With Hearts On Our Sleeves
Hearts On Our Sleeves has many influences, but I will begin with the initial intent. When I began thinking about creating this new self-portrait I had an image in my mind, that of 'Rosie The Riveter'. An iconic war-time poster image, the image did not really hit it's full stride until it inspired a social movement that increased the number of women in the workforce, and became a symbol of feminism. I wanted to paint a self-portrait for all, but also for Canadian women from all walks and in all professions. As I began painting I came to focus on the eyes and began to see the Mona Lisa on my subliminal horizon, a horizon influenced by the landscapes of Lawren Harris with muted tones and almost abstract forms. The heart on the sleeve quite literal in it's placement and meaning. As with all art, ultimately what you see is based on your experience, so even though I began with an intent, it becomes your place now to bring your story to the finished piece.