence in my storytelling through paint. A silent observer of the human world and a symbolic figure of endurance, curiosity, and change.

Positively Polar, 12×9, acrylic and gold leaf on canvas, 2025 – Brandy Saturley

After many adventures in acrylic and gold leaf, it feels only right that this majestic figure now has a proper name. Known until now as the Polar Bear King, he is officially christened William or simply Will to those who know him well.

Float Away With Me, 12×9, acrylic and gold leaf on canvas, 2025 – Brandy Saturley

Will continues to journey through bold, modern landscapes in this new series of paintings. You’ll find him enjoying a cool dip in a glacial lake, peacefully drifting down a river in a canoe, and sitting stoically beneath a waving Canadian flag. Each painting tells a piece of his evolving story, a visual fable set in the wilds of Canada.

Strong and Free, 12×9, acrylic, oil and gold leaf on canvas, 2025 – Brandy Saturley

But even kings need companions.

Enter Wendel, a mighty moose with a calm, regal bearing and a curious nature of his own. With antlers like ancient tree branches and eyes full of quiet knowing, Wendel brings a grounded strength to Will’s world. In this new chapter of their travels, I’ve painted Wendel floating downriver in a red canoe named Maple, and standing proud in front of a billowing Canadian flag, echoing themes of heritage, sovereignty, and the quiet poetry of the northern wild.

Maple Moose, 12×9, acrylic and gold leaf on canvas, 2025 – Brandy Saturley

Together, Will and Wendel form a duo that balances power and peace, solitude and friendship. They are symbols of Canada’s untamed beauty, told through the lens of pop modernist storytelling. Their journeys will continue, and I look forward to where they take us next.

Majestic Mooseness, 12×9, acrylic and gold leaf on canvas, 2025 – Brandy Saturley

These new works are now available through my Banff dealer, Willock and Sax. If one of these paintings speaks to you – or if you’d like to know more about Will and Wendel’s ongoing story – feel free to reach out and ask. I love hearing where these characters resonate most, and where you imagine they might wander next.

Namaste North, 12×12, acrylic and gold leaf on canvas, 2025 – Brandy Saturley

See more paintings of Will the Polar Bear King here.

June 11, 2025

Floral Paintings in Bloom

New Paintings

New Floral Paintings in Bloom: Wild Roses and Wildflower Whimsy

As the summer season unfurls, so too does a new duo of floral-inspired paintings from my studio on Vancouver Island. These newest works continue my exploration of Canadian iconography through a pop modernist lens, blending bold colour, symmetry, and symbolism with a contemporary eye. These are floral paintings in bloom.

A Wild Trio, Acrylic On Canvas, 18 x 36 x 1.5 in, 2025 – Brandy Saturley

Wild Roses on Blue Violet Sky

The first painting features three wild roses soft pink petals curling outward with subtle shifts in hue floating in harmony against a blue-violet background. Swirls of white reminiscent of clouds or dreams drift through the sky, adding a feeling of openness and spirit. These wild roses, often symbols of resilience and beauty in untamed places, evoke both nostalgia and freshness. Their placement and simplified form bring a modern edge to a traditionally romantic subject.

A Wild Trio, 18×36, acrylic on canvas, 2025 – Brandy Saturley

Symmetry in Bloom: A Wildflower Meditation

The second piece offers a vibrant burst of colour in a symmetrical composition of wildflowers. Yellows, reds, blues, oranges and pinks dance across the canvas, each bloom contributing to a unified whole. The blue-violet background ties this painting to its companion piece, while spontaneous white marks across the surface lend movement and rhythm, as if the flowers are swaying in a summer breeze. It’s a visual meditation on balance, energy, and nature’s natural order.

These works are not your typical floral paintings. They are bold, graphic, and modern – florals with attitude. Whether hung side-by-side or placed in different rooms, they offer a fresh pop of colour and meaning, ideal for both home and office spaces. They spark conversation and bring a sense of place and peace indoors.

