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The Journey of Art: creating an oversized contemporary Canadian landscape painting

How long does it take an artist to create an oversized contemporary painting of the Canadian landscape?  It is not an easy question to answer, especially when a painting unfolds during a transitional period in the world. This painting of the iconic Princess Louisa Inlet began after an artist journey to London, England. The painting was created in the last few months of 2019 on loose un-finished cotton canvas duck. The piece appeared in a short documentary film and then went into storage until 2020. Then COVID took over the world and the artist turned her focus back to her work at hand, painting her visual stories of Canada. As the world came to level out again, an opportunity to stretch and finish the canvas for sale. Really GREAT ART, takes time, and a pandemic delivered this gift of time. Chronicling the journey of art, a behind the scenes recap.

Initial painting of the Landscape on un-stretched cotton duck canvas.

Stretching the canvas at Presentation Framing in Sidney, BC

Journey of Art

Now that the painting is stretched to it’s final size, it asks for more details, it is not quite finished yet. A red canoe, a new sky, and some added details throughout.

Journey of Art

Canadian Artist Landscape Painting

Viewing the painting in the golden light outside, partially due to BC Forest fires and a hazy sky.

Journey of Art

Another look in the light after a UV protective varnish is applied.

Canadian Artist Brandy Saturley

Temporary hang on wall to sign, examine, and prepare for final documentation of the painting through photography.

Final photo of the piece and installation example. This piece needs a large feature wall in a home or in a corporate office or hotel lobby.

Canadian Landscape Painting

This is the journey of Art and it takes time to create a lasting visual story on canvas. This piece is both contemporary but also has a modern art feel in it’s execution. Experimenting with brush strokes and the actual staining of this canvas in order to produce soft background effects. While the piece is a bit of a departure from my more figurative works, I still managed to retain my ‘pop art style’ and palette. This piece certainly reflects my affinity for Canadian landscapes and the iconic red canoe, which acts as the focal point of the piece. It is a gem that deserves a great big feature wall.

See more detailed photos of this painting.

Painting an iconic landscape in Banff, Alberta – all hail Lake Louise

In summer 2019, my art career led me to London England. My time in London coincided with the 200th anniversary of Queen Victoria’s birth, which meant the opportunity to open the monarchs’ archives and share the mementos and stories of her personal life, a side not often seen and certainly not on this scale. What intrigued me most during my time in London was the exhibition at Kensington Palace, Victoria: Woman & Crown. The exhibition offered a peak behind the royal curtain, and included many stories of her and Albert’s love of the Arts and included many of her own personal paintings. There are many connections between my home town of Victoria, Canada (named after the monarch) as well as the Province of Alberta (named after the monarch’s fourth daughter, Princess Louise Caroline Alberta) the name Alberta itself, the feminine of Albert and derived from German carries a meaning of bright, noble and famous.

In their public lives, both the Queen and Princess Louise were strong proponents of the arts. Louise was an able sculptor and artist, and supporter of the feminist movement. Lake Louise in Banff, Alberta was named after the monarch.

I have visited Lake Louise on many occasions; during the summer when the lake is reflecting hues of tropical turquoise, and in winter when the ice is so think you can skate, snowshoe, ski, hike and even build castles on the lake. I have painted this iconic Canadian landscape and her accompanying peaks nine times, and at different stages of my art career. Most recently, upon my return from London, I began painting immense landscapes on unstretched duck canvas. The first landscape being Princess Louisa Inlet, on the sunshine coast of British Columbia. Princess Louisa Inlet is rumored to have been named for Princess Louise or maybe even after Queen Victoria’s Mother. My second large landscape, measuring seven feet wide, was completed in December and honours the view of Lake Louise, from the Fairmont Lake Louise eastern shoreline facing west.

While working on this large Canadian landscape painting, I filmed my daily painting progress in the studio. Filmed in time-lapse mode (super fast painting) the film shows the many layers of acrylic colour; applied in repetition until the desired hues, form, and depth is achieved. I paint using music, it helps me to set the tone in my studio. When editing this short film together, I had to find music to accompany the final piece, that not only matches the tone of the film, but also the tone of the final work itself.

Watch the entire process of painting, Lake Louise Swish here:

See more photos and read about the painting here:

Canadian artist landscape painting Brandy Saturley

See past works inspired by Lake Louise on the artists’  website here:

painting of Lake Louise with red poppies

Poppies For Louise – by Brandy Saturley