The Power of Sentiment – The Healing Power of Art

Recently, the heartbreaking news of devastating summer fires in two places I hold dear, Lahaina, Maui, and Yellowknife, NT, has profoundly affected me, influencing my current body of work centered around the journey of a Polar Bear King. The undeniable healing power of art has been extensively documented and discussed. Art has the remarkable ability to tap into the inherent healing potential within each of us, fostering a sense of communal connection.

When we stand before a work of art, we become linked not only to the artist but also to others who have shared in this experience. This connection, whether to ourselves or to fellow art enthusiasts, lies at the heart of the art-and-healing nexus. Healing, much like art, is not a static destination with a prescribed timetable or endpoint; rather, it’s a meandering path with numerous potential avenues. ‘Art can harness the healing power within each of us and help bring us into community with one another.’ MoMA

Just as every encounter with a cherished piece of art offers fresh insights and emotions, the healing process is a dynamic journey, with opportunities branching out in myriad directions.

A short story and two new Polar Bear King paintings.

The Chair of Contemplation – painting, installation and photography by Brandy Saturley

A Tale of the Polar Bear King in Lahaina and Yellowknife

In the lands of Lahaina and Yellowknife so grand,
Where summer wildfires scorched both sea and land,
A tale unfolds of two paintings so rare,
Of a Polar Bear King, on an expedition, solitaire.

They hung in a gallery, dusty and old,
Their frames chipped and tarnished, or so I’ve been told.
One showed the bear, resting under a great Banyan, with a crown of Lei on his head,
The other, in the town of Yellowknife, where around the town, wildfires had spread.

Under the Banyan Tree, 24×36 inches, acrylic and gouache on canvas, 2023

One sunny day, as the sun took its rest,
The paintings came to life, yes, you read that jest!
With a shimmer and a shake, they broke from their frames,
The Polar Bear King leading their colorful games.

Through swirling vortex, they journeyed so bright,
From Lahaina to Yellowknife, day and night.
They soared through the skies, o’er mountains and plains,
Healing the wounds of the fire’s fiery reigns.

In Lahaina, the first, where the palm trees did sway,
They brought rain and cool breezes to chase heat away.
The people rejoiced, their spirits set free,
As the paintings worked magic, for all eyes to see.

Then on to Yellowknife, where winter was near,
The Polar Bear King brought the Northern Lights clear.
They danced in the sky, a colorful delight,
Chasing away darkness and the cold of the night.

Defender of The North, 24×36, acrylic and gouache on canvas, 2023

The paintings, they whispered tales of hope and of grace,
Of a world that’s in need of a loving embrace.
With a twinkle and gleam, they returned to their place,
In the gallery, dusty, with a smile on their face.

The Polar Bear King and the healing they’d brought,
In Lahaina and Yellowknife, their wonders were sought.
Now their story is told, a tale to inspire,
Of two paintings’ journey, set the world to inquire.

Healing Power of Art – sending love to the world.

With these paintings I am sending a beautiful bubble of protection, healing and love to the peoples of Lahaina and Yellowknife. See all the Polar Bear King Paintings here.

Chair of Contemplation August 2023, Brandy Saturley studio, Vancouver Island, BC

The Work of Art – Making A Painting

There is a famous quote that speaks to the work that goes into a work of art, it references the artist process, and vaguely refers to the creative process. The quote made famous by James Whistler is; “An artist is not paid for his labor, but for his vision.” The Work of Art begins far before the artist puts brush to canvas.

What did Whistler mean by, “paid for his, or her, vision”, was he speaking of paying an artist for their ability to see things others cannot? Perhaps, it is definitely about perspective and how artists make us see things in a different light, but I believe Whistler was also speaking of the time it takes to develop the vision for a new creation, the plan or blueprint to future work. As a painter, the painting is the result of the vision, developed through days, weeks, months and even years. An idea I have for an artwork today, may wait for a year before I have enough knowledge to understand how I will execute the painting. Artists are gatherers of visual, aural and emotional stimuli. We collect experiences, from a hiking trip in the Rocky Mountains, to a symphony. From the way a coffee spills on the ground, to the colours of a sunset. From the words of a writer to the moving pictures and soundtrack of a film. All this stimuli being collected literally and figuratively. A photo I take today may end up providing information for a painting I will create a year from now.

We take all this stimuli and boil it down to a message, a simplified thought or perspective on the world – then the physical work begins. It may be through writing, or sketching or editing images together in Photoshop, whatever the process for filtering the stimuli and finding the focus – a clear focal point, the central message. After solidifying the idea, I sketch the focal point of the future painting onto canvas and then I begin to paint. Over the course of the painting I develop the background and additional elements that will help support the story of the central image, I work from intuition with a a focus on color, form and composition. My goal is to create overall balance to the piece. With my paintings, which are generally 3×4 feet, I spend approximately 70 hours from initial sketch to finished painting. Then comes painting the edges of the piece, application of a finishing varnish and coated hanging wire fastened to the back. If I were to add in the time it took to develop my idea to the point of fruition, I am not sure where I would begin, thus an artist is paid for their vision, as it is impossible to track how many hours it takes to create a work of art.

Below is a peek into my process – the reference photos taken on two different art trips – the ‘selfie’ taken while in Winnipeg at the famously haunted Fort Garry Hotel, an old railway hotel in Canada designated a National Historic Site. The ‘stacked rocks’ photo at sunset was taken on a retreat to a cabin on the west coast at the Point No Point Resort. This past year I was also in Yellowknife, NWT famous for it’s aurora borealis. So many stimuli, collected over the course of a year, that ended up coming together in a painting, a year later.