Among The Wildflowers, 18×36, acrylic on canvas, 2025 – Brandy Saturley

Floral Paintings in Bloom: Bring the Bloom Indoors

If you’ve been waiting for the perfect floral to brighten your space, these paintings are now available for acquisition. Whether you’re looking to invest in original Canadian art or simply want to bring more vibrancy and life into your home or corporate office, these pieces offer a contemporary twist on timeless beauty.

Among the Wildflowers, Acrylic On Canvas, 18 x 36 x 1.5 in, 2025 – Brandy Saturley

Interested in learning more or seeing them in person? Reach out directly to inquire about availability, pricing, and shipping options. As always, I love helping collectors find just the right piece for their space.

June 9, 2025

New Paintings 2025

New Paintings

Painting Canada – New Paintings Made in the First 6 Months of 2025

Painting Canada is something I’ve been doing for nearly two decades now, an ongoing visual journey that traverses provinces, symbols, and stories across this vast and layered country. Every year, I take a moment to pause halfway through and reflect on new paintings that have emerged from the first six months of 2025. It’s part self-check-in, part celebration, and always an exercise in understanding where the brush has taken me, and where it wants to go next.

On average, I complete between 25 to 35 new paintings annually, each one contributing to the broader narrative of Canadian identity, place, and imagination. This year, however, feels different. I’m on track to produce a particularly large and ambitious body of work – one that spans geography, mythology, memory, and the daily poetry of life in Canada.

In 2025, I’ve continued developing the Polar Bear King series – paintings that follow a solitary polar bear as he journeys across North America in search of a new home. These works are part allegory, part environmental commentary, and part personal myth-making. The Polar Bear King has taken on a life of his own, becoming a kind of nomadic hero navigating changing landscapes with quiet resilience.

Alongside the polar bear’s travels, I’ve returned to some familiar yet ever-evolving territories – painting the dramatic skies and rolling foothills of Alberta, and the rugged coastal beauty of Newfoundland. Each landscape painting captures more than topography – it holds a mood, a memory, and a sense of national character seen through my eyes.

I’ve also woven in symbols of identity and seasonality: Canada flags rendered in unexpected contexts, floral still life’s infused with a pop-modernist palette, and compositions that combine realism with abstraction, celebration with critique.

This year’s paintings are bursting with colour and story. They continue to build on a narrative I’ve been telling for years: one that invites the viewer to reflect, dream, and perhaps see their own Canadian experience mirrored back in paint.

Here are my Top 10 Paintings of 2025 (so far) a mid-year highlight reel of what’s come to life in the studio.

Please Stand By

Please Stand By, Acrylic On Canvas, 30 x 40 inches, 2025 – Brandy Saturley

2. Heartbeats Hum

Heartbeats Hum, Oil and Acrylic on Wood Panel, 36 x 36 x 1 in, 2025 – Brandy Saturley

3. Float Away With Me

Float Away With Me, acrylic and gold leaf on canvas, 12×9 inches, 2025 – Brandy Saturley

4. Red Rocks

Red Rocks, Acrylic on wood panel, 18 x 24 x 2 inches, 2025 – Brandy Saturley

5. The Beach

The Beach, Acrylic on wood panel, 18 x 24 x 2 in, 2025 – Brandy Saturley

6. Wild Rose Country

Wild Rose Country, Acrylic On Canvas, 24 x 12 x 1.5 in, 2025 – Brandy Saturley

7. Hello Poppy!

Hello Poppy!, Acrylic On Canvas, 36 x 48 x 1.5 in, 2025 – Brandy Saturley

8. Lovers in A Dangerous Time

Lovers in a Dangerous Time (2025), Acrylic on wood panel, 18 x 24 x 1.5 in, 2025 – Brandy Saturley

9. Easy, Breezy, Beautiful

Easy, Breezy, Beautiful, Acrylic On Canvas, 39 x 51 x 1.5 in, 2025 – Brandy Saturley

10. Hanging On a Cloud

Hanging On A Cloud, Acrylic On Canvas, 52 x 25 x 1.5 in, 2025 – Brandy Saturley

Currently paintings by Brandy Saturley are available through James Baird Gallery in Newfoundland, Gust Gallery in Waterton Lakes, Willock & Sax Gallery in Banff and through the artist directly through this website.

June 2, 2025

New Floral Paintings

New Paintings

Beautiful Spring: New Floral Paintings Inspired by the City of Blooms

Every spring, I find myself eagerly stepping outside to explore the neighbourhoods of Greater Victoria, British Columbia. After all, we are known as the City of Gardens, and by April and May, it truly lives up to its name. The streets come alive with colour – cherry blossoms, magnolias, tulips, camellias, and rhododendrons bloom in full glory, turning even the most ordinary walk into a visual feast.

Over the years, my reference library has grown with hundreds of photos from these seasonal wanderings, yet until now, I hadn’t spent much time translating these natural wonders onto canvas. This year feels different. I’ve felt a strong pull toward exploring still life through the lens of the floral – both as a celebration of nature and as a challenge in composition, colour, and emotion.

Among my top five painters of all time is Georgia O’Keeffe, whose floral works remain some of the most iconic paintings in art history. O’Keeffe didn’t paint flowers like Monet or Van Gogh – her approach was distinctly modern, bold, and intimate. Her close-up compositions and soft, sensual forms elevated the floral still life beyond mere decoration, imbuing it with emotion, mystery, and even provocation. It’s this power I’m now exploring, how flowers can suggest more than beauty; they can evoke memory, longing, femininity, and the fragility of time.

These new floral paintings are not just about documenting what I see; they’re about interpreting how these blooms make me feel. Through colour, texture, and composition, I want to honour the fleeting yet vibrant energy of spring, the way a single flower can hold the entire season in its petals.

New Floral Paintings: Introducing the First Paintings in the Series

The first few pieces in this new floral series are intimate studies that draw from both real-life reference and emotional impression. Rather than aiming for strict realism, I’m interested in capturing the essence and personality of each bloom – how it leans into the light, how its colour vibrates against the background, and how the arrangement breathes on the canvas.

Good Day Sunflower – 36×48 inches, acrylic on canvas, 2025 Brandy Saturley

A bold and joyful close-up of one of summer’s most iconic blooms, Good Day Sunflower captures the warmth and optimism sunflowers seem to radiate. Painted with a tight crop, the flower fills the frame, its golden petals reaching beyond the canvas edges as if stretching toward the sun. Set against a vibrant sky-blue background, the composition feels fresh, clean, and unapologetically cheerful.

Floating around the bloom are playful green dots, an unexpected pop art motif that adds movement and whimsy to the scene. These hovering elements suggest energy, motion, and perhaps even the carefree buzz of bees or the hum of summer itself. There’s a sense of rhythm in the repetition, evoking a lighthearted, almost musical quality.

This painting is both a celebration of nature and a nod to modern pop aesthetics. It’s about capturing the feeling of a good day, the kind where the sky is clear, the sun is high, and everything feels possible.

Hello Poppy – 36×48, acrylic on canvas, 2025, Brandy Saturley

A bold embrace of colour and contrast – a close-cropped portrait of a single, vibrant red poppy in full bloom. The petals ripple with movement and intensity, their rich crimson hue almost pulsing against a soft, vivid blue background that allows the flower to take center stage.

Adding a playful tension to the composition are scattered magenta pop art dots that hover across the background like bursts of energy or confetti. These rhythmic, graphic elements lend a sense of fun and unexpected modernity to the otherwise natural subject. The result is a striking balance between organic form and contemporary edge.

This painting captures the moment a flower demands your attention, the kind of moment that stops you mid-walk in a field or garden. Hello Poppy is an exclamation, a flirtation, and a vibrant hello to summer’s fleeting beauty.

These works are the beginning of what I hope will be a larger body of floral still life paintings. With each one, I’m discovering new ways to approach composition and emotion through this timeless subject. There’s something grounding about painting flowers – like pressing pause on the chaos of life to focus on the ephemeral, the beautiful, and the alive.

May 26, 2025